台语苦情天后蔡秋凤96年最新专辑。新歌上选12曲.拢总是主打歌《特别惊喜加赠4首卡拉OK版》。《算命》是台语歌坛炙手可热的吴嘉祥﹑陈俊辰﹑李文通三位制作人所精心制作的全新专辑，在传统台语市场式微，一片翻唱口水歌或日本歌的风气盛然，实属难得具备诚意和实力的专辑。十二首感人肺腑﹑节奏明确﹑词意优美的正统台语歌，完整呈现出最具南北管音腔的蔡秋凤，和用她真实生命历练的悲情心怀。

《蔡琴：魂絮旧梦》踩着疲惫的身躯，仍不愿入睡，在寂静的斗室，仰望天际，依稀记得我们的约定，今夜子时，将望向同样的天空。得天独厚的女中音，醇厚得无人能比。蔡琴的歌带有很深的忧伤，牵动着每个人的心肺……她的歌是一部人生的戏，有诗一样的情怀，有歌一样的律动，有光荣战役的骄傲，编写成她现在的力量。她说：“我的歌，每一首都像诗。”

01 意难忘
02 出人头地
03 绿岛小夜曲
04 秋夜
05 爱神的箭
06 魂萦旧梦
07 情人的眼泪
08 夜上海
09 怀念
10 南屏晚钟
11 如果没有你
12 午夜香吻

印度孟买、土耳其伊斯坦布尔、有关大巴扎（集市）的神秘传说......
《Tales From The Grand Bazaar 大巴扎的传说》，印度孟买民族乐团 Bombay Dub Orchestra（BDO）孟买混音乐团 2013年最新民族音乐专辑，这也是该乐团的第三张专辑。
Bombay Dub Orchestra（BDO）孟买混音乐团 ，来自印度孟买的民族乐团，现居住在英国。
Bombay Dub Orchestra（BDO）孟买混音乐团 ，由电子乐、管弦乐作曲家 Garry Hughes 加里·休斯 和 Andrew T. Mackay 安德鲁·麦凯 二人组成。
土耳其首都伊斯坦布尔大巴扎，建于1461年，是世界上最大、最古老的巴扎之一，近4000家商店、60条街道纵横交错，身处其中，就仿佛置身于迷宫一般，极易迷失方向。

Dalida是一位悲情的歌后。
Dalida (原名为Yolanda Gigliotti)，1933年1月出生于开罗，父母是从意大利到埃及的移民，父亲是剧院里的小提琴手。

SACD Hybrid Remastered CD of the1994 album, Into The Labyrinth by Dead Can Dance. It contains 15 songs, of which only four appeared on their previous albums, and two of which were later re-recorded and included on Lisa Gerrard's first solo album, The Mirror Pool. The others previously existed only in live performances and unofficial bootlegs, but were not officially released until Toward the Within. Along with Perry and Gerrard were a number of musicians who had performed with them on other occasions.

Chyi Yu or Qi Yu is a Taiwanese singer best known for her 1979 hit, "The Olive Tree". She won the 9th Golden Melody Award for Best Female Vocalist Mandarin. She is the elder sister of singer-songwriter Chyi Chin. She is a religious Buddhist and a vegetarian.

Haruomi Hosono, sometimes credited as Harry Hosono, is a Japanese musician, singer, songwriter and record producer. He is considered to be one of the most influential musicians in Japanese pop music history, credited with shaping the sound of Japanese pop for decades as well as pop music outside of Japan.

Following in the long lineage of great Cuban pianists, from Jorge Bolet to Gonzalo Rubalcaba, the brilliant young pianist Roberto Fonseca has been called "the most promising and important talent in Cuban music." On Zamazu, the former member of the Buena Vista Social Club -- he replaced Rubén Gonzalez after his departure -- distinguishes himself as a spectacular player, composer, arranger and bandleader. With bassist Orlando "Cachaito" Lopez, Brazilian percussionist Carlinhos Brown, vocalist Omara Portuondo and Spain's flamenco guitar sensation Vincente Amigo.



From his thoughtful, Herbie Hancock-inspired harmonies on "Tierra En Mano" to his driving groove on the churning bata-fueled "Clandestino" to his exotic, Oriental flavored "Congo Arabe," Fonseca incorporates a wealth of musical influences on Zamazu. There's a touch of American gospel in the passionate title track, an undercurrent of infectious Brazilian groove along with a tinge of American funk on the spirited "Zamazamazu" and an elegant old school feel on the Cuban guajira "Dime Que No." The darkly alluring and introspective "Llego Cachaito," a showcase for the great Cuban bassist Orlando "Cachaito" Lopez, is a delicate number that reveals Fonseca's sensitive side while the frantically uptempo interlude "Asi Baila Mi Madfre" is a knuckle-buster that showcases his prodigious keyboard technique. Clarinetist and longtime musical partner Javier Zalba helps conjure up feelings of melancholy and longing on the haunting "Suspiro" and "El Niejo" while Fonseca also turns in a dramatic son montuno reading of Abdullah Ibrahim's "Ishmael," which is augmented by eight-piece string section. And in one of the most emotionally charged moments on Zamazu, he teams with Buena Vista Social Club singer Omara Portuondo for a poignant reading of "Mil Congojas," a tune that Fonseca used to play as an intimage duet in concert with the late Ibrahim Ferrer up until the singer's passing in August, 2005.

