妇女史研究，在本世纪初逐渐由冷变热。在前人的研究基础上，作者从宋代的女德教育入手展示笔记内外所见的妇女生活。靖康之难中女性所遭受的性暴力，对南宋以後女德教育的苛刻化有重大影响。以社会性别理论作为分析的主要工具，是本书的一大特色。笔记为主要的资料来源，作者又尝试利用地下發掘的墓葬壁畫等图像史料，作为文献资料的参照。尝试将图像史料与文献资料相对照为本書的特色之二。依据宋代的文献资料,其中妇女史研究方面，学界有重于精英妇女的倾向, 对于庶民妇女群体的研究最为薄弱。本书选取妾与乳母这两个群体作为观察的重点，由於她们具有由下層向上層流動的特點，此为本书的特色之三。

《男人的声音：16位"性别平等男"讲故事》介绍了16篇精彩的高校演讲实录，16位与传统的“大男子汉”不—样的男人，分享他们的生命历程与性别思考。16个男人千姿百态的故事，有一个共同特点：他们都不认同于传统的男性角色，不认同于二元划分的父权体制，或从理论，或从实践，或从自身做起，反思、颠覆传统时性别角色，重新构筑着与女人的关系，挑战着性别不平等的父权社会。他们或是从事学术研究的男性性别平等主义者，或者致力于终止针对妇女暴力的行动家，或者致力于改变农村妇女儿童生存处境的公益达人，或者是正在从事传统上女性从事的家庭和社会角色的男人，或者是致力于推动性别多元平等的社会活动家，或者本身便是性别多元的实践者，如变性人、恋裙装者、颠覆性别二元划分的酷儿……聆听他们的故事，聆听“不一样的男性声音”，开启你自身与性别有关的全新思考！

《妇女与性别:一本女性主义心理学著作》以人类学、社会学、文化研究和心理学的理论视角，采用案例分析、调查和实验等方法，以社会建构主义的观点，解析在社会、文化和历史背景下的妇女与性别问题。《妇女与性别:一本女性主义心理学著作》是由两位美国知名女性心理学研究者写成，以其学术性和权威性研究基础而在美国女性心理学教学中广泛使用，贯穿始终的社会建构主义方法使这《妇女与性别:一本女性主义心理学著作》的价值超越了研究性别差异和女性经历的手册。

In this feminist history of eight centuries of private life in China, Francesca Bray inserts women into the history of technology and adds technology to the history of women. Bray takes issue with the Orientalist image that traditional Chinese women were imprisoned in the inner quarters, deprived of freedom and dignity, and so physically and morally deformed by footbinding and the tyrannies of patriarchy that they were incapable of productive work. She proposes a concept of gynotechnics, a set of everyday technologies that define women's roles, as a creative new way to explore how societies translate moral and social principles into a web of material forms and bodily practices. Bray examines three different aspects of domestic life in China, tracing their developments from 1000 to 1800 A.D. She begins with the shell of domesticity, the house, focusing on how domestic space embodied hierarchies of gender. She follows the shift in the textile industry from domestic production to commercial production. Despite increasing emphasis on women's reproductive roles, she argues, this cannot be reduced to childbearing. Female hierarchies within the family reinforced the power of wives, whose responsibilities included ritual activities and financial management as well as the education of children.

The Gender Knot, Allan Johnson's response to the pain and confusion that men and women experience by living with gender inequality, explains what patriarchy is and isn't, how it works, and what gets in the way of understanding and doing something about it. Johnson's simple yet powerful approach avoids the paralyzing trap of guilt, blame, anger, and defensive denial that often results from conversations about gender.
This edition features:
• Updated references, data, resources, and examples, especially in relation to issues of sexual orientation and gender identity (e.g., gay marriage, transgender/cisgender)
• A glossary of terms
• A new chapter, "What Changes and What Does Not: Manhood and Violence," that provides an extended analysis of the causes of men's violence as a patriarchal phenomenon

究竟香港基右是怎麼回事？正是本書要認真處理的課題。它史無前例地從階級意識、政治哲學及政治形勢分析、科學哲學、批判神學、酷兒政治、行動實踐及個人經驗反思等不同進路，爬梳了香港基右各種意識型態的承傳及轉化，與近年的發展脈絡，對於一直相信可以獨善其身、或助長了基右也不自知的基督徒，與仍然大惑不解、自以為無染原罪的非基督徒來說，都應是必讀的入門課本。
－－游靜 香港嶺南大學文化研究系副教授
本書展現香港知識份子並未止於簡化式的批判和譴責，作者們很嚴肅地、慎重地針對被稱為「香港宗教右派」的興起進行了深刻的分析，對香港本地特有的政經結構溯源，對宗教右派在殖民體系與西方信仰中逐步茁壯的前世，與佔盡階級優勢且充斥政治慾望的今生，都提出了詳盡的歷史社會政治分析，不但揭露其呼應全球保守勢力的擴張野心，也指出某些香港宗教群體與本地先後建制勾結合謀的悠長歷史。
－－何春蕤 台灣中央大學性∕別研究室召集人

Centering on five life stories by Chinese women activists born just after the turn of this century, this first history of Chinese May Fourth feminism disrupts the Chinese Communist Party's master narrative of Chinese women's liberation, reconfigures the history of the Chinese Enlightenment from a gender perspective, and addresses the question of how feminism engendered social change cross-culturally.
In this multilayered book, the first-person narratives are complemented by a history of the discursive process and the author's sophisticated intertextual readings. Together, the parts form a fascinating historical portrait of how educated Chinese men and women actively deployed and appropriated ideologies from the West in their pursuit of national salvation and self-emancipation. As Wang demonstrates, feminism was embraced by men as instrumental to China's modernity and by women as pointing to a new way of life.