Pop
生如夏花 豆瓣 豆瓣
9.0 (315 个评分)
朴树
类型:
流行
发布日期 2003年11月28日
出版发行:
华纳音乐
1999年1月推出首张专辑《我去2000年》的朴树，在专辑大卖、人气飙升后，“埋伏”四年未出专辑，倒是“老”专辑长销不衰，并在今年荣誉再版了《我去2000年（珍藏版）》。2003年11月，新专辑《生如夏花》终于在千呼万唤中浮出水面，在朴树的生日11月8日这天，全国各正版音像店开始同步预售。
虽然四年未出新专辑，但朴树给中国原创乐坛带来的惊喜依然不断：2002年3月，《冲出你的窗口》成为国内最权威排行榜之一的北京音乐台“中国歌曲排行榜”开榜以来榜龄最长的冠军金曲，共上榜15周，3周冠军；2003年单曲《Colorful days》更创造了“中国歌曲排行榜”开榜十余年来最“High”记录——蝉联6周冠军，music radio 亦获双周冠军！这期间不仅歌迷纷纷来信、来电催问，各媒体亦不断致电华纳唱片，询问新专辑何时上市，亚洲小天后孙燕姿也表示“朴树是我最欣赏、最想与之合作的内地音乐人”，朴树可谓开启了华人歌手最罕见的新专辑期待狂潮。
自老狼《晴朗》专辑首开网上预售先河，取得令人瞩目的成绩后，周迅《夏天》专辑的全国预售一样取得了预期的效果，唱片预售已经成为华纳唱片“回馈歌迷、打击盗版”的利器。华纳唱片·麦田音乐和美卡音像对《生如夏花》这张年度巨片寄予厚望，再次携手在全国各正版音像店开展预售活动，不仅帮助歌迷有效甄别盗版，更为四年来始终支持朴树的“树”迷们准备了一批超值非卖品VCD，内容包括《Colorful days》的Music Video、卡拉OK和手机铃声，参加预售者，均可以免费得到这张极具收藏价值的VCD。据悉，此VCD全国限量50000张，送完即至。
“《生如夏花》绽放中国签唱行”即将启程
目前朴树的新专辑已经录制完毕，专辑造型、设计等工作也告一段落，正在紧锣密鼓地进行后期的制作工作。为防止盗版，在朴树新专辑上市之前，新的造型照片将继续“神秘”，新歌也不做打榜，《傲慢的上校》、《我爱你，再见》等朴式招牌曲只能在专辑上市时一听为快了！朴树新专辑从预售开始，即有两大赞助商丰田威驰、移动纳维全力支持，在专辑上市后，为回报四年来支持朴树的朋友们，华纳唱片·麦田音乐携手两大赞助商将举行一个行程遍布全国的“朴树全新专辑《生如夏花》绽放中国签唱行”，让“树”迷们与朴树亲密接触。这将是内地艺人唱片宣传中最“魔鬼”的一次行程！！！
虽然四年未出新专辑，但朴树给中国原创乐坛带来的惊喜依然不断：2002年3月，《冲出你的窗口》成为国内最权威排行榜之一的北京音乐台“中国歌曲排行榜”开榜以来榜龄最长的冠军金曲，共上榜15周，3周冠军；2003年单曲《Colorful days》更创造了“中国歌曲排行榜”开榜十余年来最“High”记录——蝉联6周冠军，music radio 亦获双周冠军！这期间不仅歌迷纷纷来信、来电催问，各媒体亦不断致电华纳唱片，询问新专辑何时上市，亚洲小天后孙燕姿也表示“朴树是我最欣赏、最想与之合作的内地音乐人”，朴树可谓开启了华人歌手最罕见的新专辑期待狂潮。
自老狼《晴朗》专辑首开网上预售先河，取得令人瞩目的成绩后，周迅《夏天》专辑的全国预售一样取得了预期的效果，唱片预售已经成为华纳唱片“回馈歌迷、打击盗版”的利器。华纳唱片·麦田音乐和美卡音像对《生如夏花》这张年度巨片寄予厚望，再次携手在全国各正版音像店开展预售活动，不仅帮助歌迷有效甄别盗版，更为四年来始终支持朴树的“树”迷们准备了一批超值非卖品VCD，内容包括《Colorful days》的Music Video、卡拉OK和手机铃声，参加预售者，均可以免费得到这张极具收藏价值的VCD。据悉，此VCD全国限量50000张，送完即至。
“《生如夏花》绽放中国签唱行”即将启程
目前朴树的新专辑已经录制完毕，专辑造型、设计等工作也告一段落，正在紧锣密鼓地进行后期的制作工作。为防止盗版，在朴树新专辑上市之前，新的造型照片将继续“神秘”，新歌也不做打榜，《傲慢的上校》、《我爱你，再见》等朴式招牌曲只能在专辑上市时一听为快了！朴树新专辑从预售开始，即有两大赞助商丰田威驰、移动纳维全力支持，在专辑上市后，为回报四年来支持朴树的朋友们，华纳唱片·麦田音乐携手两大赞助商将举行一个行程遍布全国的“朴树全新专辑《生如夏花》绽放中国签唱行”，让“树”迷们与朴树亲密接触。这将是内地艺人唱片宣传中最“魔鬼”的一次行程！！！
Bokutachi No Shippai: Best Selection 豆瓣
9.6 (32 个评分)
森田童子
类型:
民谣
发布日期 2003年3月10日
出版发行:
Toshiba EMI
70年代日本民谣女歌手。森田童子的作品并不多，只有7张专辑。然而她的全国音乐巡回演唱会精彩，她的歌声具有独特的个性。从1978年到1983年是森田童子音乐活动的高峰期。之后森田童子的歌声逐渐在歌坛消失，只是开些小型音乐会而已，结婚后处于半休业状态。1993年，十分欣赏森田童子才华的野岛伸司请出了森田童子在三部曲的《高校教师》中演唱主题曲及插曲。
WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? 豆瓣
7.3 (258 个评分)
Billie Eilish
类型:
电子
发布日期 2019年3月29日
出版发行:
Interscope Records
Beginning with the haunting alt-pop smash “Ocean Eyes” in 2016, Billie Eilish made it clear she was a new kind of pop star—an overtly awkward introvert who favors chilling melodies, moody beats, creepy videos, and a teasing crudeness à la Tyler, The Creator. Now 17, the Los Angeles native—who was homeschooled along with her brother and co-writer, Finneas O’Connell—presents her much-anticipated debut album, a melancholy investigation of all the dark and mysterious spaces that linger in the back of our minds. Sinister dance beats unfold into chattering dialogue from The Office on “my strange addiction,” and whispering vocals are laid over deliberately blown-out bass on “xanny.” “There are a lot of firsts,” says Finneas. “Not firsts like ‘Here’s the first song we made with this kind of beat,’ but firsts like Billie saying, ‘I feel in love for the first time.’ You have a million chances to make an album you're proud of, but to write the song about falling in love for the first time? You only get one shot at that.”
Billie, who is both beleaguered and fascinated by night terrors and sleep paralysis, has a complicated relationship with her subconscious. “I’m the monster under the bed, I’m my own worst enemy,” she told Beats 1 host Zane Lowe during an interview in Paris. “It’s not that the whole album is a bad dream, it’s just…surreal.” With an endearingly off-kilter mix of teen angst and experimentalism, Billie Eilish is really the perfect star for 2019—and here is where her and Finneas' heads are at as they prepare for the next phase of her plan for pop domination. “This is my child,” she says, “and you get to hold it while it throws up on you.”
Figuring out her dreams:
Billie: “Every song on the album is something that happens when you’re asleep—sleep paralysis, night terrors, nightmares, lucid dreams. All things that don't have an explanation. Absolutely nobody knows. I've always had really bad night terrors and sleep paralysis, and all my dreams are lucid, so I can control them—I know that I'm dreaming when I'm dreaming. Sometimes the thing from my dream happens the next day and it's so weird. The album isn’t me saying, 'I dreamed that'—it’s the feeling.”
Getting out of her own head:
Billie: “There's a lot of lying on purpose. And it's not like how rappers lie in their music because they think it sounds dope. It's more like making a character out of yourself. I wrote the song '8' from the perspective of somebody who I hurt. When people hear that song, they're like, 'Oh, poor baby Billie, she's so hurt.' But really I was just a dickhead for a minute and the only way I could deal with it was to stop and put myself in that person's place.”
Being a teen nihilist role model:
Billie: “I love meeting these kids, they just don't give a f**k. And they say they don't give a f**k because of me, which is a feeling I can't even describe. But it's not like they don't give a f**k about people or love or taking care of yourself. It's that you don't have to fit into anything, because we all die, eventually. No one's going to remember you one day—it could be hundreds of years or it could be one year, it doesn't matter—but anything you do, and anything anyone does to you, won't matter one day. So it's like, why the f**k try to be something you're not?”
