Here, My Dear is a studio double album by soul musician Marvin Gaye, released December 15, 1978 on Tamla Records. Recording sessions for the album took place at Marvin's Room in Hollywood, California from 1976 to 1977. A deeply personal and controversial album, Here, My Dear is notable for chronicling Gaye's ill-fated first marriage to Anna Gordy. Here, My Dear was initially a commercial failure, while receiving some critical favor from music writers. However, critical recognition of the album has improved significantly following further examinations by critics and compact disc-reissues. In 2003, the album was ranked number 462 on Rolling Stone magazine's list of the 500 greatest albums of all time.
By 1976, the relationship between Marvin Gaye and his first wife, Anna Gordy, had become estranged and was far from being repaired. Marvin, who was now carrying on an open relationship with singer Janis Hunter, and Anna often accused each other of infidelity over the years before his relationship with Hunter. Shortly after Marvin and Janis welcomed the second of their two children, Frankie, in November 1975, Anna filed for divorce. At this time, Marvin was running low on money because of an extravagant spending habit to support his lifestyle which included, among other things, a fleet of cars, several homes in and outside the country, and an increasing cocaine habit. Marvin's spending habits had made it impossible for the singer to pay Anna money for alimony and child support for the couple's only son, Marvin III. Marvin's attorney Curtis Shaw came up with a solution to Marvin to give half the royalties he would earn from his next project to Anna. After agreeing to the deal, the singer went into his recording studio in an effort to give Motown a "lazy, bad" album starting sessions in the spring of 1976. However, as Marvin set on making the "lazy" album, the singer's deep emotions and bittersweet feelings for his soon-to-be former wife took over the music.
Songs included in the album didn't just deal with the singer's troubling marriage ("I Met a Little Girl", "Anna's Song", "You Can Leave, But It's Going To Cost You") but with other deep issues including anger management ("Anger"), Jesus ("Everybody Needs Love", "Time to Get It Together"), solace ("Sparrow"), space (the loosely funky "A Funky Space Reincarnation") and new love ("Falling In Love", the one song dedicated to Marvin's new wife, Janis). An Allmusic reviewer later wrote of the music:
...the sound of divorce on record — exposed in all of its tender-nerve glory for the world to consume... Gaye viciously cuts with every lyric deeper into an explanation of why the relationship died the way it did... Musically the album retains the high standards Gaye set in the early '70s, but you can hear the agonizing strain of recent events in his voice, to the point where even several vocal overdubs can't save his delivery.[1]
—Allmusic
The project was worked on for a year and was initially held back by Marvin, fearing that the project was too personal to be released. However, because of Motown's demands for Marvin to put out an album, as he had often delayed releases and it had been over two years since his last record, the sensually erotic I Want You, the singer decided to put out the album as promised in December 1978.
When Here, My Dear was released in the end of 1978, it was panned by consumers and critics alike, who called the album "bizarre" and "un-commercial". The album's lack of success angered Gaye to the point that he refused to promote it any further. Motown stopped promoting Here, My Dear in early 1979, by which point Gaye had gone into self-imposed exile. Ironically, around the same time, Marvin's relationship with second wife Janis had also fallen apart and the couple separated sometime in 1979. Upon hearing the album, a visibly upset Anna Gordy considered suing Marvin for invasion of privacy but, according to People magazine, later recanted that decision. In 1994, the album was re-released due to increased attention on Marvin's life to commemorate the tenth anniversary of the singer's untimely death, and reached number-one on Billboard's R&B catalog chart. The original album peaked at number four R&B and number twenty-six pop becoming Gaye's lowest-charting studio album of the 1970s. Initial response to the album was mixed, as most critics described it as weird. However, Gaye's lyrical honesty over the laid back disco grooves of Here, My Dear was praised by many. Robert Christgau of The Village Voice wrote of the album:
...this is a fascinating, playable album. Its confessional ranges from naked poetry ("Somebody tell me please/Why do I have to pay attorney fees?" is a modernist trope that ranks with any of Elvis Costello's) to rank jive, because Gaye's self-involvement is so open and unmediated, guileless even at its most insincere, it retains unusual documentary charm. And within the sweet, quiet, seductive, and slightly boring mood Gaye is at such pains to realize, his rhythmic undulations and whisper-to-a-scream timbral shifts can engross the mind, the body, and above all the ear. Definitely a weird one.[14]
—Robert Christgau
The album was re-evaluated in the years following its original release, and is today seen as a landmark in Gaye's career. It was voted one of the greatest albums in music history by Mojo Magazine (1995) and Rolling Stone magazine's critics poll (500 Greatest Albums of All-Time) (2003), among others. This reassessment was influenced by the album's subsequent re-release. On February 15, 2008, Hip-O Select reissued Here, My Dear as a two-disc Expanded Edition including a song cut from the original album, "Ain't It Funny How Things Turn Around", which was remixed by funk legend Bootsy Collins. Disc two featured remastered and alternate versions of the songs from the album remixed by contemporary soul producers such as Salaam Remi, Questlove, Prince Paul, DJ Smash and others.
Side one
"Here, My Dear" – 2:48
"I Met a Little Girl" – 5:03
"When Did You Stop Loving Me, When Did I Stop Loving You" – 6:17
"Anger" (Delta Ashby, Gaye) – 4:04
Side two
"Is That Enough" – 7:47
"Everybody Needs Love" (Ed Townsend, Gaye) – 5:48
"Time to Get It Together" – 3:55
Side three
"Sparrow" (Ed Townsend, Gaye) – 6:12
"Anna's Song" – 5:56
"When Did You Stop Loving Me, When Did I Stop Loving You (Instrumental)" – 6:03
Side four
"A Funky Space Reincarnation" – 8:18
"You Can Leave, But It's Going to Cost You" – 5:32
"Falling in Love Again" – 4:39
"When Did You Stop Loving Me, When Did I Stop Loving You (Reprise)" – 0:47

