In 1993, Sam Mendes directed a new production of the show for the Donmar Warehouse in London's West End. It starred Jane Horrocks as Sally, Adam Godley as Cliff, Alan Cumming as the Emcee and Sara Kestelman as Frau Schneider. Cumming received an Olivier Award nomination for his performance and Kestelman won the Olivier for Best Supporting Performance in a Musical. Mendes' conception was a very different show from either the original production or the rather conventional first revival. The most significant change was the character of the Emcee. The role, as played by Joel Grey, in both prior incarnations, was an asexual, malevolent character in a tuxedo with rouged cheeks. Alan Cumming's portrayal was highly sexualized, wearing suspenders (i.e. braces) around his crotch and red paint on his nipples.[4] The cabaret number "Two Ladies" was staged with the Emcee, a cabaret girl, and a cabaret boy in drag and included a shadow play simulating various sexual positions.[5] The score was entirely re-orchestrated, utilizing synthesizer effects and expanding the stage band, with all the instruments now being played by the cabaret girls and boys. The brutally satiric "Sitting Pretty", with its mocking references to deprivation, despair and hunger, was eliminated entirely, as it had been in the film version, and replaced with "Money". "I Don't Care Much", which was cut from the original production, was reinstated, and "Mein Herr" and "Maybe This Time", from the film adaptation, were added to the score.[5] Staging details differed as well; instead of "Tomorrow Belongs To Me" being performed by a male choir, the Emcee plays a recording of a boy soprano singing it. Most dramatic of all was in the final scene in which the Emcee removes his outer clothes to reveal a striped suit of the type worn by the internees in concentration camps on which were pinned a yellow badge (identifying a Jewish prisoner) and a pink triangle (denoting a homosexual prisoner). Other changes included added references to Cliff's bisexuality, including a brief scene where he kisses one of the Cabaret boys.

Recounting the rich history and reliving the timeless sounds of the phenomenal Frankie Vallie & The 4 Seasons, the new Broadway musical Jersey Boys answers the musical-and philosophical question, "How did four would-be wise guys from Newark, NJ, become one of the greatest chart-topping successes in pop music history?" Jersey Boys celebrates legendary Rock and Roll Hall of Famers Frankie Valli, Bob Gaudio, Tommy DeVito, and Nick Massi who, as the 4 seasons, wrote their own songs, invented their own identity, and sold 175 million records worldwide-all before they were 30.

Q大道（Avenue Q）这出音乐剧于2003年7月首演于百老汇John Golden剧院，由罗伯特.洛佩兹（Robert Lopez）与杰夫.马克斯（Jeff Marx）作词作曲，以及杰夫.威蒂（Jeff Whitty）编剧。
Q大道上演之后立即赢得了观众的认可和评论界的赞誉，一时间一票难求，档期更是先后数度延长。
在2004年的托尼奖颁奖典礼上，Q大道风光夺下最佳音乐剧、最佳音乐剧编剧和最佳音乐剧词曲三项大奖，直到今天，仍然在纽约百老汇以及伦敦西区长期演出，并被改编成十多种语言的版本，在全世界的舞台上演。
故事发生在纽约一条并不存在的“Q大道”上，刚从大学毕业的Princeton，拿着英语学士学位，跟所有心比天高命比纸薄的大学毕业生一样，人穷气短。他为了图便宜，搬进了Q大道的一间公寓，结识了住在这里的一群奇奇怪怪的租客，开始了社会人的角色……尽管逗趣，但是《Q大道》犀利且深刻地揭示并讽刺了一些社会问题：大学生就业、年轻人的奋斗与迷茫、种族隔离、同性恋身份……等等，是一出笑过之后又能引发观众同理心和更深的思考的作品。

From Trey Parker and Matt Stone, four-time Emmy Award-winning creators of South Park, and Robert Lopez, Tony Award-winning co-creator of Avenue Q, comes a new Broadway musical called “the funniest show I've ever seen, by far” (Entertainment Weekly) and “so good it makes me angry” (Jon Stewart, The Daily Show). The Book of Mormon follows a pair of mismatched Mormon boys sent on a mission to a place that’s about as far from Salt Lake City as you can get. Co-directed by Mr. Parker and three-time Tony nominee Casey Nicholaw and described as “making the audience insane with joy in this way I don't think I've ever seen in a theater” (Ira Glass, This American Life), see it now or find yourself asking, “Dear God, how do I get tickets?” (Village Voice). Contains explicit language.