Embracing sadness:
Billie: “Depression has sort of controlled everything in my life. My whole life I’ve always been a melancholy person. That’s my default.”
Finneas: “There are moments of profound joy, and Billie and I share a lot of them, but when our motor’s off, it’s like we’re rolling downhill. But I’m so proud that we haven’t shied away from songs about self-loathing, insecurity, and frustration. Because we feel that way, for sure. When you’ve supplied empathy for people, I think you’ve achieved something in music.”
Staying present:
Billie: “I have to just sit back and actually look at what's going on. Our show in Stockholm was one of the most peak life experiences we've had. I stood onstage and just looked at the crowd—they were just screaming and they didn’t stop—and told them, 'I used to sit in my living room and cry because I wanted to do this.' I never thought in a thousand years this s**t would happen. We’ve really been choking up at every show.”
Finneas: “Every show feels like the final show. They feel like a farewell tour. And in a weird way it kind of is, because, although it's the birth of the album, it’s the end of the episode.”
Billie, who is both beleaguered and fascinated by night terrors and sleep paralysis, has a complicated relationship with her subconscious. “I’m the monster under the bed, I’m my own worst enemy,” she told Beats 1 host Zane Lowe during an interview in Paris. “It’s not that the whole album is a bad dream, it’s just…surreal.” With an endearingly off-kilter mix of teen angst and experimentalism, Billie Eilish is really the perfect star for 2019—and here is where her and Finneas' heads are at as they prepare for the next phase of her plan for pop domination. “This is my child,” she says, “and you get to hold it while it throws up on you.”
Figuring out her dreams:
Billie: “Every song on the album is something that happens when you’re asleep—sleep paralysis, night terrors, nightmares, lucid dreams. All things that don't have an explanation. Absolutely nobody knows. I've always had really bad night terrors and sleep paralysis, and all my dreams are lucid, so I can control them—I know that I'm dreaming when I'm dreaming. Sometimes the thing from my dream happens the next day and it's so weird. The album isn’t me saying, 'I dreamed that'—it’s the feeling.”
Getting out of her own head:
Billie: “There's a lot of lying on purpose. And it's not like how rappers lie in their music because they think it sounds dope. It's more like making a character out of yourself. I wrote the song '8' from the perspective of somebody who I hurt. When people hear that song, they're like, 'Oh, poor baby Billie, she's so hurt.' But really I was just a dickhead for a minute and the only way I could deal with it was to stop and put myself in that person's place.”
Being a teen nihilist role model:
Billie: “I love meeting these kids, they just don't give a f**k. And they say they don't give a f**k because of me, which is a feeling I can't even describe. But it's not like they don't give a f**k about people or love or taking care of yourself. It's that you don't have to fit into anything, because we all die, eventually. No one's going to remember you one day—it could be hundreds of years or it could be one year, it doesn't matter—but anything you do, and anything anyone does to you, won't matter one day. So it's like, why the f**k try to be something you're not?”
Embracing sadness:
Billie: “Depression has sort of controlled everything in my life. My whole life I’ve always been a melancholy person. That’s my default.”
Finneas: “There are moments of profound joy, and Billie and I share a lot of them, but when our motor’s off, it’s like we’re rolling downhill. But I’m so proud that we haven’t shied away from songs about self-loathing, insecurity, and frustration. Because we feel that way, for sure. When you’ve supplied empathy for people, I think you’ve achieved something in music.”
Staying present:
Billie: “I have to just sit back and actually look at what's going on. Our show in Stockholm was one of the most peak life experiences we've had. I stood onstage and just looked at the crowd—they were just screaming and they didn’t stop—and told them, 'I used to sit in my living room and cry because I wanted to do this.' I never thought in a thousand years this s**t would happen. We’ve really been choking up at every show.”
Finneas: “Every show feels like the final show. They feel like a farewell tour. And in a weird way it kind of is, because, although it's the birth of the album, it’s the end of the episode.”
