Earth 2 豆瓣
Earth
类型:
摇滚
发布日期 1993年2月3日
出版发行:
Sub Pop
Review by Ned Raggett
Subtitled "Special Low Frequency Version" on the front -- and if one opens up the CD, the reverse of the booklet shows a wide selection of pills -- arguably Earth and its stoned and droned appeal in a nutshell. If Carlson and his bassist du jour, in this case Dave Harwell, weren't quite Sub Pop's answer to the ranges of U.K. guitar extremism from the likes of Godflesh, Main, and Skullflower, Earth still came pretty darn close to it, creating a record even the Melvins would find weird. Consisting of three long instrumentals edited together as one long monster slam of feedback and howling, Earth 2 dedicates itself to the proposition that there's no such thing as too loud, trudging, or doom-laden. Opening track "Seven Angels" does show that for all the semi-chaos, things are still based around riffs, or at least one key riff endlessly repeated and drove directly into the ground through layers of hum and delay. Had Tony Iommi written it, nobody would have blinked an eye, but not even Sabbath gave itself over so thoroughly to the power of the amplifier -- and all this without drums. Without even a slight pause, "Teeth of Lions Rule the Divine" takes over, namely all 27 minutes of it. With a more paced, clock-chime-from-damnation melody leading the way deep into the track, stretching out and getting even more end-is-nigh as it goes, it's a bizarre but strong, weirdly fascinating performance -- ambient music completely and totally suffused with threat and fuzz.
Subtitled "Special Low Frequency Version" on the front -- and if one opens up the CD, the reverse of the booklet shows a wide selection of pills -- arguably Earth and its stoned and droned appeal in a nutshell. If Carlson and his bassist du jour, in this case Dave Harwell, weren't quite Sub Pop's answer to the ranges of U.K. guitar extremism from the likes of Godflesh, Main, and Skullflower, Earth still came pretty darn close to it, creating a record even the Melvins would find weird. Consisting of three long instrumentals edited together as one long monster slam of feedback and howling, Earth 2 dedicates itself to the proposition that there's no such thing as too loud, trudging, or doom-laden. Opening track "Seven Angels" does show that for all the semi-chaos, things are still based around riffs, or at least one key riff endlessly repeated and drove directly into the ground through layers of hum and delay. Had Tony Iommi written it, nobody would have blinked an eye, but not even Sabbath gave itself over so thoroughly to the power of the amplifier -- and all this without drums. Without even a slight pause, "Teeth of Lions Rule the Divine" takes over, namely all 27 minutes of it. With a more paced, clock-chime-from-damnation melody leading the way deep into the track, stretching out and getting even more end-is-nigh as it goes, it's a bizarre but strong, weirdly fascinating performance -- ambient music completely and totally suffused with threat and fuzz.
