2012 release from the Chicago-based Alt-Rockers. With Steve Shelley (Sonic Youth) now fully integrated into the lineup, Disappears return with a full-bore assault of a record. "Pre Language" finds the band speaking on, of all things, love. Direct allusions to Philip K. Dick, James Baldwin, and Joan of Arc sit side by side with songs about the lows of life and the characters that permeate it. Recorded in Hoboken, NJ at Sonic Youth's Echo Canyon West studio and mixed with John Congleton, Pre Language finds Disappears at their most potent and focused. The band has finally stepped into their own world and the results are thrilling.

1995 4 TRACKS SLIPLINE JEWELCASE1.LOVE WILL TEAR US APART (RADIO VERSION)2.LOVE WILL TEAR US APART (ORIGINAL VERSION)3.THESE DAYS4.TRANSMISSION

Rock band from Reykjavík. Formed in 2000.

Heads and Hearts, released in 1985 (see 1985 in music) is the fourth album by The Sound.

Виктор Цой（维克多－崔/Viktor Tsoi）,Кино乐队（电影乐队）的灵魂人物，前苏联的摇滚英雄，在俄罗斯，象猫王、列农一样成为文化符号，音乐风格明显受到英美的早期摇滚影响，听起来有点象Lou Reed那种早期朋克的感觉，又有象Joy Division式的自省，兼有俄罗斯音乐的沉重忧郁，而其内容则针贬时政，呼唤自由，尖锐而具有感染力。仅这些描述是难以表达出他们的音乐，俄罗斯在 1999推出一套八位已故歌唱艺术家的邮票，维克多.崔位列其中，可见其影响。
巧合的是中国的摇滚教父崔健居然和他是同族，同姓，同龄，在同一个时代，同样是从压抑向开放的过渡期中开始了摇滚之路，在两个最大的社会主义国家，居然出现两位惊人相似的精神偶像，感叹！遗憾的是一位英年早逝，一位早已磨平棱角。

The blues had long been a potent undercurrent in the Birthday Party's music, so it wasn't all that surprising that Nick Cave embraced the sound and feeling of rural blues on his second album with the Bad Seeds, The Firstborn Is Dead. What was startling was how well Cave and his bandmates -- Barry Adamson, Mick Harvey, and Blixa Bargeld -- were able to absorb and honor the influences of artists like Skip James and Charley Patton while creating a sound that was unmistakably their own. The moody obsessions of rural blues -- trains, floods, imprisonment, sin, fear, and death -- seemed made to order for Cave, and he was able to tap into the doomy iconography of this music with potent emotional force; on "Tupelo," he makes a sweeping and disturbing epic of the rain-swept night when Elvis Presley was born, and "Knocking on Joe" is a tale of life on the work gang that communicates the pain of the spirit as clearly as the ache of the body. Also, the blues helped transform Cave's music as well as his lyrics; the brutal sonic pummel of the Birthday Party here gave way to a more subtle and dynamic approach that still made effective use of dissonance and bare-wired electric guitar noise while proving the balance of loud and soft only made each side deeper and more resonant. (The stark, barely there guitar and drums of "Blind Lemon Jefferson" are as startling and malignantly fascinating as anything in the Birthday Party's catalog.) The Firstborn Is Dead proved Nick Cave's musical palate was significantly broader than his debut album suggested and pointed to a path (channeling the sounds and emotions of American roots music) he would return to on many of his albums that followed.
这张专辑初版是1985年。

"THIS IS MY FAVOURITE NICK CAVE & THE BAD SEEDS ALBUM." - NICK CAVE

Spanning the full twenty-one years of Nick Cave And The Bad Seeds illustrious career, this comprehensive three CD set, entitled B-Sides & Rarities, presents a thrilling and eclectic retrospective collection of material by the band, some of which has been deleted, featured on a disparate number of soundtrack albums or has never been officially released before. From the menacing 'The Six Strings That Drew Blood', through the distraught 'The Girl At The Bottom Of My Glass', the fragile beauty of 'Little Empty Boat', the outlaw romance of '(I'll Love You) Till The End Of The World', the plaintive 'Bluebird' through to the murderous attack of 'The Ballad Of Robert Moore & Betty Coltrane', long term Bad Seeds aficionados, recent converts or the merely curious will find much to appreciate and enjoy in this landmark 56 track compilation.

His new album, a collection of songs about death and murder.This limited edition is a digipak w/56 page color book of photos and lyrics. 10 tracks.

暌违许久，正式签约兵马司唱片的闹海携他们的首张全长专辑《乌合之众》汹涌乘上。
告别年少岁月，战斗仍是进行时。他们打破过去所有筋骨，用海潮般激烈迂回的轰鸣冲击、无限共振的噪音声响，重塑起了一个更强大的闹海。万里乘云去复来，只身东海挟春雷。在冷酷的大都会中坚持热血，在浮躁的流量时代里守卫纯洁，是对规行矩步的决绝不妥协。融合又独立，深沉而浪漫，是乐队基因里的英雄标记。当人们还在对闹海这个名字浮想联翩的时候，他们早已踏出了自己要走的路。噪音、朋克、另类、数学、后摇，揉杂却又独树一帜，他们变幻莫测的巨大声浪让人仿佛是在经历着一场凶险的旅程，危机重重却又充满希望。
安静一点，安静一点同志们。
如大群乱飞的乌鸦，我们涌入人群，丧失理智，丢掉意识。可噪音犹如万马奔腾，不断的提醒着你，要离开人群，要拿起自己的武器去战斗。
喧嚣、热血、骄傲、爱恨，这是重新出发的闹海，他们正在掀起一场危险的革命。

未知空荡的海洋，黎明前暗潮汹涌。
光线愈发强烈，在刺入灵魂最深之前，请下定决心。
喧嚣的噪声，编织出海潮般激烈的冲击，全力、赤裸、绝不遮掩。
不断重复的歌词，通过止不住的裂缝渗出无可比拟的生命烈度，直到言语都用尽。

Billy Nomates: “In a world of Yes Men, I’ll be a No Woman, thanks”

P.K.14 第五张录音室专辑
完整版试听：
专辑时长：42’40’’
制作人：欧阳汉客 (Henrik Oja)
录音室：芝加哥电音录音棚 (Electrical Audio, Chicago)
录音师：史蒂夫 · 阿尔比尼 (Steve Albini)
混音师：欧阳汉 客 (Henrik Oja)
封面绘画：王玉平