★ “你从未听说过的伟大作家”——如彗星般划过的美国文学传奇
26岁自戕，逝世4年后，出版第一本也是最后一本书；
被誉为文学界的美国神话，比肩海明威的天才。
★ 玛格丽特·阿特伍德、库尔特·冯内古特、乔伊斯·卡罗尔·欧茨等文坛大家 郑重推荐
布里斯·D’J. 潘凯克的声音 非常独特：坚定、锐利，充满现实的质感，急切且令人难以忘怀。
——玛格丽特·阿特伍德
我向你保证，他就是我读过的最好的作家，最真诚的作家。
——库尔特·冯内古特
这位年轻作家才华横溢，人们会忍不住将他的处女作与海明威的相提并论。
——乔伊斯·卡罗尔·欧茨
★ 以冷硬之笔书写爱与被爱的永恒欲望，照亮我们内心深处幽暗的角落
潘凯克在风格上颇受海明威、奥康纳影响，他不惧以苍凉、暴烈的故事“冒犯”读者，以篇篇精妙的短篇杰作，揭示我们渴求爱与被爱的永恒欲望，我们易犯错的血肉之躯，我们对救赎的不朽向往。
★ 独特的地域风情与精妙的边缘人群像，被评论界誉为“美国版《都柏林人》”
潘凯克笔下的西弗吉尼亚，正如福克纳笔下的美国南方，正如乔伊斯笔下的都柏林：
古老的山丘，贫瘠的空谷、生锈的拖车、悲伤的小餐馆、几乎废弃的矿村，以及那些被时间困住的畸零人——矿工、海员、猎手、货车司机。
其独特的叙事氛围和强有力的地域感可比肩现代文学大师，将阅读升华为一种坚实、感人并且永恒的文学体验。
★“美国文库”（Library of America）权威收录，正式列入美国文学正典
潘凯克作品出版后，每次再版都掀起新一轮的阅读热潮与文学界的关注。
2020年10月，以保存美国文学遗产为目的、公认的美国文学权威丛书“美国文库”收录潘凯克作品集，为潘凯克作品位列文学正典盖棺定论，预示其在未来势必成为世界性的文学遗产。
★《教父》译者姚向辉倾心精译，简体中文版首次引进出版，近四十年后终与中文读者相遇
本书英文版于1983年上市，近四十年后，简体中文版首度翻译出版。以冷峻译笔著称的名译者姚向辉倾心翻译，精妙呈现原文美学。
★新锐设计师山川担纲装帧设计，纯正美式平装风味
120*200细长小开本，单手可握；简洁无负担的单封平装，适合随身携带；内页书纸蓬松柔软，顺纹易翻。
【媒体推荐】
布里斯·D’J. 潘凯克的声音非常独特：坚定、锐利，充满现实的质感，急切且令人难以忘怀。
——玛格丽特·阿特伍德
我向你保证，他就是我读过的最好的作家，最真诚的作家。
——库尔特·冯内古特
这位年轻作家才华横溢，人们会忍不住将他的处女作与海明威的相提并论。
——乔伊斯·卡罗尔·欧茨
布里斯·D’J.潘凯克的短篇小说堪称美国版《都柏林人》。
——杰恩·安妮·菲利普斯
这本书就像一个锋利、坚硬的物体，一位天赋过人却不幸早夭的青年作家遗留下来的一枚箭头。每年出版的书数不胜数，就这么让他的这部作品埋没其中似乎再正常不过，可是将它再次发掘出来绝对值得。
——《纽约客》
潘凯克有能力用鲜明、难忘的细节在每一页上重现西弗吉尼亚的景观：古老的山丘与空谷，几乎被人遗弃的矿村、生锈的拖车、悲伤的小餐馆，以及临时的农场——这些景观映射着他笔下人物的生活，他们大多被困住了、残疾了、过时了。
——《纽约时报书评》
潘凯克先生有一双能敏锐捕捉细节的作家的眼睛，他用这些细节逐层描绘出一幅西弗吉尼亚的贫瘠山丘和空谷里的生活图景。
——《纽约时报》
以任何标准来看，《三叶虫》都是一篇杰作……简而言之，潘凯克就是个文学天才。
——《卫报》
潘凯克是一位触觉极其灵敏的作家。他唤起的那些毫不掩饰的情感在他句子的节奏里真实可感；你能在皮肤之下感受到沉重、搏动的韵律……这些小说在他死后得以流传，令人心碎，不是因为其中蕴含的潜能，而是因为它们的完美。
——《华尔街时报》
潘凯克对他所写地域的了解可与福克纳对约克纳帕塔法县详尽的了解相媲美……所有这些小说里有种自然袒露、躁动不安、不成调的感觉，令人难忘而感动。
——《华盛顿新闻报》
潘凯克很重视营造氛围和强有力的地域感，这在当代小说中是很少见的，它将其最好的小说升华为一种坚实、感人的文学体验。
——《旧金山书评》
我在《大西洋月刊》工作三十多年来，想不起还有哪位新作家能得到这样的反馈。数月间，信件像雪片一样飞来，来信的人明显对他的背景一无所知，他们只想要读更多他的作品，询问是否有出版潘凯克短篇集的可能，或者只是为了表达喜爱和感激之情。
——菲比-卢·亚当斯（潘凯克在《大西洋月刊》的编辑）
【内容简介】
“我感觉我的恐惧如涟漪扩散，荡漾过百万年的时光。”
痴迷于三叶虫化石的男子和假期返乡的前女友外出约会，触发了关于时间与命运的遐想；采煤工人没能留住一心要远走的妻子，宿醉后提着枪独自上了山；雪夜，一个远足的青年搭上一辆铲雪车，司机心中的秘密却比严寒更令人生畏……
作者以海明威般的冷静克制书写美国南方小镇中普通人的伤痛和记忆，平淡中又潜藏着暴力和危险的气息。

