須藤 薫（すどう かおる、1954年5月1日 - 2013年3月3日）は、東京出身の女性歌手である。 ポップスシンガーとして活動した後、杉真理とのユニット「須藤薫&杉真理」を結成し、ライブ活動を中心に活動していた。

Mezzanine is the third studio album by English electronic music duo Massive Attack, released on 20 April 1998 by Circa and Virgin Records. Produced by Massive Attack and Neil Davidge, it saw the duo expanding their trip hop sound to electronica stylings,[1] with diverse influences from new wave,[2] rock, hip hop, and dub music.[3]
Mezzanine topped the charts in the United Kingdom, Australia, Ireland, and New Zealand, becoming the group's most commercially successful album to date. It spawned four singles: "Risingson", "Teardrop", "Angel", and "Inertia Creeps".

Whee sung以感性的曲风及低沉嘶哑的歌声，去打造第叁张专辑《For the moment》。乐迷在碟内不难发现两种曲式∶传统的黑色音乐及韩国式的旋律搅拌在一起，令人听起来耳目一新！ 主打歌「Fatal Disease」(第五首)一曲内有Master Wu倾力演出，将当地的民歌Hip-Hop化，感觉新鲜。全碟不乏funky、groovy及舞曲的旋律为主调，如「With me」的一段RAP、「7 days」的R&B曲式，以及「Clubbin」的club tune也令人一听难忘。此外，「Dear My Friend」则是 Whee sung为纪念在意外中逝世的前Wanted成员Seo Jae-ho而创作的新歌。

In 1993, Sam Mendes directed a new production of the show for the Donmar Warehouse in London's West End. It starred Jane Horrocks as Sally, Adam Godley as Cliff, Alan Cumming as the Emcee and Sara Kestelman as Frau Schneider. Cumming received an Olivier Award nomination for his performance and Kestelman won the Olivier for Best Supporting Performance in a Musical. Mendes' conception was a very different show from either the original production or the rather conventional first revival. The most significant change was the character of the Emcee. The role, as played by Joel Grey, in both prior incarnations, was an asexual, malevolent character in a tuxedo with rouged cheeks. Alan Cumming's portrayal was highly sexualized, wearing suspenders (i.e. braces) around his crotch and red paint on his nipples.[4] The cabaret number "Two Ladies" was staged with the Emcee, a cabaret girl, and a cabaret boy in drag and included a shadow play simulating various sexual positions.[5] The score was entirely re-orchestrated, utilizing synthesizer effects and expanding the stage band, with all the instruments now being played by the cabaret girls and boys. The brutally satiric "Sitting Pretty", with its mocking references to deprivation, despair and hunger, was eliminated entirely, as it had been in the film version, and replaced with "Money". "I Don't Care Much", which was cut from the original production, was reinstated, and "Mein Herr" and "Maybe This Time", from the film adaptation, were added to the score.[5] Staging details differed as well; instead of "Tomorrow Belongs To Me" being performed by a male choir, the Emcee plays a recording of a boy soprano singing it. Most dramatic of all was in the final scene in which the Emcee removes his outer clothes to reveal a striped suit of the type worn by the internees in concentration camps on which were pinned a yellow badge (identifying a Jewish prisoner) and a pink triangle (denoting a homosexual prisoner). Other changes included added references to Cliff's bisexuality, including a brief scene where he kisses one of the Cabaret boys.

Ray of Light is the seventh studio album by American singer-songwriter Madonna, released on March 3, 1998 by Maverick Records. After giving birth to her daughter Lourdes, Madonna collaborated with Patrick Leonard and William Orbit in developing the album. After failed sessions with other producers, Madonna pursued a new musical direction with Orbit and incorporated his extensive usage of trance and electronic music in her songs. The recording took place over four months, but experienced problems with the Pro Tools arrangement by Orbit as well as the absence of live bands.
However, upon release, the album was lauded by contemporary critics as a music masterpiece of the decade. Reviewers complimented the album for its mature, restrained nature as well as commending Madonna's musical direction, calling it her "most adventurous" record. Commercially, the album was a success on the world charts, peaking at number one in numerous countries such as the United Kingdom, Canada, Australia, New Zealand and mainland Europe. On the US Billboard 200, the album debuted and peaked at number two. In 1999, Ray of Light won four Grammy Award from a total of six nominations. Rolling Stone magazine listed the album as one of the 500 Greatest Albums of All Time. With the global sales of 20 million copies, Ray of Light became one of the most commercially successful albums of the 1990s.
Five singles were released from the album. The first single "Frozen" was an international success, as was the second one, "Ray of Light", which won a number of awards for its music video. Madonna has performed songs from the album on all of her world tours since its release.
美国歌手Madonna（麦当娜）于1998年推出的一张音乐专辑，这张专辑的制作人是William Orbit（威廉姆·奥比特）。他将电子音乐与流行舞曲进行了非常成功的结合，并融合了当时流行的音乐元素，如Trip-Hop、Bass等，营造一种科技与未来的迷幻空间。其中歌曲《Little Star（星光）》是Madonna写给女儿萝迪丝的。
专辑在美国取得400万销量，欧洲销量超过700万。成为Madonna继《Like A Prayer（宛若祈祷者）》之后最畅销的专辑，不仅改变了Madonna的公众形象，拓宽了她的音乐空间，也为她赢得3项GRAMMY（葛莱美）奖。单曲方面，主打歌《Ray Of Light（光芒万丈）》轻快流行，被Microsoft选为Windows XP的商业宣传歌曲。
本专辑在《Rolling Stone（滚石）》杂志评出的500张历代最强专辑中排名第363位。