An epic saga of the Habdza family of vineyard keepers set in western Slovakian countryside at the beginning of the 20th century. Director Andrej Lettrich's novel adaptation talks of plotting, forbidden love, family discord, and struggle for heritage and power. The story is engaging thanks to the impressive performances of popular actors, dramatic situations, and sensitive music. Red Wine is not so much inventive in terms of auteurship as it is a work of excellent craftsmanship. The resulting picture is a costume production neatly adapted to the character of Slovak rural life in the past.

Jakub's life arrived at a dead-end. He leaves his job, and gets into conflict with his father. The trouble just grows by his relation with a married woman. Breaking out, Jakub realizes the pleasures of the countryside in the old garden of his grandfather. He finds true love with an angel, and encounters various exciting moments of his new free life. Strange visitors arrive, and he wont get back to town anymore.

斯洛伐克新浪潮经典，这是一部仿真纪录片。
Otakar Krivanek's 1969 film Our Daily Day (Den nas kazdodenny) was a reminder that Uher's lesson was not forgotten by the Slovak film world. Krivanek (1931-1997) started with the same elements as Uher: non-actors, generational conflict, a documentary camera style—but his outcome was a much more critical view of reality. His "understatement" is sarcastic or satirical, very different from Uher's "lyrical understatement." Scenes from the life of a so-called "average" Slovak family, in which everything revolves around the graduating daughter, are reconstructed in the real surroundings of a real family; Krivanek's feature film is but a step away from being a documentary. The relationship between The Sun in a Net and Our Daily Day is similar to the difference between the Czech films Black Peter (Cerny Petr, dir. Milos Forman, 1963) and Ecce Homo Homolka (original Latin title, dir. Jaroslav Papousek, 1969).

A story of a family that after WWII moved to the south of Slovakia and acquired a prosperous butcher business left behind by a Hungarian emigrant. From the previous owner, the family also inherited a self-assured, greedy assistant who does not like to observe any firm moral principles. He assists the family in gaining wealth but in the long run, he causes the family's moral dissolution. In his most successful feature film, directorZoro Zahon combined a complex drama with excellent acting performances, especially that of Hungarian actor Gabor Koncz in the lead role.
Reican (Elo Romancik) the local butcher is nobly trying to make a living for himself and his family after World War II in a small town in southern Slovakia. His macho assistant Volent (Gabor Konz) has his mind set on advancing in the world and he starts to do so by first seducing the butcher's wife (Ildiko Pecsi) and eventually, also her daughter (Marta Sladeckova). The butcher himself is not motivated by consumerism, and he resists all the material temptations that are snatched up by the local up-and-coming elite. Unfortunately, his wife does not share his more spartan, non-materialistic view of life and she and the assistant Volent hatch some schemes to make a lot of money fast -- and they succeed. By now, the butcher is less and less happy with his life at home and these new riches leave him cold -- sooner or later, he will have to decide on a course of action that will set things right for him since he cannot seem to change over to a more avaricious life style.

A joint work of three debuting directors. It is a film about former rock musicians, members of a banned rock band. The friends were forced to replace their ideals by settled family lives and ordinary jobs. When their former lead singer has to go to hospital for therapy, they get an unexpected opportunity to play together again and recall the old times. The day when all needs to be arranged for the performance is full of small lies, compromises, and morally doubtful decisions.

如果我有一支枪，中文剧情：这是关于一个男孩在战争时期梦想当英雄的悲喜剧故事，他们每天都面临着战争和乡村生活的严峻事件。 此片于布拉格之春后4年上映，或多或少折射出捷克人和斯洛伐克人一种无奈的民族情绪——斯洛伐克人的小提琴，德国人来了，演奏莉莉马莲，俄国人来了，演奏喀秋莎。

An amiable picture about entering adulthood, great dreams, and the first - forbidden - love of a white postman, Jakub, and a pretty Gypsy girl, Jolanka. This is a poetic story, a mosaic of the playful world springing from the wild imagination of the village postman and its clash with the pragmatic mundane reality that finally beats the rosy dream's of the young protagonists. Director Dusan Hanak and screenwriter Dusan Dusek's most popular film has been cherished by critics as well as wide audiences at home arid abroad.