In Ancient Greece, a skilled marble sculptor has been blessed by a goddess who has given his masterpiece – the most beautiful woman the town has ever seen – the gift of life. Now his wife, Galatea is expected to be obedience and humility personified, but it is not long before she learns to use her beauty as a form of manipulation. In a desperate bid by her obsessive husband to keep her under control, she is locked away under the constant supervision of doctors and nurses. But with a daughter to rescue, she is determined to break free, whatever the cost...
Pygmalion's story has moved millions through the centuries, inspiring George Bernard Shaw's Pygmalion, and later the beloved musical My Fair Lady. Ecco is proud to publish Orange Prize-winning author Madeline Miller’s E-book original short story Galatea which will appear in the forthcoming anthology xo Orpheus: Fifty New Myths to be published in October. This retelling of the Pygmalion myth from the statue’s perspective is a tale that will make readers rethink how they relate to the great myths of our time.

A Guardian Best Book of the 21st Century
The audacious and elegiac second installment in her 'living autobiography' on writing and womanhood, from the twice-Man Booker Prize-shortlisted author of Hot Milk and Swimming Home
'Extraordinary and beautiful, suffused with wit and razor sharp insights' Financial Times
Following the acclaimed Things I Don't Want to Know, Deborah Levy returns to the subject of her life in letters. The Cost of Living reveals a writer in radical flux, considering what it means to live with value and meaning and pleasure. This perfectly crafted snapshot of a woman in the process of transformation is as distinctive, wide-ranging and original as Levy's acclaimed novels, an essential read for every Deborah Levy fan.
'Wise, subtle and ironic, Levy is a brilliant writer . . . Each sentence is a small masterpiece of clarity and poise' Telegraph
'This short, sensual, embattled memoir is not only about the painful landmarks in her life - the end of a marriage, the death of a mother - it is about what it is to be alive. I can't think of any other writer aside from Virginia Woolf who writes better about what it is to be a woman' Observer

《烦人的爱》（1992）是意大利作家埃莱娜•费兰特的首部作品，描述了一段充满痛楚和阴影的母女关系。

在黛莉亚四十五岁生日当天，本应该坐上火车来罗马给女儿庆祝生日的母亲阿玛利娅被人发现溺亡，身上只穿着一件精致的内衣。

黛莉亚回到故乡那不勒斯，试图查清母亲的死因。身为裁缝的母亲一辈子都被迫掩盖自己的魅力 ，以此逃避好妒的画家丈夫的体罚，却在死前留下了一箱来历不明的高档衣物。

黛莉亚对母亲的挖掘变成了一场令人心碎的记忆的救赎。她越接近母亲晚年的秘密，关于阿玛利娅的真实就如同尖锐的碎片，将黛莉亚多年来精心构建的谎言彻底击溃。她在迷乱中意识到，阿玛利娅承受的暴力，不止来自专制残忍的丈夫和兄长，抑或是在她身边徘徊多年的商人卡塞尔塔，更来自童年的自己、来自自己对母亲无法平息的占有欲望。

