It is not just the timbre of Norah Jones's voice that is mature beyond her 22 years. Her assured phrasing and precise time are more often found in older singers as well. She is instantly recognizable, blending shades of Billie Holiday and Nina Simone without sounding like anyone but herself. Any way you slice it, she is a singer to be reckoned with. Her readings of the Hank Williams classic "Cold Cold Heart" and Hoagy Carmichael's "The Nearness of You" alone are worth the price of the CD. Jones's own material, while not bad, pales a bit next to such masterpieces. They might have fared better had she and producer Arif Mardin opted for some livelier arrangements, taking better advantage of brilliant sidemen such as Bill Frisell, Kevin Breit, and Brian Blade; or if the tunes had simply been given less laconic performances. Jones has all the tools; what will come with experience and some careful listening to artists like J.J. Cale and Shirley Horn is the knack of remaining low-key without sounding sleepy--sometimes less is not, in fact, more. --Michael Ross

Japanese reissue of Norah Jones' 2002 debut release. This version comes with one bonus track, 'What Am I To You'. 15 tracks total. EMI. 2008.

Exclusive Australian pressing of the first single lifted from her Grammy winning 2002 debut album, 'Come Away With Me'. The title track is backed with three non-LP tracks, 'I'll Be Your Baby Tonight' (Bob Dylan cover), 'Lonestar' (from 2001's 'First Sessi

Japanese edition of the critically acclaimed jazz vocalist's hit debut for Blue Note. Includes an exclusive bonus track 'What Am I To You' which is a different version to the one on her sophomore album, Feels Like Home. 2002.

专辑简介十二颗破碎的心 十二首闪烁新作
一首首 抚平着每道伤口
诺拉琼丝 用细腻却汹涌的全新歌路
倾吐着 「心碎」故事
伤痛传感娠强优美－在心灵深处 刻划下爱的伤痕 歌咏爱情的最新作品~迎接出道第10年的世界歌姬．诺拉琼丝与葛莱美金奖制作人．鼠尾老大共同炮制而成的得意之作！
小天后Norah Jones把自己的失恋故事，转化成给每个人的正面力量！— 沉鸿元（台北爱乐电台「爵士大道」、「台北爵士夜」主持人）
小天后诺拉琼丝〈Norah Jones〉的全新专辑，请来了制作人鼠尾老大〈Danger Mouse〉合作，带来十二首闪烁黑暗光彩的新作品。音乐主题明显，是张谈「失恋」的专辑，因此，每首作品里都有一个故事，也代表一颗破碎的心。事实上，就在诺拉琼丝开始制作这张专辑之前，她才刚结束一段恋情…。
诺拉琼丝和鼠尾老大是旧识，公元2008年合作过一张唱片，他建议这次可以做一些较黑暗，较情绪化的音乐。只是诺拉琼丝当时仍处在「疗伤期」，不是那么愿意让音乐再次揭开心里那道还没结痂的伤。两人不断沟通，谈了许多与感情相关的主题，鼠尾老大提供了不同的视角让诺拉琼丝看待这一切，让她有了新的想法：「这是做音乐有趣的地方，自己生活里的烦恼或痛苦，其实可以藉由音乐，转化成对其他人的一种向上力量。」
专辑就象是一趟色调昏暗的心灵之旅，有些歌听起来就像我们熟悉的诺拉琼丝，比方开场的《Good Morning》，但大部分其它作品的节奏与质地，对她来说都是新鲜的挑战。《Travelin’ On》是将印象派古典音乐与七零年代乡村音乐结合而成。《Out on the Road》充满孤寂、苦涩，却带些甜意，英文单字Bittersweet大概是最好的形容。《After the Fall》，则彷彿灰色梦境里的镜像，见着自己如此憔悴，却怎么也走不出去。至于《Miriam》，诺拉琼丝用一种极具魅力的平静声音诠释，细细雕琢过的情感，象是一道来自伤心世界里的冷光。整张专辑有条固定的故事线，主轴就是伤痛。标题曲《Little Broken Hearts》讲着旧爱虽美，但碎心人儿们决定挥刀斩情丝。而最跳Tone的一首歌，非《Happy Pills》莫属！旋律与节奏都象是在晴空底下欢乐游行，听来一点不伤感，但歌词里讲述着「试着把一切搞定，便再也不用看见你那张脸」，毕竟只要自己愿意，心念一转，伤痛早不知所踪!

2012年新专辑《Little Broken Hearts》首单

Label: Blue Note – 0946 3 82035 2 0, EMI – 0946 3 82035 2 0
Format: CD, Album
Country: Europe
Released: 26 Jan 2007
Genre: Jazz
Style: Contemporary Jazz

UK exclusive single release is b/w two non-LP tracks, 'I'll Be Your Baby Tonight (Rare Studio Version)' & 'Ruler Of My Heart (w/ the Dirty Dozen Brass Band)'. 'Feelin' The Same Way' is a breezy pop/jazz confection on which brushed cymbals rub shoulders with gracefully plucked guitars. It's heartening that an artist who is neither a self-conscious Garage rock parody or fatuous pop nonentity can still sell a bucket load of albums. EMI/Blue Note UK 2002.

Taken from the 2002 album, 'Come Away With Me'. Three non-LP tracks, 'Don't Know Why' (Original Demo Version), 'I'll Be Your Baby Tonight', & 'Crazy' (Live). Capitol. 2003.

"Come Away with Me" is a song written by the female jazz/folk singer Norah Jones for her 2002 debut album Come Away with Me. It is also the title track of the album. The song did not chart on the Billboard Hot 100, but it did place number 21 on the US Adult Top 40. It also charted at number two in Canada (being Jones's second and highest chart achievement on the Canadian Singles Chart) and number eighty on the UK Singles Chart.
The song features on the Jennifer Lopez & Ralph Fiennes movie, Maid in Manhattan and The song is featured on the Brazilian soap opera "O Beijo do Vampiro".
A completely different song of the same name was recorded by Guillemots on their 2006 debut album Through the Windowpane, and another by Milburn on their 2007 album These Are the Facts.