NIPPON 豆瓣
6.9 (15 个评分)
椎名林檎
类型:
流行
发布日期 2014年6月11日
出版发行:
ユニバーサルミュージック
2014年NHKサッカー放送のテーマ音楽となる新曲「NIPPON」が遂に完成。
2014FIFAワールドカップ・ブラジル大会の日本代表最終メンバー発表が行われ、いよいよワールドカップ・イヤーの盛り上がりも最高潮へと向かっていく中、
早くも本年度ナンバー1サッカー・アンセムとなること必至の強力チューンの登場。
NHKサッカー・テーマの依頼を受け書き下ろされた本作は、まさにこれから迎える“勝負の時"、勝ちに行かんとする強い意志を表した、高揚感溢れる仕上がり。
スポーツのみならず、人生に於いて誰もが直面する様々な“ハレの日"に力強いエールを送る新曲。
カップリングには、新曲「逆さに数えて」を収録。タイトル曲が“ハレ"ならこちらは“ケ"。本作二曲を通じ、彼女の哲学がいま鮮やかに浮かび上がる。
2014FIFAワールドカップ・ブラジル大会の日本代表最終メンバー発表が行われ、いよいよワールドカップ・イヤーの盛り上がりも最高潮へと向かっていく中、
早くも本年度ナンバー1サッカー・アンセムとなること必至の強力チューンの登場。
NHKサッカー・テーマの依頼を受け書き下ろされた本作は、まさにこれから迎える“勝負の時"、勝ちに行かんとする強い意志を表した、高揚感溢れる仕上がり。
スポーツのみならず、人生に於いて誰もが直面する様々な“ハレの日"に力強いエールを送る新曲。
カップリングには、新曲「逆さに数えて」を収録。タイトル曲が“ハレ"ならこちらは“ケ"。本作二曲を通じ、彼女の哲学がいま鮮やかに浮かび上がる。
The Golden Age 豆瓣
8.7 (19 个评分)
Woodkid
发布日期 2013年3月18日
出版发行:
Island Records
Born to Die 豆瓣
8.7 (361 个评分)
Lana Del Rey
类型:
流行
发布日期 2012年1月31日
出版发行:
IGA
Born to Die is the second studio album and major-label debut by American singer and songwriter Lana Del Rey. It was released on January 27, 2012 by Interscope Records, Polydor Records, and Stranger Records. Del Rey collaborated with producers including Patrik Berger, Jeff Bhasker, Chris Braide, Emile Haynie, Justin Parker, Rick Nowels, Robopop, and Al Shux to achieve her desired sound. Their efforts resulted in a primarily baroque pop record, which sees additional influences from alternative hip hop, indie pop and trip hop music.
Contemporary music critics gave Born to Die mixed reviews; some commended its distinctive production, while its repetitiveness and melodramatic tendencies were a recurring complaint. The record debuted at number two on the U.S. Billboard 200 with first-week sales of 77,000 copies; it was later certified platinum by the Recording Industry Association of America (RIAA) after moving one million units. Born to Die reached the peak position on eleven international record charts, and has sold 8.5 million copies worldwide as of May 2015.
After attaining online success after its initial premiere on June 29, 2011, "Video Games" was released as the lead single from Born to Die on October 17, 2011; it peaked at number 91 on the U.S. Billboard Hot 100. Its follow-up singles "Born to Die", "Off to the Races", "Blue Jeans", "Summertime Sadness", "National Anthem", and "Dark Paradise" performed sporadically across Billboard component charts and international record charts. The Cedric Gervais remix of "Summertime Sadness" was released on July 11, 2013, and became Del Rey's highest-charting single in the United States, reaching number six on the Billboard Hot 100. Del Rey additionally promoted Born to Die with several televised performances, including a widely criticized appearance on Saturday Night Live. It was reissued on November 9, 2012 as an expanded version subtitled The Paradise Edition, which was packaged with her third extended play Paradise (2012).
Contemporary music critics gave Born to Die mixed reviews; some commended its distinctive production, while its repetitiveness and melodramatic tendencies were a recurring complaint. The record debuted at number two on the U.S. Billboard 200 with first-week sales of 77,000 copies; it was later certified platinum by the Recording Industry Association of America (RIAA) after moving one million units. Born to Die reached the peak position on eleven international record charts, and has sold 8.5 million copies worldwide as of May 2015.
After attaining online success after its initial premiere on June 29, 2011, "Video Games" was released as the lead single from Born to Die on October 17, 2011; it peaked at number 91 on the U.S. Billboard Hot 100. Its follow-up singles "Born to Die", "Off to the Races", "Blue Jeans", "Summertime Sadness", "National Anthem", and "Dark Paradise" performed sporadically across Billboard component charts and international record charts. The Cedric Gervais remix of "Summertime Sadness" was released on July 11, 2013, and became Del Rey's highest-charting single in the United States, reaching number six on the Billboard Hot 100. Del Rey additionally promoted Born to Die with several televised performances, including a widely criticized appearance on Saturday Night Live. It was reissued on November 9, 2012 as an expanded version subtitled The Paradise Edition, which was packaged with her third extended play Paradise (2012).