黛莉亚最终穿上母亲馈赠给自己的衣物，和四十年前的谎言和解。在母亲离世的海边，她将自己的证件照片涂抹成母亲的样子。对她而言，阿玛利娅从未离开，她就是阿玛利娅。

In this harrowing illumination of the psychotic mind, the enviable Tom Ripley has a lovely house in the French countryside, a beautiful and very rich wife, and an art collection worthy of a connoisseur. But such a gracious life has not come easily. One inopportune inquiry, one inconvenient friend, and Ripley's world will come tumbling down--unless he takes decisive steps. In a mesmerizing novel that coolly subverts all traditional notions of literary justice, Ripley enthralls us even as we watch him perform acts of pure and unspeakable evil.

Coraline lives with her preoccupied parents in part of a huge old house--a house so huge that other people live in it, too... round, old former actresses Miss Spink and Miss Forcible and their aging Highland terriers ("We trod the boards, luvvy") and the mustachioed old man under the roof ("'The reason you cannot see the mouse circus,' said the man upstairs, 'is that the mice are not yet ready and rehearsed.'") Coraline contents herself for weeks with exploring the vast garden and grounds. But with a little rain she becomes bored--so bored that she begins to count everything blue (153), the windows (21), and the doors (14). And it is the 14th door that--sometimes blocked with a wall of bricks--opens up for Coraline into an entirely alternate universe. Now, if you're thinking fondly of The Lion, the Witch, and the Wardrobe or Alice's Adventures in Wonderland, you're on the wrong track. Neil Gaiman's Coraline is far darker, far stranger, playing on our deepest fears. And, like Roald Dahl's work, it is delicious.
What's on the other side of the door? A distorted-mirror world, containing presumably everything Coraline has ever dreamed of... people who pronounce her name correctly (not "Caroline"), delicious meals (not like her father's overblown "recipes"), an unusually pink and green bedroom (not like her dull one), and plenty of horrible (very un-boring) marvels, like a man made out of live rats. The creepiest part, however, is her mirrored parents, her "other mother" and her "other father"--people who look just like her own parents, but with big, shiny, black button eyes, paper-white skin... and a keen desire to keep her on their side of the door. To make creepy creepier, Coraline has been illustrated masterfully in scritchy, terrifying ink drawings by British mixed-media artist and Sandman cover illustrator Dave McKean. This delightful, funny, haunting, scary as heck, fairy-tale novel is about as fine as they come. Highly recommended. (Ages 11 and older)