A tale about outlaws inspired by traditional folk humour. Pacho is no ordinary outlaw. He detests injustice and feudal oppression. As he lacks physical strength, he copes with each troublesome situation with the help of his wit. Pacho was created by famous Slovak actor Jozef Kroner. Film was directed by Martin Tapak in 1975.

一名颇有抱负的年轻人马特斯来到一个矿业村庄，认识了当地煤矿负责人离异的女儿海伦，相爱并结婚，虽然其父大力反对，但和其子伊万倒也相处融洽，为营造一个温馨家庭，马特斯不惜以偷为代价，梦想造一座绿树环绕的房子，事情败露后，马特斯也不幸坠崖身亡。音乐和画面十分优美，情节也不甚复杂，描述了战后斯洛伐克普通人的生活梦想，交杂了欢乐和惆怅

After The Assistant, The Southern Mail is the second novel of Ladislav Ballek to be adapted to the movie screen. It is setin a fictitious border town in the south of Slovakia shortly after WWII, when the new state borders were just drawn on the maps. The recollections of a forty-year-old author about.his childhood take us backto the 1940s. We see the un-certain times, the conflicts, and the colourful characters of the multi-cultural region of southern Slovakia through the wondering eyes of a five-year-old boy.

Majka“话匣子”是个女孩进入青春期。她出生与未成年人残疾。而她的母亲一直骂她，她走路的样子，她的同学嘲笑她，称她为“鸭”。沿着一个无辜的第一恋情和一个秘密的友谊，她收到她的父母和很多来自她的同学恶意知之甚少。 Majka找到庇护与她的祖母和她自己的幻想世界。导演彼得·索兰取得了12年岁女生的敏感肖像。雄辩的电影语言会谈，儿童和成人观众的一致好评。

A tragicomic story from a rural setting was based on the collection of short stories by Milka Zimkova, who was also cast in the lead role. The lives of Johana Ovsena and her illegitimate daughter Pavlína seem to copy each other. Johana, a single mother, watches her daughter make the same mistake as she herself had made in the past. The makers of the film had very good knowledge of village life: Stefan Uher's film is an authentic picture of the way of life, regional traditions, and mentality of people from eastern Slovakia.

This movie is a part of the Slovak movies collection of 60´s and 80´s. It consists of 30 movies chosen by nowadays critics as the best artistic movies.
This is No.1。

In WWII, Czechoslovakia split into the Slovak State and the Protectorate of Bohemia and Moravia. Former pilot Viktor Lesa works for the Slovak Railway Mail and often comes to the border town of Ludendorf, the former Czech town of Breclav. In order to impress a young female colleague, he redirects an important package. The Gestapo shows up in the town and Lesa together with a Jewish clerk, Tichacek, have to run for their lives. They ride a cargo train to Slovakia and they decide to escape to Hungary by crossing the Danube.

Although the title would indicate this feature has a religious theme, it refers only to men between the ages of 30 and 33. Juraj (Jiri Sykora) is a recent graduate of the art institute who is uncertain about his future as a painter. His brother Andrej (Vlado Mueller) is the businessman who has the confidence his brother lacks but is troubled by his strained marriage to his wife. Juraj falls for his brother's wife, while Andrej falls for Juraj's girl Jana (Jana Hernova), but Andrej's death in a car crash puts an end to the two unconventional love affairs. The appeal of the film is the interaction of the two brothers that strikes a resounding note of familiarity to any audience. —— Dan Pavlides, All Movie Guide

1961年嘎纳电影节金棕榈提名，斯洛伐克新浪潮的先声。

与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。