I AM...SASHA FIERCE DELUXE - Includes five #1 hits "Single Ladies (Put A Ring On It)," "If I Were A Boy," "Halo," "Ego," and "Sweet Dreams." Also includes bonus tracks "Video Phone" featuring Lady GaGa and "Poison."

Connie Francis is an American pop singer. She is well known for her trademark sobbing styles. She was popular during the 1950s and 1960s and topped the Billboard Hot 100 musical charts many times.

Milton Nascimento (Portuguese pronunciation: ['miwtõ nasiˈmẽtu]; born October 26, 1942) is a prominent Brazilian singer-songwriter and guitarist.

"Both Sides, Now" is a single by Joni Mitchell. Her recording first appeared on the album Clouds, released in 1969. She re-recorded the song in a Jazz style for the album of the same name, released in 2000.
It is one of Joni Mitchell's best-known songs (with "Big Yellow Taxi," "Woodstock," and "A Case of You"). It was written in March 1967, inspired by a passage in Henderson the Rain King by Saul Bellow.
I was reading Saul Bellow's "Henderson the Rain King" on a plane and early in the book Henderson the Rain King is also up in a plane. He's on his way to Africa and he looks down and sees these clouds. I put down the book, looked out the window and saw clouds too, and I immediately started writing the song. I had no idea that the song would become as popular as it did.[1][2]
Judy Collins made the first commercially released recording of the song in 1968, shortly after Mitchell wrote it, which reached #8 on the U.S. pop singles charts and won a 1968 Grammy Award for Best Folk Performance. The record peaked at #3 on Billboard's Easy Listening survey, and has become one of Collins' signature songs.
Fairport Convention recorded the song as a demo in 1967. The band's recording did not become available until 2000, however, when it appeared on The Guv'nor Vol 4 by Ashley Hutchings. (A live recording featuring Judy Dyble from 1981 is included on Fairport's Moat on the Ledge album.)
Both Joni Mitchell's album Both Sides Now and a 2003 Mitchell rerecording of the song are featured in the 2003 movie Love Actually.
Rolling Stone ranked "Both Sides, Now" #170 on its list of the 500 Greatest Songs of All Time.
The song was published by Scholastic as a picture book, Both Sides Now, illustrated by Alan Baker, in 1992 (ocm24629360).

Physical available via Boomkat.
Tim Zha aka Organ Tapes makes a hyperjump to Worldwide Unlimited with an emotionally slushed set of singer-songwriter pearls spiked with his own idiosyncratic production moves. An investigation into big-hearted American alt-country and acoustic pop, it sounds like a DIY inversion filtered thru the autotuned hypersonix with avant stylings.
For over a decade now, Organ Tapes has been masterminding his own obsessively-curated and unique style, channeling an interest in pop and experimental modes through the lens of a British-Chinese artist who's spent his life between Shanghai and London. Through production work for Triad God and releases for Tobago Tracks, Genome6.66Mbp and Berlin's much loved Creamcake, he's developed a style that's pretty much inimitable, with autotuned vocals informed by a long-term love of dancehall, afrobeats and Soundcloud rap, and songs that slip into folk and country, with a compositional mindset that's unmistakably non-Western.
"唱着那无人问津的歌谣 / Chang Zhe Na Wu Ren Wen Jin De Ge Yao" (sing the song that no one cares about) expands on the misty landscapes of 2019's TT-released "Hunger In Me Living," but while that album retained a wisp of R&B and a vague whiff of ambient, this new one feels firmly grounded in a bedroom pop aesthetic, allowing beams of sunlight to crack through his usually dense, textured clouds. Weft around guitar and vox, Organ Tapes bends the form by employing muffled field recordings, squashed drums and dreamy synths, assembling his tracks with the sort of diaristic warmth you'd expect to find on a claire rousay record.
It's not a million miles away from Conor Oberst's electronic diversion "Digital Ash in a Digital Urn" either, but Zha positions himself a few feet away from indie and emo, instead channeling more sparkling influences like TV themes and advertising jingles. His earworm compositions drip with familiar-but-alien riffs, with hooky choruses rendered personal and heartfelt through low-key, lo-fi production smarts. In different hands, it might have all sounded overly exuberant, but anchored by Zha's muted voice and shaved arpeggios, it's touching and indelible.
There's no cynicism here either - the songs work because they come from a genuine place. Just listen to 'Heaven can wait' and tell us you ain't feeling it.