.
罗伯特·格雷夫斯是本世纪最有个性的作家之一，他既是了不起的诗人、诗学专家、敏感博学的人文学家，又是杰出的小说家、故事作家、神话学家。
——博尔赫斯（阿根廷作家）
.
“一切坚固的东西都将烟消云散”
11次以上诺贝尔文学奖提名作家
罗伯特·格雷夫斯 经典非虚构作品
通过个人回忆，阐释历史的真谛
.
1929年，罗伯特·格雷夫斯前往国外定居 ，“打定心意永不再认英国为吾乡”。《向一切告别》从他的童年和学校生活写起，重点讲述了他在第一次世界大战中的经历：从战壕的生活、密友的逝去甚至自己身负重伤被误作“阵亡人员”等，到战时英国政府部门的失职和英国等级制度的荒谬。他以相对轻快、节制、略带反讽的笔调，从侧面烘托出大战孳生的失序和幻灭。
书中还记述了他与其他作家和诗人如哈代、萨松等人的难忘交集，其中写到“阿拉伯的劳伦斯”的两章，令人印象深刻，刻画出了劳伦斯作为格雷夫斯的忠诚友人那日常生活的一面。
这是一部经典的战争回忆录，它对西线战事的描述生动而令人痛心；它也是有史以来最为坦诚的诗人自画像之一，如《观察家报》所评：“首度面世时，这本书就已是公认的经典之作。”
.
❈ 11次以上诺贝尔文学奖提名作家
❈ 博尔赫斯说“他是本世纪最有个性的作家之一”
❈ 阿加莎·克里斯蒂将《零点》全书献给他
❈ 罗伯特·格雷夫斯 经典非虚构作品
❈ 《卫报》“各时代最伟大的100部非虚构作品”
❈ 《新闻周刊》“100本最好的书”
❈ 现代图书馆“100部最佳非虚构作品”
❈ 耶鲁大学人文公开课“欧洲文明”推荐书目
❈ 剑桥大学《现代主义简明读本》推荐书目
❈ 哥伦比亚大学写作专业非虚构课程必读书目
.
一部具有永恒价值的文学艺术品。最为坦诚的诗人自画像之一。
——《泰晤士报文学增刊》
关于第一次世界大战的最佳回忆录。
——保罗·福塞尔（美国历史学家、一战史专家）
关于西线战事的经典叙述。
——《泰晤士报》
一部颠覆性的杰作。
——《卫报》
他（格雷夫斯）是一个天生的诗人。
——辛波斯卡（波兰诗人）
英国当代名诗人格雷夫斯曾经说过，他用左手写散文，取悦大众，但用右手写诗，取悦自己。对于一位大诗人而言，要写散文，仅用左手就够了。
——余光中

From acclaimed poet Franny Choi comes a poetry collection for the ends of worlds--past, present, and future. Choi's third book features poems about historical and impending apocalypses, alongside musings on our responsibilities to each other and visions for our collective survival.

Many have called our time dystopian. But The World Keeps Ending, and the World Goes On reminds us that apocalypse has already come in myriad ways for marginalized peoples and calls us to imagine what will persist in the aftermaths.

With lyric and tonal dexterity, these poems spin backwards and forwards in time. They look into the collective psyche of our years in the pandemic and in the throes of anti-racist uprisings, while imagining other vectors, directions, and futures. Stories of survival collide across space and time--from Korean comfort women during World War II to children wandering a museum in the future. These poems explore narrative distances and queer linearity, investigating on microscopic scales before soaring towards the universal. Throughout, Choi grapples with where the individual fits within the strange landscapes of this apocalyptic world, with its violent and many-layered histories. In the process, she imagines what togetherness--between Black and Asian and other marginalized communities, between living organisms, between children of calamity and conquest--could look like. Bringing together Choi's signature speculative imagination with even greater musicality than her previous work, The World Keeps Ending, and the World Goes On ultimately charts new paths toward hope.

Taking readers deep into a labyrinth of dark neurosis, "We Have Always Lived in the Castle" is a deliciously unsettling novel about a perverse, isolated, and possibly murderous family and the struggle that ensues when a cousin arrives at their estate.

