This is the epic, untold story of how same-sex marriage became law of the land. Documenting one of the greatest civil rights stories of our time, THE FREEDOM TO MARRY is a nail-biting, behind-the-scenes story that traces the marriage equality movement's historic progress, and reveals the masterminds of the movement as they lead the fight to win same sex marriage throughout the United States. This is an inspirational tale of how people can actually make a difference and ultimately, a powerful playbook for social change.

斯蒂夫·玛丽维瑟又名玛丽特工，曾是美国情报局 (AIA) 中的佼佼者，直到他公开承认自己是同性恋。由于无法解雇他，AIA 便将他打发到了西好莱坞。结果玛丽在这里组建了一支由 LGBTQ+ 天才组成的杂牌军。成员包括机械师专家黛布，变装大师特温克以及黑客斯塔，并取名为“超 Q 特攻队”。
经过长年的等待后，他们收到了来自 AIA 的第一个任务，玛丽一心想向背弃他的情报局证明自己，并决定与“超 Q 特攻队”一起自主出击。在独立寻案侦查、并以他们自己的方式完美解决后，AIA 不情愿地认可了他们，并将他们晋升为正式的秘密特工。但这有一个重要的前提 — 他们必须忍受团队中的新成员：直男特工巴克。

约翰尼（乔什·奥康纳 Josh O'Connor 饰）是一位24岁的青年，和父亲马丁（伊恩·哈特 Ian Hart 饰）、祖母戴德利（盖玛·琼斯 Gemma Jones 饰）过着相依为命的日子。约翰尼家中经营着一间农场，因为父亲中风瘫痪，所以农场里大大小小的事情都要约翰尼来完成。
约翰尼有一个秘密，他是一名同性恋者，为了保守这个秘密，约翰尼不断的压抑自己的情感，积攒了非常多的压力。一天，一个名叫格奥尔基（亚力克·塞克雷亚努 Alec Secareanu 饰）的工人来到农场做帮手，这个年长的男人教会了约翰尼很多事情，随着时间的推移，约翰尼和格奥尔基之间的关系越来越亲密起来。

影片讲述上世纪90年代初，两位少年前往台北，那里的一切冲击着这两个少年的感官。学校宿舍里发生了对同性恋的霸凌，尽管禁忌一一解放，学校也开始招收女生，但同性恋三个字仍如毒蛇猛兽人人唾弃。而两个男孩间原本暧昧的情愫，也因一个女孩的介入，而就此被打乱。

For the originality of its content and manner of telling, Gael Morel's "Le Clan" deserves wide art-house distribution. It does, however, need a better English title. Life may be difficult for people in the film, but they are not slaves and make choices that attempt to better their situations, if not always happily. Why not simply "A Clan," since nobody remembers Griffith's second title for "Birth of a Nation," or "Brothers"? Two boys practice a North African "slave dance," but for sport and release.
The tightly edited movie can be thought of as short stories about three brothers and their father. With rapid shifts we keep learning new things about the characters. Sometimes one wonders what went on during a gap, but usually one can figure it out and the dialogue that would have worked it through would have been sentimental and out of character.
One shot of the brothers huddled together watched by their father is difficult to justify realistically, but it works as a symbolic representation. If meanwhile one wants everything spelled out and sweetened, there is the Québec film "C.R.A.Z.Y." The brothers do maintain enormous familiarity. The youngest one, very drunk, is helped by a brother to vomit.
If that's shocking, we have to take it as a fact of the milieu. The banlieux of France have recently been in the news. "Le Clan" goes much further with stories that lead one to care for the characters in the variety of their difficult situations of social derogation, dangerous labour, sexuality, and self-esteem.