My lady, Fiammetta Bianchini, was plucking her eyebrows and biting color into her lips when the unthinkable happened and the Holy Roman Emperor’s army blew a hole in the wall of God’s eternal city, letting in a flood of half-starved, half-crazed troops bent on pillage and punishment.
Thus begins In the Company of the Courtesan, Sarah Dunant’s epic novel of life in Renaissance Italy. Escaping the sack of Rome in 1527, with their stomachs churning on the jewels they have swallowed, the courtesan Fiammetta and her dwarf companion, Bucino, head for Venice, the shimmering city born out of water to become a miracle of east-west trade: rich and rancid, pious and profitable, beautiful and squalid.
With a mix of courage and cunning they infiltrate Venetian society. Together they make the perfect partnership: the sharp-tongued, sharp-witted dwarf, and his vibrant mistress, trained from birth to charm, entertain, and satisfy men who have the money to support her.
Yet as their fortunes rise, this perfect partnership comes under threat, from the searing passion of a lover who wants more than his allotted nights to the attentions of an admiring Turk in search of human novelties for his sultan’s court. But Fiammetta and Bucino’s greatest challenge comes from a young crippled woman, a blind healer who insinuates herself into their lives and hearts with devastating consequences for them all.
A story of desire and deception, sin and religion, loyalty and friendship, In the Company of the Courtesan paints a portrait of one of the world’s greatest cities at its most potent moment in history: It is a picture that remains vivid long after the final page.

The rise and fall of the Venetian empire stands unrivaled for drama, intrigue, and sheer opulent majesty. In City of Fortune, Roger Crowley, acclaimed historian and New York Times bestselling author of Empires of the Sea, applies his narrative skill to chronicling the astounding five-hundred-year voyage of Venice to the pinnacle of power.
Tracing the full arc of the Venetian imperial saga for the first time, City of Fortune is framed around two of the great collisions of world history: the ill-fated Fourth Crusade, which culminated in the sacking of Constantinople and the carve-up of the Byzantine Empire in 1204, and the Ottoman-Venetian War of 1499–1503, which saw the Ottoman Turks supplant the Venetians as the preeminent naval power in the Mediterranean. In between were three centuries of Venetian maritime dominance—years of plunder and plague, conquest and piracy—during which a tiny city of “lagoon dwellers” grew into the richest place on earth.
Drawing on firsthand accounts of pitched sea battles, skillful negotiations, and diplomatic maneuvers, Crowley paints a vivid picture of this avaricious, enterprising people and the bountiful lands that came under their dominion. Defiant of emperors, indifferent to popes, the Venetians saw themselves as reluctant freebooters, compelled to take to the open seas “because we cannot live otherwise and know not how except by trade.” From the opening of the spice routes to the clash between Christianity and Islam, Venice played a leading role in the defining conflicts of its time—the reverberations of which are still being felt today. Only an author with Roger Crowley’s deep knowledge of post-Crusade history could put these iconic events into their proper context.
Epic in scope, magisterial in its understanding of the period, City of Fortune is narrative history at its most engrossing.