【编辑推荐】
◆世间的真相无非两种：一种让你获得自由，一种将你永远埋葬在黑暗中。
◆美国犯罪小说教父迈克尔·康奈利经典“博斯系列”重磅新作。两起案件相互缠绕，险象环生，维护正义不是仅靠同情心就足够。比找到真相更难的，是让真相从各种利益相关的链条中突出重围。
◆康奈利是美国前总统克林顿、滚石乐队主唱米克·贾格尔、斯蒂芬·金共同推崇的小说家，被《GQ》杂志誉为“世界上最好的悬疑小说家”。 “博斯系列” 是康奈利大师级的悬疑系列，蝉联《纽约时报》畅销榜27年，被翻译成40种语言，全球销量突破7400万册，改编电视剧《博斯》豆瓣均分9.0+。
◆《时代周刊》、美国国家公共电台（NPR）、巴诺书店等多家媒体评选年度好书。
【内容简介】
离开洛杉矶后，博斯警探来到圣费尔南多警察局。一家药店的两名药剂师被杀，当地所有警力都被召集过来。博斯协助当地警察展开调查。他顺藤摸瓜，不料却触碰到了一个危险、庞大的药物滥用交易网。博斯潜入组织内部，试图挖掘这个黑色王国的骇人真相。
与此同时，博斯多年前抓获的一名杀人犯， 突然在监狱中声称自己当年是被博斯陷害入狱的，他提供了令人震惊的确凿证据。博斯百口莫辩，以前和睦相处的同事突然形同陌路，无人愿意站出来维护他的声誉。而一旦他的权威受到质疑，他之前所办的其他案件也会显得疑窦丛生。博斯必须为自己而战，既要自证清白，又要确保那位聪明的杀手继续待在监狱。
两个案子像铁丝网一样缠绕在一起。一路走来，博斯发现世界上有两种真相：一种让你自由，一种将你永远埋葬在黑暗中。
【媒体评论】
《两种真相》是一部构思精妙、逻辑缜密的悬疑小说，揭示了药品作坊和非法处方药地下交易的犯罪真相。
—— 《华盛顿时报》
康奈利笔下的博斯警探向来是个硬汉，但这部小说展现出的是他富有同情心的一面。
——《纽约时报》
再一次证明了康奈利作为故事讲述者的高超技巧。
——《每日快报》
《两种真相》情节紧凑、激动人心，是康奈利最出色、最有影响力的作品之一。
——《福斯特》
他将两条平行的叙事线拼接成一个险象环生的悬疑故事，这也为他笔下的角色增添了深度和复杂性。博斯就像他少年时代的偶像利文斯通博士一样，认为维护正义仅靠同情心是不够的，更需要行动。他的事迹在一个“黑暗而恐怖的世界”中熠熠生辉。
——《伦敦标准晚报》

那天，我开车带母亲上了高速公路。
行驶了一段时间后，我把车停在路旁，将她连同轮椅一起搬出来，推到马路中间，把她留在那儿。
不远处，一辆白色卡车正朝我们驶来。
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《热牛奶》是一部奇异、梦幻、令人不安的小说。它讲述了一个二十多岁的年轻女孩的故事，她为自己平庸的生活感到羞愧，感到绝望。
她见证了母亲的期许与梦想是如何在这个对她不利的世界中随风消散的。她想要挣脱那种命运，那种确定的，可预知的生活，编织另外的故事，属于她自己的故事。
她决定为自己渴望的生活奋力一搏。
—————————————————————
★ 布克奖决选作品，《纽约时报》年度好书
★ “当代英语小说领域最激动人心的声音之一”德博拉·利维长篇代表作
★正如加热过头的牛奶会烫口，伤害往往也以爱的名义进行。
★一本深刻探讨亲密关系、原生家庭和个体困境的共鸣之书，大胆炙热，才华横溢
★ 真实再现当代母女关系的幽微复杂之处，无数女儿和无数母亲的共同故事
★ 对于渴望离家的女儿来说，有时母亲比海里的毒水母更令人窒息
★ 悬浮在希望和绝望之间的那样东西，我们称之为生活
★ 精美双封设计，随书附赠“悬浮生活”双色主题杯垫
★《橘子不是唯一的水果》作者珍妮特·温特森盛赞： “利维的魅力在于她的思想和表达的独特性。”
★ 只有《我的天才女友》的作者才能以同等的洞察力记录家庭中的疾病渗透和女性身份认同。——英国作家莉萨·阿皮涅西
★ 德博拉·利维探索了母亲身份这一奇异而可怕的特质，她考验了父母与孩子之间的联结，并使我们看到其行将断裂的一面。——布克奖评审委员会
★ 利维出色的想象力，她诗歌般的语言，她每天发现奇迹的方式，使这本书如此迷人。 ——《纽约时报》
★ 利维的书是一幅达利式超现实主义风景画。它以一种看似现实主义的叙事方式讲述了一对母女前往西班牙，为自己、为对方寻求治愈之道的故事。但覆盖在“现实”之上的是一部心理剧，它通过利维散文中那不可归类的、催眠般的怪异感，将小说中的人物、场景带入了表现主义、象征主义和神话的领域。 ——英国作家乔安娜·沃尔什
★ 这不是一部篇幅很长的小说，但其语言的密度不亚于诗歌语言，简单的文字中交织着丰富的意蕴。关于内心活动的一部有力的小说，利维生动的创作使人想起弗吉尼亚•伍尔夫……令人着迷。——《卫报》

