印度孟买、土耳其伊斯坦布尔、有关大巴扎（集市）的神秘传说......
《Tales From The Grand Bazaar 大巴扎的传说》，印度孟买民族乐团 Bombay Dub Orchestra（BDO）孟买混音乐团 2013年最新民族音乐专辑，这也是该乐团的第三张专辑。
Bombay Dub Orchestra（BDO）孟买混音乐团 ，来自印度孟买的民族乐团，现居住在英国。
Bombay Dub Orchestra（BDO）孟买混音乐团 ，由电子乐、管弦乐作曲家 Garry Hughes 加里·休斯 和 Andrew T. Mackay 安德鲁·麦凯 二人组成。
土耳其首都伊斯坦布尔大巴扎，建于1461年，是世界上最大、最古老的巴扎之一，近4000家商店、60条街道纵横交错，身处其中，就仿佛置身于迷宫一般，极易迷失方向。

SACD Hybrid Remastered CD of the1994 album, Into The Labyrinth by Dead Can Dance. It contains 15 songs, of which only four appeared on their previous albums, and two of which were later re-recorded and included on Lisa Gerrard's first solo album, The Mirror Pool. The others previously existed only in live performances and unofficial bootlegs, but were not officially released until Toward the Within. Along with Perry and Gerrard were a number of musicians who had performed with them on other occasions.

Following in the long lineage of great Cuban pianists, from Jorge Bolet to Gonzalo Rubalcaba, the brilliant young pianist Roberto Fonseca has been called "the most promising and important talent in Cuban music." On Zamazu, the former member of the Buena Vista Social Club -- he replaced Rubén Gonzalez after his departure -- distinguishes himself as a spectacular player, composer, arranger and bandleader. With bassist Orlando "Cachaito" Lopez, Brazilian percussionist Carlinhos Brown, vocalist Omara Portuondo and Spain's flamenco guitar sensation Vincente Amigo.



From his thoughtful, Herbie Hancock-inspired harmonies on "Tierra En Mano" to his driving groove on the churning bata-fueled "Clandestino" to his exotic, Oriental flavored "Congo Arabe," Fonseca incorporates a wealth of musical influences on Zamazu. There's a touch of American gospel in the passionate title track, an undercurrent of infectious Brazilian groove along with a tinge of American funk on the spirited "Zamazamazu" and an elegant old school feel on the Cuban guajira "Dime Que No." The darkly alluring and introspective "Llego Cachaito," a showcase for the great Cuban bassist Orlando "Cachaito" Lopez, is a delicate number that reveals Fonseca's sensitive side while the frantically uptempo interlude "Asi Baila Mi Madfre" is a knuckle-buster that showcases his prodigious keyboard technique. Clarinetist and longtime musical partner Javier Zalba helps conjure up feelings of melancholy and longing on the haunting "Suspiro" and "El Niejo" while Fonseca also turns in a dramatic son montuno reading of Abdullah Ibrahim's "Ishmael," which is augmented by eight-piece string section. And in one of the most emotionally charged moments on Zamazu, he teams with Buena Vista Social Club singer Omara Portuondo for a poignant reading of "Mil Congojas," a tune that Fonseca used to play as an intimage duet in concert with the late Ibrahim Ferrer up until the singer's passing in August, 2005.

Boureima "Vieux" Farka Touré is a Malian singer and guitarist. He is the son of Malian musician Ali Farka Touré.

Kammerflimmer Kollektief is a German musical group, founded by Thomas Weber. consisting of Heike Aumüller, Johannes Frisch, Christopher Brunner, Heike Wendelin, and D. Wurm. They play a mixture of jazz, noise, electronic music, free jazz and experimental music.

This is a thoughtfully considered album of quiet, confident R&B: it doesn't jump out at you, but rather gets in you. Produced by John Carroll Kirby, the like-minded artist and collaborator with Frank Ocean and Solange Knowles, it features restrained percussion from Kanye West’s Sunday Service drummer Lamar Carter. Celestial soul as a break from chaos, these are quietly challenging songs as timeless as they are contemporary.
“What a rare and cool challenge it was for me to help Eddie re-emerge after a long hiatus,” says John Carroll Kirby. “I was excited to produce a record for him that captured the chill, laid-back wisdom and easy vocal mastery he has that you don’t see that much these days.”
Lead single “My Mind Is Out of Its Mind” finds a deep groove to try and contain spiraling heartbreak, while the sweet and fizzy “Trouble” balances the downcast “Hurt” and more tender “Papa.” But even the project’s lightest moments feel sincere and mature. Altogether: a truly unifying release, coming from a man who's earned the right to share such a regal, romantic sound.
credits
released July 31, 2020
- Music & Lyrics by Eddie Chacon and John Carroll Kirby
- Produced by John Carroll Kirby
- Drums by Lemar Carter
- Art by Justin Sloane
- Recorded at Sun King Studios
- Mastered by Dave Cooley

Khruangbin is an American musical trio from Houston, Texas, with Laura Lee on bass, Mark Speer on guitar, and Donald Ray "DJ" Johnson Jr. on drums. The band is known for blending global music influences, such as classic soul, dub and psychedelia.

Milton Nascimento (Portuguese pronunciation: ['miwtõ nasiˈmẽtu]; born October 26, 1942) is a prominent Brazilian singer-songwriter and guitarist.

Milton Nascimento (Portuguese pronunciation: ['miwtõ nasiˈmẽtu]; born October 26, 1942) is a prominent Brazilian singer-songwriter and guitarist.

"His voice is from another world. Robbie is special" - Pete Townshend, 2006

Robbie Basho released Venus in Cancer in 1969 on the Blue Thumb label. After five albums for the Takoma label in the 60's, Basho had cemented his reputation alongside John Fahey and Leo Kottke as one of the most brilliant guitarists of his genera- tion. His wide range of musical influences from around the globe set him apart from other blues-based players, incorporat- ing Arabic, Himalayan and Indian themes; Japanese and Chinese scales, and classical and European folk music. All are on magnificent display on this sprawling, spiritually-charged album. Released on CD for the very first time, the album has been remastered from the original tapes. The package includes origi- nal album artwork and new appreciations from Windham Hill label founder Will Ackerman, Basho college friend and fellow Takoma recording artist Max Ochs, German guitarist Steffen Basho-Junghans, and Pete Townshend of The Who. Twenty years since his death in 1986, Basho's legend continues to grow, having strongly influenced a new generation of guitarists including Jack Rose, Ben Chasny (Six Organs of Admittance) and James Blackshaw, among many others. The first ever live recording by Robbie Basho, a version of "Kowaka D'Amour" from Venus in Cancer, can be found on Tompkins Square's recent compilation, Imaginational Anthem, Vol. 2.