我是渠边偷偷抽烟枪已上了膛的少年
我要代表恐惧和这世界的阴暗谈一谈
两面都是高墙只有一条路能穿过黑暗
可我没有金钱也没有得到金钱的答案
他妈坐在红灯区里对经过的男人挤眼
他却笑话我父亲是身上沾满泥的商贩
一块石头也可以从刀子那里要回尊严
我是脸上沾满血却不需要安慰的少年
只有离开才能改写这命运
我才不是无药可救的少年
只有房顶知道远方的遥远
可我是个弱不经风的少年
制作人：赵雷
出品方：上海九平指文化工作室
发行方：StreetVoice

《有一个人》这张专辑的词作全部来自诗人的诗歌作品，由城振铭、吴丽晖钢琴伴奏，李泰祥编曲。李泰祥是学古典音乐出身的学院派音乐人，在台湾被誉为大师。齐豫以唱校园民歌成名，却是演绎李泰祥的音乐文学而获得成就。李泰祥的理念是：能够把文学做成有声的音乐形式，而这个音乐应该是和当时推崇的校园民歌一样传唱的，但又不能像民歌一样通俗易懂，要高一个层次，要艺术化高雅。最成功的尝试，则不能算当时的这种校园歌曲了，而是古典巴洛克艺术歌曲，很难唱，在听的时候有肃然起敬之感。
原本这些歌曲应该是学院派歌唱家来演绎的，至少声音是应该是美声才能驾驭的，可是齐豫并不是美声，却有着和美声一样飘渺的高音。齐豫并不是专业出身，却有着比正宗歌唱家要深厚的文学功底。这才使她把自己深刻地领会到李泰祥的音乐文学精华，恰如其分地演绎这些高难度艺术歌曲。同样后来的许景淳，徐芊君，均是学院派正宗声乐行家，唱李泰祥作品总是觉得缺少什么。李泰祥的歌，比起古典咏叹调来少了严谨的调式，比起流行歌曲了多了份深沉，而齐豫的声音又是夹在古典和流行之间的假声，因此他们的搭档是前无古人后无来者的。
看上去这些作品放在一起，像是一本诗集——却出现在了一张唱片中，放在如今的唱片界，这是一张奢侈的作品。的确，这是一张可以称得上非常“华丽”的专辑。一张吟诗演唱作品，一张1984年的作品，获得了当年金鼎奖最佳演唱大奖的优秀专辑。
作词者：
徐志摩：《去罢》、《渺小》、《别拧我，疼》
林绿：《山之旅》
罗门：《水天吟》、《山云游》
李敏勇：《有一个人》（译写）
席慕容：《戏子》
痖弦：《歌》
郑愁予：《雨丝》

Kammerflimmer Kollektief is a German musical group, founded by Thomas Weber. consisting of Heike Aumüller, Johannes Frisch, Christopher Brunner, Heike Wendelin, and D. Wurm. They play a mixture of jazz, noise, electronic music, free jazz and experimental music.

This is a thoughtfully considered album of quiet, confident R&B: it doesn't jump out at you, but rather gets in you. Produced by John Carroll Kirby, the like-minded artist and collaborator with Frank Ocean and Solange Knowles, it features restrained percussion from Kanye West’s Sunday Service drummer Lamar Carter. Celestial soul as a break from chaos, these are quietly challenging songs as timeless as they are contemporary.
“What a rare and cool challenge it was for me to help Eddie re-emerge after a long hiatus,” says John Carroll Kirby. “I was excited to produce a record for him that captured the chill, laid-back wisdom and easy vocal mastery he has that you don’t see that much these days.”
Lead single “My Mind Is Out of Its Mind” finds a deep groove to try and contain spiraling heartbreak, while the sweet and fizzy “Trouble” balances the downcast “Hurt” and more tender “Papa.” But even the project’s lightest moments feel sincere and mature. Altogether: a truly unifying release, coming from a man who's earned the right to share such a regal, romantic sound.
credits
released July 31, 2020
- Music & Lyrics by Eddie Chacon and John Carroll Kirby
- Produced by John Carroll Kirby
- Drums by Lemar Carter
- Art by Justin Sloane
- Recorded at Sun King Studios
- Mastered by Dave Cooley

现场调音 & 录音: 曾君，罗绿野
现场灯光：张坤
混音 & 母带处理：刘英
制作人：涂飞
统筹：尹思卜
主视觉设计：林溪
唱片设计：尹思卜，Nino
影像出品：大發錄像
“明天音乐节特别策划：返场七十二小时”现场
录制于深圳B10现场，2021年5月21日-23日
旧天堂书店 & 深圳B10现场 联合出品，2022

优雅神秘男声 Richard Hawley 《Late Night Final》
飘渺梦境般里的优雅神秘男声在屋里轻漾，缓缓地勾勒出心中早已经存在的那座忧伤的城堡，那些在生命中错过的，那些曾经迷失的，那些怀疑的，那些痛苦的……这样的音乐本就是属于夜晚的。
或许就睡前音乐这个主题而论，《Late night Final》这样一张摇滚专辑放在这里还是多少有点不合时宜，它也许更多的属于旅行的背包，但是听这样的音乐它至少能让你在清醒中睡去，决不会有自我欺骗的可能，迎接你的会是一个无比踏实的睡眠。
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