The author of the widely praised Wordslut analyzes the social science of cult influence: how cultish groups from Jonestown and Scientology to SoulCycle and social media gurus use language as the ultimate form of power.
What makes “cults” so intriguing and frightening? What makes them powerful? The reason why so many of us binge Manson documentaries by the dozen and fall down rabbit holes researching suburban moms gone QAnon is because we’re looking for a satisfying explanation for what causes people to join—and more importantly, stay in—extreme groups. We secretly want to know: could it happen to me? Amanda Montell’s argument is that, on some level, it already has . . .
Our culture tends to provide pretty flimsy answers to questions of cult influence, mostly having to do with vague talk of “brainwashing.” But the true answer has nothing to do with freaky mind-control wizardry or Kool-Aid. In Cultish, Montell argues that the key to manufacturing intense ideology, community, and us/them attitudes all comes down to language. In both positive ways and shadowy ones, cultish language is something we hear—and are influenced by—every single day.
Through juicy storytelling and cutting original research, Montell exposes the verbal elements that make a wide spectrum of communities “cultish,” revealing how they affect followers of groups as notorious as Heaven’s Gate, but also how they pervade our modern start-ups, Peloton leaderboards, and Instagram feeds. Incisive and darkly funny, this enrapturing take on the curious social science of power and belief will make you hear the fanatical language of “cultish” everywhere.

Jennette McCurdy was six years old when she had her first acting audition. Her mother’s dream was for her only daughter to become a star, and Jennette would do anything to make her mother happy. So she went along with what Mom called “calorie restriction,” eating little and weighing herself five times a day. She endured extensive at-home makeovers while Mom chided, “Your eyelashes are invisible, okay? You think Dakota Fanning doesn’t tint hers?” She was even showered by Mom until age sixteen while sharing her diaries, email, and all her income.

In
, Jennette recounts all this in unflinching detail—just as she chronicles what happens when the dream finally comes true. Cast in a new Nickelodeon series called
, she is thrust into fame. Though Mom is ecstatic, emailing fan club moderators and getting on a first-name basis with the paparazzi (“Hi Gale!”), Jennette is riddled with anxiety, shame, and self-loathing, which manifest into eating disorders, addiction, and a series of unhealthy relationships. These issues only get worse when, soon after taking the lead in the
spinoff
alongside Ariana Grande, her mother dies of cancer. Finally, after discovering therapy and quitting acting, Jennette embarks on recovery and decides for the first time in her life what she really wants.

Told with refreshing candor and dark humor,
is an inspiring story of resilience, independence, and the joy of shampooing your own hair.

A mother and daughter travel from abroad to meet in Tokyo: they walk along the canals through the autumn evenings, escape the typhoon rains, share meals in small cafes and restaurants, and visit galleries to see some of the city's most radical modern art. All the while, they talk: about the weather, horoscopes, clothes, and objects, about family, distance, and memory. But uncertainties abound. Who is really speaking here - is it only the daughter? And what is the real reason behind this elliptical, perhaps even spectral journey? At once a careful reckoning and an elegy,
questions whether any of us speak a common language, which dimensions can contain love, and what claim we have to truly know another's inner world.
Selected from more than 1,500 entries,
won the Novel Prize, a new, biennial award offered by Fitzcarraldo Editions, New Directions (US) and Giramondo (Australia), for any novel written in English that explores and expands the possibilities of the form.