Oh what a beautiful morning 豆瓣
Eels
类型:
流行
出版发行:
e-Works/artistDirect.com
EELS 是一支美国非主流乐队，Mark Everett 是乐队的核心和主唱。他们坚持着独立的音乐立场，不管多大的公司找他写歌或者代言推销产品，都统统不甩。但出于对一些人的艺术理想的认同，他们也创作电影音乐，比如“美国美人”、“怪兽史莱克”等。他们还获得过几个大奖，比如 99年mtv最佳录影带大奖。但是他认为奖项对他并没有什么意义，如果说用处，就是奖品作了鼓架的支撑物。
Mark& nbspEverett的父亲Hugh Everett是世界著名的科学家，提出了平行空间的多世界理论（many& nbspworlds theory），但Mark Everett可能没有遗传到这些，他的成绩很糟糕。 Everett的少年时期充满了不辛，父亲患心脏病，母亲患癌症，姐姐自杀，使得他经常处于压抑消沉的心境。
就这样Mark& nbspEverett和大多数的青年一样，痛苦而恣肆的成长，把自己放纵在狂欢与毒品之中。在1996年的专辑《Beautiful& nbspFreak》和1998年的专辑《Electro-Shock Blues》里，他的这种心境袒露无疑。他深陷苦恼，把这苦恼的矛头对准世界也对着自己，乐曲显得寒冷而诡异。
所有的青年都会长大，就象所有的春天最后都会落到地上一样。在他们《Oh What a Beautiful Morning》里乐风已经有了一些变化，虽然以前的蚀骨阴冷还在，但他们拾起了黑色幽默这个武器（其实从封套上就可以感觉到），他们用有趣来消解颓废和阴冷，他们的音乐中开始出现欢快的旋律，Mark& nbspEverett的心境已经开始变化。他们成功了，EELS保留了自己的思考着怀疑着的脑袋，但同时又有趣地活着，做着有趣的音乐。
Mark& nbspEverett的父亲Hugh Everett是世界著名的科学家，提出了平行空间的多世界理论（many& nbspworlds theory），但Mark Everett可能没有遗传到这些，他的成绩很糟糕。 Everett的少年时期充满了不辛，父亲患心脏病，母亲患癌症，姐姐自杀，使得他经常处于压抑消沉的心境。
就这样Mark& nbspEverett和大多数的青年一样，痛苦而恣肆的成长，把自己放纵在狂欢与毒品之中。在1996年的专辑《Beautiful& nbspFreak》和1998年的专辑《Electro-Shock Blues》里，他的这种心境袒露无疑。他深陷苦恼，把这苦恼的矛头对准世界也对着自己，乐曲显得寒冷而诡异。
所有的青年都会长大，就象所有的春天最后都会落到地上一样。在他们《Oh What a Beautiful Morning》里乐风已经有了一些变化，虽然以前的蚀骨阴冷还在，但他们拾起了黑色幽默这个武器（其实从封套上就可以感觉到），他们用有趣来消解颓废和阴冷，他们的音乐中开始出现欢快的旋律，Mark& nbspEverett的心境已经开始变化。他们成功了，EELS保留了自己的思考着怀疑着的脑袋，但同时又有趣地活着，做着有趣的音乐。
Mothers & Tygers 豆瓣
Emily Loizeau
类型:
流行
发布日期 2012年9月10日
出版发行:
℗ 2012 Polydor (France)
Poupée de son 豆瓣
8.0 (5 个评分)
France Gall
发布日期 1996年7月18日
出版发行:
Polydor
One of her first albums includes the Eurovision award-winning title 'Poupee de Son', composed by the late Serge Gainsbourg.
闪耀潘妮 豆瓣
7.9 (25 个评分)
Blonde Redhead
类型:
摇滚
发布日期 2010年9月14日
出版发行:
4AD Records
Penny Sparkle, the New York trio's follow-up to 2007's 23, arrives September 14 in the U.S. and a day earlier everywhere else, via 4AD.
The band recorded Penny Sparkle in New York and Stockholm, working with Fever Ray producers Van Rivers and the Subliminal Kid, whose synth-heavy background should have an interesting effect on Blonde Redhead's luxuriant guitar clangor. Shoegaze legend Alan Moulder mixed, just as he did for 23.