Going To A Go-Go is a 1965 album by The Miracles, the first to bill the group as Smokey Robinson & the Miracles. It includes four of the Miracles' Top 20 hits: "Ooo Baby Baby", "The Tracks of My Tears", "Going to a Go-Go", and "My Girl Has Gone". Primarily produced by Miracles lead singer Smokey Robinson, Going to a Go-Go features compositions co-written by Miracles members Robinson, Ronald White, Bobby Rogers, Pete Moore, and Marv Tarplin.

Full title - Journey Through The Secret Life Of Plants. 1993 reissue of 2 CD set originally released on Motown in 1979. 20 tracks in a standard double jewel case. Lyrics included in sleevenotes.

黛安娜·厄妮絲汀·厄爾·羅絲 是一位美國歌手及女演員，是1960年代摩城唱片組合至上女聲的主唱。 1970年退出組合後，她開始轉型成為一個獨唱女歌手，她在電影以及百老匯劇院取得極大的成功。

James Ambrose Johnson Jr. (February 1, 1948 – August 6, 2004), better known by his stage name Rick James, was an American singer-songwriter, multi-instrumentalist and record producer. Born and raised in Buffalo, New York, James began his musical career in his teen years. He was in various bands before entering the U.S. Navy Reserve to avoid being drafted into the army. In 1964, James deserted to Toronto, Canada, where he formed the rock band the Mynah Birds, who eventually signed a recording deal with Motown Records in 1966. James' career with the group halted after military authorities discovered his whereabouts and eventually convicted and sentenced James to a one-year prison term related to the desertion charges. After being released, James moved to California, where he started a variety of rock and funk groups in the late 1960s and early 1970s.

James Ambrose Johnson Jr. (February 1, 1948 – August 6, 2004), better known by his stage name Rick James, was an American singer-songwriter, multi-instrumentalist and record producer. Born and raised in Buffalo, New York, James began his musical career in his teen years. He was in various bands before entering the U.S. Navy Reserve to avoid being drafted into the army. In 1964, James deserted to Toronto, Canada, where he formed the rock band the Mynah Birds, who eventually signed a recording deal with Motown Records in 1966. James' career with the group halted after military authorities discovered his whereabouts and eventually convicted and sentenced James to a one-year prison term related to the desertion charges. After being released, James moved to California, where he started a variety of rock and funk groups in the late 1960s and early 1970s.