一个家族希腊悲剧级的苦难
如何让家庭成员走上不同的人生旅途
被摧毁，被改变，被修复……
又如何为医学研究提供绝佳的机遇
为所有病患家庭点亮希望的微光
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一段激荡人心的医学探索
一个家庭与命运抗争的感人故事
——奥普拉•温弗瑞
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【内容简介】
在外人看来，美国科罗拉多州斯普林斯市的加尔文一家是一个完美的中产家庭：丈夫多恩热情洋溢，是一名自信满满的空军学院军官，妻子咪咪则是来自得克萨斯州一个上层家庭的大家闺秀，他们还有12个可爱的孩子。
但在这种表明的光鲜下，一股这对夫妇无法理解的力量正在涌动。短短十年间，12个孩子中的6个先后罹患严重的精神分裂症，另6个孩子则在恐惧中等待，等待自己成为下一个，等待更多痛苦和伤害的降临。在超过半个世纪的时间里，癫狂、屈辱和暴力从未饶恕过这个家庭，笼罩在这个家庭之上的也远不止自残和谋杀。基于对所有健在当事人的采访和大量医学档案资料，作者罗伯特·科尔克以饱含同情和悲悯的笔触讲述了精神分裂症吞噬这个家庭的全过程。
在承受无尽苦难的同时，这个特殊的家庭也为探寻精神分裂症的病因和治疗方法带来了一丝希望。以加尔文一家的故事为脉络，科尔克在书中梳理并穿插了过去一个世纪医学界有关精神分裂症病因的观点和争论、这种疾病治疗方法的演变、社会对精神分裂症病人及其家人的偏见和歧视。从弗洛伊德与荣格的分歧与决裂，到整整一代治疗师将病因归咎于“精神分裂症妈妈”，从理论家们抛弃疾病的概念执着于对其进行颠覆，到医学研究者抽丝剥茧寻找这种疾病的生物学原因，本书都一一做了介绍。《隐谷路》最终把注意力聚焦在几名医学研究者上，讲述了他们以这个特殊的家庭为样本，在过去数十年间为解开精神分裂症之谜做出的不懈努力，以及发现精神分裂症易感基因的曲折和突破。
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【编辑推荐】
★ 横扫几乎所有欧美著名媒体2020年度好书书单：《纽约时报》《华盛顿邮报》《华尔街日报》《波士顿环球报》《时代》《泰晤士报》……
★ 力压美国前总统奥巴马回忆录《应许之地》，位居《纽约时报》2020年度十佳图书非虚构类榜首
★ 美国前总统奥巴马2020年度最爱图书
★ 美国亚马逊2020年度最佳非虚构类图书
★ 奥普拉读书俱乐部创立25年来迄今唯一入选的非虚构类叙事作品（不含回忆录）
★ 2021年度美国笔会非虚构文学奖决选作品，2021年度安德鲁·卡内基优秀图书奖入围作品
★ 中国科学院院士、北京大学第六医院院长陆林作序推荐
★ 中南大学湘雅二医院教授、中华医学会精神医学分会主任委员李凌江，科普作家、《心外传奇》作者李清晨，中国科学院脑科学与智能技术卓越创新中心高级研究员、神经科学国家重点实验室副主任仇子龙倾力推荐
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【媒体、学者推荐】
一部叙事新闻的杰作，也是对同理心的研究。作者罗伯特·科尔克以饱含同情的笔触讲述了加尔文一家的故事，同时也梳理了医学界在诊治精神分裂症方面的科学进展。——《纽约时报》
必将成为非虚构叙事写作的经典之作。——《明尼阿波利斯明星论坛报》
一项杰出的病例研究，一部调查报道的力作。——西尔维娅·娜萨，《美丽心灵：纳什传》作者，普利策奖、美国书评人协会奖获得者
从当代科学的眼光来看，精神分裂症是遗传的易感素质与个体成长过程中各种不良经历磨合的结果。然而，要找到帮助患者解脱“心魔”的路径并消除疾病带给患者的各种折磨，从正常人的角度艰难地去感悟和理解患者那种“疯狂”的感受，有时比努力寻找致病基因更有意义。《隐谷路》对一个高发精神分裂症家庭经历的细致描述也许就是这样的一剂良药，我相信它在这方面能达到的效果会远远超出了解这种疾病本身。——李凌江，中南大学湘雅二医院教授，中华医学会精神医学分会主任委员
我在儿童医院的工作中接触过与《隐谷路》中故事类似的家庭，但这本书揭示的苦难比我既往了解到的还要深重许多倍。人类的幸福有上限，但苦难深渊的下限深不可测，永远有更惨烈的痛苦让人目不忍视。但直视这样的痛苦是征服它们的必要前提，感谢那些以无与伦比的勇气去直面和征服这些苦难的科学家和医生。那些不幸罹患如此隐疾的人不应该是被社会隔绝、被人类抛弃的怪物，而是亟待拯救的正在忍受大不幸的人。——李清晨，外科医生、科普作家，《心外传奇》作者
精神分裂症是人类现代医学史上第一种被发现与遗传因素有关的脑疾病。这本书的时代背景二十世纪也是人类社会对遗传与基因爱恨交加的世纪。从一开始对基因的无比崇拜，到纳粹灭亡后所有人都对导致疾病的遗传因素讳莫如深，现代医学对精神分裂症的研究就是在这种背景下展开的。《隐谷路》提供了一份研究精神分裂症的绝佳资料，一个被疾病困扰的大家族。在逐渐揭开精神分裂症神秘面纱的同时，医生也发现了各种药物，可以逐渐减轻精神分裂症病人的痛苦。人类也许暂时还无法治愈精神分裂症，但无数医生和科学家的孜孜探索终将使人类摆脱精神疾病的困扰。——仇子龙，中国科学院脑科学与智能技术卓越创新中心高级研究员，神经科学国家重点实验室副主任