In a press release, frontwoman Kazu Makino, in typically impenetrable form, had this to say about the album: "I fell in love with the music like falling for someone you've known for a long time. It was dreamy and sometimes was very stormy. At times I felt like a shepherd who was trying to herd five stallions into a yard (unsuccessfully). I felt like I was a link to everyone. I remained still and the others were constantly moving around it. I am not sure what Penny Sparkle is but I hope I offered to them as much as they offered me. I know that we have never made a record this way and if I could go back in time, I would do it exactly the same way again."
The band recorded Penny Sparkle in New York and Stockholm, working with Fever Ray producers Van Rivers and the Subliminal Kid, whose synth-heavy background should have an interesting effect on Blonde Redhead's luxuriant guitar clangor. Shoegaze legend Alan Moulder mixed, just as he did for 23.
In a press release, frontwoman Kazu Makino, in typically impenetrable form, had this to say about the album: "I fell in love with the music like falling for someone you've known for a long time. It was dreamy and sometimes was very stormy. At times I felt like a shepherd who was trying to herd five stallions into a yard (unsuccessfully). I felt like I was a link to everyone. I remained still and the others were constantly moving around it. I am not sure what Penny Sparkle is but I hope I offered to them as much as they offered me. I know that we have never made a record this way and if I could go back in time, I would do it exactly the same way again."
你在烦恼什么 豆瓣
8.8 (257 个评分)
苏打绿
类型:
流行
发布日期 2011年11月11日
出版发行:
林暐哲音乐社
苏打绿 追本溯源 找寻心灵的能量
每首歌都是你的soul mate
回归人群 回馈人群 苏打绿要做站在你身边的人
像个朋友般 给你关怀
苏打绿 问 你在烦恼什么？
像个智者般 点破你的忧伤
苏打绿 问 你在烦恼什么？
坚不可破的 是创作的能量与追寻幸福的勇气
前言
2011是苏打绿能量累积最扎实的一年，于是，等待阿福归队前，暂止韦瓦第计划，苏打绿要站在你身边，当一个贴近大众的歌者，用创作、用歌声当你的soul mate。所以，我们不吝于分享，苏打绿用自己的schedule、自己的发片计划，包括在网络上公布新专辑曲目、分享试听、全曲 《幸福额度》、《喜欢寂寞》 曝光，苏打绿的本源是创作、是人群、也是分享。这一次，苏打绿要分享的，是追求幸福时，你看到的是快乐还是烦恼？而以幸福额度开场，是因为，在开始一场追本溯源之前，扪心自问，现在的人生要什么呢？你现在的感情从何选择？