It's amazing that Edwin Starr had any voice at all after recording these songs. Producer Norman Whitfield had the explosive singer hitting incredible notes in the studio. A follow up to his #1 "War," the jammin' "Stop the War Now," which many fluffed off as a copy cat, is actually its own brand of poison. From Starr's opening line, "Make the Sign of Peace," and "Sing Now!" It's a nonstop rocker that suffered from comparisons to "War." Unbelievable, but "Funky Music Sho Nuff Turns Me On" reaches even higher decibels. Norman had the session musicians playing fast, funky and reckless, as Edwin belted, at the top of his lungs, his love for low-down grooves. Whitfield recorded the same songs by different artists, so it didn't surprise me to hear Edwin doing the Temptations' "Ball of Confusion," which employs a motor-booty beat to drive home its socially significant lyrics. The Miracles' "Way Over There" was first released on Edwin's debut Motown LP; the brain trust at Hitsville U.S.A. decided to include it here also. And it's easy to see why, it has the same driving beat that is prevalent on this LP. The only cooling points are versions of Sly & the Family Stone's "Stand," and a soulful rendition of George Harrison's "My Sweet Lord."

This sparkling debut, fueled by "Smiling Faces Sometimes," a number three pop hit, zoomed to #43 on Billboard's Top 200 albums chart. Lead singer Joe Harris had recorded as a teenager with Little Joe & the Moroccos and later with the Fabulous Peps, and logged a brief, unsuccessful stint with the Ohio Players. Additionally, Brenda Joyce and Billie Rae Calvin had done background work and sung in the Delicates. Producer Norman Whitfield brought one original song to the session, "You Got the Love I Need"; every other cut was previously recorded by others (Holland-Dozier-Holland's "We Got a Way Out Love" was originally done by the Originals, and so on). Whitfield had the creative juices flowing on "Ball of Confusion," which bounces along for more than ten minutes and is true bliss; the arrangement is totally different from the Temptations blockbuster. The monster "Smiling Faces Sometimes" has a dead serious beat and some strong comments about people who show their teeth all the time. The tracks, with a couple of exceptions, follow a pattern: Harris sings lead, sounding Jerry Butler-ish, and Joyce and Calvin sweeten the tracks with their sugary, two-part harmonies. On Bob Dylan's "Like a Rolling Stone," Whitfield experiments with the trio by testing the pop/psychedelic waters, an indication of a new direction for Undisputed Truth.

Limited Edition Japanese pressing of this album comes housed in miniature LP sleeve. 2007.

US R&B / soul group inducted into Rock And Roll Hall of Fame in 1996 (Performer).

A versatile figure during Motown's "golden years," Willie Hutch penned hits for other artists, as well as issuing albums on his own. Born Willie McKinley Hutchinson during 1946 in Los Angeles, CA, Hutch was raised in Dallas, TX, where he began signing as a teenager (as a member of an outfit called the Ambassadors). It was also during his teenaged years that Hutch began penning his own songs, and in 1964 issued a debut solo single, "Love Has Put Me Down." Soon after, his songwriting talents attracted the attention of the soon-to-be renowned '60s pop-soul outfit the 5th Dimension, for whom Hutch penned several tracks, as well as earning a co-production credit for the group's 1967 debut full-length Up, Up and Away. In 1970, producer Hal Davis asked Hutch to help finish off a song he desperately needed completed for the Jackson 5, "I'll Be There." Hutch delivered; the band recorded Hutch's version the next day, as it eventually became one of the 5's biggest early hits, and led to Motown head honcho Berry Gordy hiring Hutch to act as a songwriter/producer for other Motown artists on a regular basis.

The Friends of Distinction were an American vocal group best known for their late 1960s hits, "Grazing in the Grass", "Love or Let Me Be Lonely", and "Going in Circles".

Together was the first and only album released by the duo team of American Motown artists Marvin Gaye & Mary Wells. It was released on Motown's Tamla label on April 15th, 1964. The album brought together the rising star Gaye with Wells, an established star with a number-one pop hit to her name (1964's "My Guy"), in hopes that Gaye would benefit from the exposure.
This album became the first charted album credited to Gaye, peaking at #42 on the Billboard Pop Albums Chart and yielding two Top 20 singles, "Once Upon a Time" and "What's the Matter With You Baby". Shortly afterwards, Wells, who was frustrated with the direction the label wanted her to go, left Motown. The label had to find another duet partner for Gaye, enlisting Kim Weston for one album, (Take Two), but later yielding a longer-lasting paring of Gaye with Tammi Terrell.