Hush is an album by Bobby McFerrin and cellist Yo-Yo Ma.

Recorded over a period of just 10 hours, the future star’s breakthrough 1969 debut captured her idiosyncratic mix of soul, jazz, and folk and her singular vision as a bandleader.

Anna Netrebko hits the popcharts in Austria with her new album "Anna - The Best of Anna Netrebko" occupying the fifth position of the rank, behind pop stars like Lady Gaga but ahead of others such as Robbie Wllliams. In Austria, has already sold over 10,000 albums, getting the Gold Record.

● 专辑介绍：
琴 ：老锣
笙 ：聂云雷
人声：龚琳娜
笛子：王华
扬琴：熊俊杰
小提琴：Olga Lakkoni、Petra Wolff
中提琴：Nancy Sullivan
大提琴：Mathis Mayr

Bobby Mcferrin出生于1950年3月11日，纽约。他的父母亲都是古典音乐歌唱家。在他6岁那年开始学习音乐理论，那时他刚和家里人搬家到了洛杉矶。钢琴是在他上中学的时候的主修乐器，后来在大学里继续学习（加里福利亚大学）。作为一个钢琴家，当时他随着ICE FOLLIES,TOP 40等流行乐队和舞蹈乐队巡回演出。

Michael Kiwanuka is a British soul musician who is signed to Communion Records. He has been compared to Bill Withers, Randy Newman, and Otis Redding, as well as Van Morrison and the Temptations. In January 2012 he won the BBC's Sound of 2012 poll.

毕业于斯坦福大学电脑工程系的史逸欣[Vienna Teng]，02年夏天辞去了在硅谷大公司CISCO的工程师职位，成为一名职业原创歌手。六个月后，她出版了个人第一张专辑《清醒时分》[Waking Hour]。 04年2月，史逸欣出版了第二张个人专辑《亲陌爱人》[Warm Strangers]。
她五岁开始学习古典钢琴。“不像家里的其他孩子，我学钢琴是不用强迫的。一沾琴就来精神。”巴赫和萧邦的音乐对她早期产生过很大影响，使她对古典音乐迷恋至深。她甚至自作主张，将自己的名字改为维也纳[Vienna]。六岁时，她创作了自己的第一首曲子，到十六岁的时候，她自写自弹的乐曲已经足够可以录制一盘唱片了。
史逸欣的演唱风格纯朴，深情发自内心。她的音乐里交织着各种风格的音乐元素，民谣、蓝调爵士、New Age、经典摇滚等等，当然，她娴熟而优美的钢琴弹奏以及伴奏中的弦乐配器，又使其增添了古典音乐的色彩。
Vienna Teng - 史逸欣，一个来自美国旧金山的华裔女创作人，以她澄澈古典的美声与丰富温柔的钢琴创作，获得美国媒体乐评如AMG网站、娱乐周刊、华盛顿邮报等的大力赞赏。2002年个人首张专辑一推出，旋即获得美国各大媒体包括CBS、NPR、NBC、CNN等争相报导，受邀演出于美国艾美奖权威电视节目主持人David Letterman的节目"Late Night with David Letterman"，并曾与香岱儿、琼奥斯朋同台演出。一年365天，她有140天是在路上演出及打歌，甚至还为著名民谣歌手Shawn Colvin演唱会暖场4场。
极理性聪颖与感性温柔于一身的史逸欣，放弃美国西电脑软件工程师的高职，投身音乐创作与表演，希望能以歌声温暖每一个短暂相逢的陌路人。她澄澈古典的美声与丰富温柔的钢琴教美国乐评爱不释手。
史逸欣很早就展露她的音乐才华。五岁开始浸淫在巴哈与萧邦的古典钢琴世界里，六岁写下自己的第一首歌，十六岁高中时完成个人首张创作演奏专辑。大学时期的录音作品早在旧金山一带校园周边流传开来，口耳相传中她成为东岸地下音乐圈的学生才女。大学毕业前已完成个人首张专辑的录音制作。

黛安娜·丹姆勞，德國歌劇演唱家，擅長詮釋花腔女高音，代表作為於莫札特的歌劇《魔笛》中的夜后，以及理查·史特勞斯和霍夫曼史塔合作的歌劇《奈克索島的阿麗亞德妮》中的薩賓娜塔。從 2010 年起，她漸漸轉型，改採十九世紀的義式美聲唱法，詮釋《茶花女》中的薇奧莉塔，以及《拉美莫爾的露琪亞》中的主角。