影像大师 陈奕仁操刀
苏打绿专辑主题 你在烦恼什么？
MV视觉概念有写实 有创意 也有感性
苏打绿这次专辑的主题[你在烦恼什么]，是吴青峰用简单的几个字，点出你的烦恼，却也在旋律中带走你的烦恼。好像活着，不可能没有烦恼，学生有学生的烦恼、上班族有上班族的烦恼、年轻人有年轻人的烦恼、老人有老人的烦恼，但苦难与快乐是相对的，如果没有烦恼，怎么尝得到解决烦恼后的快乐！所以人们的敌人不是烦恼，是如何超越烦恼前进，成长，并且得到快乐！ 也许简单也许深澳，那是苏打绿知道你的苦，想要为你的打打气，加点油的好听创作。
再次与影像大师陈奕仁合作，苏打绿很期待可以撞击出更不同的火花。导演听过歌曲之后，决定提出一个反映生命里最深层省思的脚本；MV故事里藉由「博物馆」的概念形式做串连，博物馆总是存放着人世间值得存续的珍宝，而影片中的博物馆，是「人生博物馆」，陈列出人的爱恨情痴与烦恼，将生命中发生的吉光片羽摊在一个个独立橱窗展示”: 分别为[MY LIFE]、[MY WORK]、[MY LOVE]、[MY FRIENDS]、[MY FAMILY]五个展示区块。苏打绿成员则扮演博物馆的参观者。你可以在这些区块里看到讽刺的画面，象征着每个不同身份的人所遭遇的烦恼， 而画面的最后众人齐结一起，欢乐的场面，彷佛一切苦难都已过去，在内心深处我们多么渴望，时间就停留在这一刻，永远美好。画面凝成一幅永恒的画像，讽刺的浮现出的字样是[MY DREAM]。
听过这首歌曲，看过这首歌曲的MV视觉，一定会释怀出深深的感动！像在扰攘的城市之外，看到的一道彩虹。而这就是苏打绿整张创作的精神，用音乐传达面对生命应该要有”面对变化”的勇气，也要有” 起死回生”的能力，当苦难过去的剎那，就是人成长的时候。所以，你还在烦恼什么？
每首歌都是你的soul mate
回归人群 回馈人群 苏打绿要做站在你身边的人
像个朋友般 给你关怀
苏打绿 问 你在烦恼什么？
像个智者般 点破你的忧伤
苏打绿 问 你在烦恼什么？
坚不可破的 是创作的能量与追寻幸福的勇气
前言
2011是苏打绿能量累积最扎实的一年，于是，等待阿福归队前，暂止韦瓦第计划，苏打绿要站在你身边，当一个贴近大众的歌者，用创作、用歌声当你的soul mate。所以，我们不吝于分享，苏打绿用自己的schedule、自己的发片计划，包括在网络上公布新专辑曲目、分享试听、全曲 《幸福额度》、《喜欢寂寞》 曝光，苏打绿的本源是创作、是人群、也是分享。这一次，苏打绿要分享的，是追求幸福时，你看到的是快乐还是烦恼？而以幸福额度开场，是因为，在开始一场追本溯源之前，扪心自问，现在的人生要什么呢？你现在的感情从何选择？
影像大师 陈奕仁操刀
苏打绿专辑主题 你在烦恼什么？
MV视觉概念有写实 有创意 也有感性
苏打绿这次专辑的主题[你在烦恼什么]，是吴青峰用简单的几个字，点出你的烦恼，却也在旋律中带走你的烦恼。好像活着，不可能没有烦恼，学生有学生的烦恼、上班族有上班族的烦恼、年轻人有年轻人的烦恼、老人有老人的烦恼，但苦难与快乐是相对的，如果没有烦恼，怎么尝得到解决烦恼后的快乐！所以人们的敌人不是烦恼，是如何超越烦恼前进，成长，并且得到快乐！ 也许简单也许深澳，那是苏打绿知道你的苦，想要为你的打打气，加点油的好听创作。
再次与影像大师陈奕仁合作，苏打绿很期待可以撞击出更不同的火花。导演听过歌曲之后，决定提出一个反映生命里最深层省思的脚本；MV故事里藉由「博物馆」的概念形式做串连，博物馆总是存放着人世间值得存续的珍宝，而影片中的博物馆，是「人生博物馆」，陈列出人的爱恨情痴与烦恼，将生命中发生的吉光片羽摊在一个个独立橱窗展示”: 分别为[MY LIFE]、[MY WORK]、[MY LOVE]、[MY FRIENDS]、[MY FAMILY]五个展示区块。苏打绿成员则扮演博物馆的参观者。你可以在这些区块里看到讽刺的画面，象征着每个不同身份的人所遭遇的烦恼， 而画面的最后众人齐结一起，欢乐的场面，彷佛一切苦难都已过去，在内心深处我们多么渴望，时间就停留在这一刻，永远美好。画面凝成一幅永恒的画像，讽刺的浮现出的字样是[MY DREAM]。
听过这首歌曲，看过这首歌曲的MV视觉，一定会释怀出深深的感动！像在扰攘的城市之外，看到的一道彩虹。而这就是苏打绿整张创作的精神，用音乐传达面对生命应该要有”面对变化”的勇气，也要有” 起死回生”的能力，当苦难过去的剎那，就是人成长的时候。所以，你还在烦恼什么？
苏打绿:陪我歌唱 豆瓣
9.5 (13 个评分)
苏打绿
出版发行:
上海音像出版社