Fifteen year old Graham Iddesleigh dreams of a past life, where he frolicked in a garden with a young Greek god. However, his dreams threaten to come to an abrupt end when his father decides to send him away to school. But what is Graham's surprise when he meets a fellow schoolboy, Harold Brocklehurst, who is the very image of the Greek god of his dreams!
Graham falls deeply in love with his new friend, and the two boys spend an unforgettable summer together -- until a heartbreaking tragedy occurs, a tragedy that will change Graham's life forever.
"The Garden God" was first published in 1905, in the wake of the Oscar Wilde trial and other scandals, and risked controversy with its undercurrents of pederastic desire. Forrest Reid dedicated the novel to his idol, Henry James, who was outraged and never spoke to Reid again. This first ever scholarly edition of the novel includes a new introduction and notes by Michael Matthew Kaylor, who dismisses the traditional view of Reid as merely a provincial novelist and argues for his inclusion among the major Uranian writers such as Pater, Wilde, and Frederick Rolfe.

A love affair between a thirteen-year-old schoolboy (Tony Sandel) and a nineteen-year-old undergraduate (David), written and published at time before moral panic set in and the false dogma was established that all such relationships damaged the younger partner for life. Sandel is an evocative portrait of boarding-school and Oxbridge life and the intense, often romantic friendships that flourish there. It is also a novel of sexual awakening, whose light touch disguises the profound emotions that such friendships generate; the relationship portrayed is partly of equals and partly, as often happens, one where it is the younger partner who decides whether and how it should persist.

Danielle Evans is widely acclaimed for her blisteringly smart voice and x-ray insights into complex human relationships. With The Office of Historical Corrections, Evans zooms in on particular moments and relationships in her characters’ lives in a way that allows them to speak to larger issues of race, culture, and history. She introduces us to Black and multiracial characters who are experiencing the universal confusions of lust and love, and getting walloped by grief—all while exploring how history haunts us, personally and collectively. Ultimately, she provokes us to think about the truths of American history—about who gets to tell them, and the cost of setting the record straight.
In “Boys Go to Jupiter,” a white college student tries to reinvent herself after a photo of her in a Confederate-flag bikini goes viral. In “Richard of York Gave Battle in Vain,” a photojournalist is forced to confront her own losses while attending an old friend’s unexpectedly dramatic wedding. And in the eye-opening title novella, a black scholar from Washington, DC, is drawn into a complex historical mystery that spans generations and puts her job, her love life, and her oldest friendship at risk.

20世纪九十年代，年轻的人类学家唐·库里克，只身走入巴布亚新几内亚热带雨林中，位于一片沼泽地中央，人口仅两百的小村庄嘉普恩，记录一门濒临消亡的当地语言——泰雅博语。到达后他就深深领悟到，如果不理解说这种话的当地人的日常生活，就不可能真正学会这门语言：你必须要了解他们如何与自己的孩子沟通，如何争吵、八卦和开玩笑。在这段跨越三十年的时光中，他反反复复拜访当地，每次都停留数周到半年多的时间不等，亲眼见证了语言环境日渐稀薄，记录下他所能学习到的一切。与此同时，他也发现自己已经义无反顾地融入了嘉普恩村民的生活与世界，与他们的悲欢和命运产生了交融。
本书英文版出版当年，即入选美国《时代周刊》推荐当季必读书目和《美国国家地理》当季最佳旅行类图书，受到媒体广泛关注和读者好评。