热爱音乐的米格尔（安东尼·冈萨雷兹 Anthony Gonzalez 配音）不幸地出生在一个视音乐为洪水猛兽的大家庭之中，一家人只盼着米格尔快快长大，好继承家里传承了数代的制鞋产业。一年一度的亡灵节即将来临，每逢这一天，去世的亲人们的魂魄便可凭借着摆在祭坛上的照片返回现世和生者团圆。
在一场意外中，米格尔竟然穿越到了亡灵国度之中，在太阳升起之前，他必须得到一位亲人的祝福，否则就将会永远地留在这个世界里。米格尔决定去寻找已故的歌神德拉库斯（本杰明·布拉特 Benjamin Bratt 配音），因为他很有可能就是自己的祖父。途中，米格尔邂逅了落魄乐手埃克托（盖尔·加西亚·贝纳尔 Gael García Bernal 配音），也渐渐发现了德拉库斯隐藏已久的秘密。

Carlos Galindo（德米安·比齐尔 Demián Bichir 饰）是一个从墨西哥偷渡到美国的无户籍人士。老婆早已离他而去，如今的他和14岁的儿子Luis Galindo相依为命。儿子在学校因为自己的特殊身份遭受同学的歧视和欺负，但他总是沉默对待父亲的询问，隔阂在两人间越来越深。为了能让自己和儿子过上更好的日子，Carlos努力干活ping命令赚钱。他的一个园丁，平日里的工作就是为了各式各样的美国富人修剪草坪。他的老板因为想回国而出售自己的二手卡车和园丁必备工具。希望可以转更多钱的Carlos找自己的妹妹借了钱买来了人家淘汰的旧卡车和园丁必备的工具。可是有一天，Carlos赖以生存的旧卡车竟然被街区里的小混混Santiago（卡洛斯·琳娜蕾丝 Carlos Linares 饰）偷走。在焦急中父子两第一次坦诚相对，恢复以往的亲情。父子两共同踏上了寻车之路……

在 1519 年，西班牙“征服者”埃尔南科尔特斯讲述了他和他的军队是如何征服墨西哥，并成为墨西哥和西班牙历史上重要历史人物与事件的故事。

奥克塔维奥·帕斯做过六年墨西哥驻印度大使。他在那里的经历改变了他的生活。现在，在帕斯迄今最具个人性的这部散文作品中，他把诗意的洞察力与丰富的知识瞄准了一个不同寻常的巨大主题：印度的文化、风景与本质，一个已经回响了数千年的大陆与文化。帕斯以令人叹服的明晰性，唤起了孟买的声与光；呈现了对于印度光彩夺目的历史与多语种社会的一种令人信服的观察与诊断；并探究了印度的艺术、音乐与社会。其结果必定会把读者深深地拽进一个充满了令人惊奇的美与力量的世界。

"Amexica" provides the first full account of the terror unfolding along the US-Mexico border. An area of land more than 2,000 miles long and 100 miles wide - effectively a country in its own right - has become a battleground. Drugs, guns and killings are the currency of everyday existence as an ever-escalating narco-war explodes out of control. In the last three years more than 23,000 people have been murdered in Amexica as criminal drug cartels fight each other - with ever more inventive twists of violence - for pre-eminence in the 'plazas' - the rivers of narcotics flowing into America, and for consumption in Mexico itself. The war is a grotesque pastiche of the globalised economy: the cartels are inextricably bound up with sweatshop factories, with the smuggling of guns south from the US, with the entertainment industry and with the mass abduction and exploitation of women. This is both the busiest and most deadly frontier in the world, studded with guard-posts, infra-red searchlights and heavily armed patrols. It's a war that's scarcely reported - a war that's being fought, with thousands dying and millions of lives blighted, so that Europe and America can get high. Journalist Ed Vulliamy has long had a love-hate relationship with Amexica - the place and its people. For four months he went on a road trip zigzagging along the entire border. This is the story of that journey and of the visits that preceded it; of the causes and consequences of the war and its impact on the everyday life which somehow goes on around it.

★拉丁美洲哲学思想走向成熟的突破之作，开启墨西哥国民性批判先河，首次中译。
★丝丝入扣揭示民族自卑心理根源，号召人们重塑墨西哥精神，抵抗物质文明和现代技术对人的物化。
★“光启·拉美思想译丛”，拥有超强顾问与译者团队，汇集海内外拉美研究专家。由滕威、魏然主编，戴锦华、汪 晖、索飒、赵振江、陈众议、刘健芝、Gesine Müller、Gustavo Esteva Figueroa、Héctor Hoyos、Ignacio López-Calvo、João Pedro Stedile、Karina Batthyány、Maria Montt Strabucchi、Mariano Siskind、Paulo Nakatani、Walter D. Mignolo等鼎力支持。历时两年，精心编选书目，集中展现拉丁美洲思想的丰硕成果，“站在拉美看拉美”。
在世界文化与本土文明之间，在现代技术和精神文明之间，在信心缺失与妄自尊大之间，如何“认识你自己”？这不仅是墨西哥的问题，也是每个第三世界国家人民都面临与反思的问题。萨穆埃尔·拉莫斯深入解析塑造民族心理的历史力量，指出殖民制度造成了墨西哥人心里深处的自卑感，让他们不敢正视过去，企图将历史一笔勾销，从零开始。他认为墨西哥革命在反对独裁者迪亚斯政权媚外倾向的同时，又陷入了封闭性的民族沙文主义。然而，真正的自救之路应该是直面自我，辩证地看待历史遗产和民族性的优劣。他指出，墨西哥人应该摆脱世界主义眼光的风情画式的“墨西哥主义”，正确认识自我，认识他人。本书堪称拉丁美洲哲学走向成熟、引起世界注意的突破作品，是用历史主义和现代心理学的理性眼光分析具体民族文化的尝试。

The Texas State Historical Association is pleased to offer a newedition of Stephen F. Austin: Empresario of Texas, Gregg Cantrell's path-breaking biography of the founder of Anglo Texas.Cantrell's portrait goes beyond the traditional interpretation ofAustin as the man who spearheaded American Manifest Destiny.Cantrell portrays Austin as a borderlands figure who couldnavigate the complex cultural landscape of 1820s Texas, then aportion of Mexico.His command of the Spanish language, respect for the Mexicanpeople, and ability to navigate the shoals of Mexican politicsmade him the perfect advocate for his colonists and often for all ofTexas. Yet when conflicts between Anglo colonists and Mexicanauthorities turned violent, Austin's accommodationist stancebecame outdated.Overshadowed by the military hero Sam Houston, he died at theage of forty-three, just six months after Texas independence.Decades after his death, Austin's reputation was resurrected andhe became known as the "Father of Texas." More than just anicon, Stephen F. Austin emerges from these pages as a shrewd,complicated, and sometimes conflicted figure.