《苏打绿：陪我歌唱》2007年凭《小宇宙》获台湾金曲奖最佳乐团及最佳填词人的苏打绿，于2007年在台北小巨蛋举办《无与伦比的美丽演唱会》，由林暐哲监制，主音吴青峰、贝斯手馨仪、电吉他手家凯、键盘与中提琴手阿龚以及木吉他手阿福唱出我的青春、我的自由和我的飞翔，打造无与伦比的乐团奇迹。苏打绿当时更一连唱五小时，创下了小巨蛋演唱连唱的新纪录。现在，演唱会的实况专辑推出了，这张现场演唱CD内使用了现场演出混音，让原音重现，收录了13首演唱会的歌曲，包括了《小宇宙》、《暂时失控》、《相对论IV》、《被雨困住的城市》和《记念》，并翻唱了邓丽君的名曲《我只在乎你》，呈现出苏打绿最灿烂的美丽音乐夜晚。另外CD2收录了最新三首单曲《呢喃》、《陪我歌唱》和《爱人》。
曲目
CD1
01 小宇宙
02 暂时失控
03 相对论IV
04 被雨困住的城市
05 纪念
06 漂浮
07 Creep
08 蜘蛛天空
09 是我的海
10 Oh oh oh oh……
11 蓝眼睛
12 我只在乎你
13 频率
CD2
01 呢喃
02 陪我唱歌
03 爱人
曲目
CD1
01 小宇宙
02 暂时失控
03 相对论IV
04 被雨困住的城市
05 纪念
06 漂浮
07 Creep
08 蜘蛛天空
09 是我的海
10 Oh oh oh oh……
11 蓝眼睛
12 我只在乎你
13 频率
CD2
01 呢喃
02 陪我唱歌
03 爱人
苏打绿:That moment 小巨蛋现场全纪实(4DVD 平装版) 豆瓣
9.7 (7 个评分)
苏打绿
类型:
摇滚
出版发行:
上海音像公司
《苏打绿：That moment 小巨蛋现场全纪实》2007年凭《小宇宙》获台湾金曲奖最佳乐团及最佳填词人的苏打绿，于2007年11月3日在台北小巨蛋举办《无与伦比的美丽演唱会》，由林暐哲监制，主音吴青峰、贝斯手馨仪、电吉他手家凯、键盘与中提琴手阿龚以及木吉他手阿福唱出我的青春、我的自由和我的飞翔，打造无与伦比的乐团奇迹。苏打绿更一连唱五小时，创下了小巨蛋演唱连唱的新纪录。这张4碟装DVD全纪实记录了当晚小巨蛋现场的实况，收录了演唱会歌曲包括了《小宇宙》、《暂时失控》、《相对论 IV》、《被雨困住的城市》和《记念》，并翻唱了邓丽君的名曲《我只在乎你》，呈现出苏打绿最灿烂的美丽音乐夜晚。另外，在这套4碟装DVD内，每张影碟中均收录了大量Bonus的现场歌曲与制作片段。
曲目
Disc 1
01 小宇宙
02 暂时失控
03 符号
04 吵
05 无与伦比的美丽
06 四季狂想
07 Believe In Music
08 游乐
09 相对论IV
Bonus:
一座舞台的诞生：小巨蛋彩排
一把提琴的毁灭：含胖子的怒吼
一群观众的打气：进场前的喊声
Disc 2
01 迟到千年
02 被雨困住的城市
03 记念
04 简单生活
05 漂浮
06 你喔!
Bonus
一张专辑的过程：Recording Notes
一个美丽的电台：吴美丽也来了
一段练团的画面：倒数九天
一位孩童的苦练：长笛伴我行
Disc 3
01 背着你
02 Air
03 Creep
04 蜘蛛天空
05 小情歌
06 飞鱼
07 是我的海
08 巴哈C大调平均律前奏曲
Bonus
一片月光的邂逅：Crash
一周痛苦的纪录：史上最大练团室 & 胖子的怒吼again
Disc 4
01 城市
02 oh oh oh oh...
03 白日出没的月球
04 蓝眼睛
05 我只在乎你
06 花茶
07 You Are, You Will
08 频率
09 我的未来不是梦
10 相信
Bonus
一串冗长的名单：感谢大家
一堆流泪的告白：哭成一团
一些乡民的心得：演唱会观后感
一首歌曲的MV：这天
曲目
Disc 1
01 小宇宙
02 暂时失控
03 符号
04 吵
05 无与伦比的美丽
06 四季狂想
07 Believe In Music
08 游乐
09 相对论IV
Bonus:
一座舞台的诞生：小巨蛋彩排
一把提琴的毁灭：含胖子的怒吼
一群观众的打气：进场前的喊声
Disc 2
01 迟到千年
02 被雨困住的城市
03 记念
04 简单生活
05 漂浮
06 你喔!
Bonus
一张专辑的过程：Recording Notes
一个美丽的电台：吴美丽也来了
一段练团的画面：倒数九天
一位孩童的苦练：长笛伴我行
Disc 3
01 背着你
02 Air
03 Creep
04 蜘蛛天空
05 小情歌
06 飞鱼
07 是我的海
08 巴哈C大调平均律前奏曲
Bonus
一片月光的邂逅：Crash
一周痛苦的纪录：史上最大练团室 & 胖子的怒吼again
Disc 4
01 城市
02 oh oh oh oh...
03 白日出没的月球
04 蓝眼睛
05 我只在乎你
06 花茶
07 You Are, You Will
08 频率
09 我的未来不是梦
10 相信
Bonus
一串冗长的名单：感谢大家
一堆流泪的告白：哭成一团
一些乡民的心得：演唱会观后感
一首歌曲的MV：这天
