《旧天津的大案》内容简介：档案是人类社会活动的原始记录，是人类文明传承的载体，它随着社会的进步而进步，随着社会的发展而发展。近年来，全社会呈现出一个突出的现象就是“文化热”。在这股文化热潮中，越来越多的人走进档案馆，研究档案内容，挖掘档案文化。而全国各省市、地区档案馆也越来越重视档案文化产品的开发，一大批档案文化产品应运而生。在一定程度上说，档案文化的实力决定着档案行业命运的沉浮，决定着档案事业在当下语境中话语权的强弱。

“戏园子”是我国独特戏曲文化的产物，它作为人们娱乐消遣的场所，也反映了那个时代的背景，本书根据详细的档案资料及珍贵的史实照片，对近代以为天津的戏园子和戏曲文化的发展进行了一次详细的记叙，表现了天津浓厚的文化氛围，展现了近代天津城市变迁中的人文风貌和天津文化艺术的辉煌。

《天津老教堂》一书以生动晓畅的文字，分七个专题，对著名的城乡旧教堂、知名的传教士，旧教会与社会名人的交往及其社会事业，旧教会的结局等等，在近代天津这样的历史大背景中展开叙述。《天津老教堂》首次挖掘利用了天津档案馆的宗教专题档案，插配了大量的历史图片，披露了很多弥足珍贵的历史信息。作者还访问了多位知情老人，并对旧教堂的遗址进行了实地考察。书后的附录，包含三部分内容，分别是关于天津旧教堂、教会、神职人员的统计和简介资料，对研究近代教会历史具有极为珍贵的价值。

本书以一个个地标建筑为入口，娓娓讲述了天津不同寻常的近现代历史。政治上的刀光剑影，经济上的兴衰进退，才子名伶的风流婉转，市井巷弄的繁华喧闹……依稀如梦的往事中，建筑留给人们跨时代的记忆，散发着令人迷醉的气息。
往事并不如烟，在光阴的交错流转中，天津，这座曾经风云激荡的城市昔日重现，回声宛然。

天津档案馆珍藏老照片

Ben zhi shang xian kai shi yu 1860 nian tian jin kai bu,Xia xian zhi yu 1949 nian tian jin jie fang,Yi tu pian xing shi fan ying jin bai nian lai tian jin zai zheng zhi,Jing ji,Wen hua,She hui deng fang mian de mian mao.

本书所收档案起自1860年,迄于1948年为止,其中包括清代、民国、日伪及国民党政府统治时期的材料。

This book, first published in 1941, is a comprehensive study on the native banks that linked small Chinese traders and the larger Chinese and foreign banks. It is based on extensive research in Tientsin and Peking, and a large number of interviews with native bankers, and the result is an exhaustive study on the practice.

Why has the female voice—as the resonant incarnation of the female body—inspired both fascination and ambivalence? Why were women restricted from performing on the Chinese public stage? How have female roles and voices been appropriated by men throughout much of the history of Chinese theatre? Why were the women of quyi—a community of Chinese female singers in Republican Tianjin—able to become successful, respected artists when other female singers and actors in competing performance traditions struggled for acceptance? Drawing substantially on original ethnographic fieldwork conducted in the 1980s and 1990s, Francesca R. Sborgi Lawson offers answers to these questions and demonstrates how the women of quyi successfully negotiated their sexuality and vocality in performance. Owing to their role as third-person narrators, the women of quyi bridged the gender gap, creating an androgynous persona that de-emphasized their feminine appearance and, at the same time, allowed them to showcase their female voices on public stages—places that had been previously unwelcoming to female artists. This is a story about female storytellers who sang their way to respectability and social change in the early decades of the twentieth century by minimizing their bodies in order to allow their voices to be heard.

This timely book traces the development of banking and paper money in republican Tianjin in order to explore the creation of social trust in financial institutions. Framing the study around Bian Baimei, a conscientious branch manager of the Bank of China, Brett Sheehan analyzes the actions of bankers, officials, and local elites as they tried to overcome political and financial crises and instill trust in the banking system.After early failures in promoting trust, government authority as a regulator of the financial system gradually increased, peaking in 1935, when the state unified the money supply for the first time in several hundred years. Concurrently, when local elites proved unable to develop successful strategies to make people trust the system, their influence declined.
The need for trust in increasingly complex financial arrangements redefined state-society relations, simultaneously enhancing state power and creating new constraints on the actions of both elites and governments.
Trust in Troubled Times is a valuable new perspective on the economic, social, and political history of modern China.

From the 1890s to the 1940s, French State and entrepreneurial companies were enticed to promote French interests, beyond mere colonial targets, for the sake of economic patriotism. Chinese concessions, not including Hong Kong, were thus inserted into geo-economic moves, and French stakeholders asserted their philosophy of competition, and displayed their means of influence and investment. In this book, the author assesses the challenges which confronted French actors in the face of powerful British imperial action overseas, all the more so because German Belgian, Japanese, and then also North-American competitors joined the fray. The book targets three concessions: Canton/Guangzhou, Tientsin/Tianjin, and Hankeou/Wuhan because of their significance in the emergence of a modern economy in the country. The three main sections of the book explore the position of French stakeholders, mainly businessmen, merchant houses, bankers, and a few industrialists, in these three port-cities and China overall. The chapters gauge their capital of influence and networking, commercial tools, and banking skills in the face of competition, the hardships of crossing the changes in economic productive systems or clusters in the various port-cities and their areas, rich with commercial offshoots. Also, several chapters underscore the uncertainties caused by geopolitical and military events in China. For each of the three concessions, commercial and banking systems, assessments of the successes and limits of the French bankers and merchants are investigated, with the aim of evaluating the reality of French entrepreneurialism and power in the regions prospected by the offshoots of French capitalism. The book will be an invaluable resource for academics interested in the history of banking and finance, business, entrepreneurship, colonialism and "economic patriotism" in Chinese history, in geo-economics and in connected history.

A paper read before the Tientsin Missionary Association March 16th, and the Union Church Guild March 31st, 1908.

有关天津民间宗教及基督教普及的记述。

Internet Archive:
https://archive.org/details/cu31924023204328/page/n11/mode/2up

以中国中心的意识，罗芙芸揭示了卫生如何在19、20世纪成为中国的现代性表述中的紧要因素。她集中于一个中文概念“卫生”，作为贯穿时空和多样性的线索，并将其置于天津复杂的通商口岸环境之中。在19世纪末以前，卫生——被译为“卫生的”“清洁的”“健康”或“公共卫生”——与之相关的是饮食方、冥想和秘制方药。本书揭示了随着暴力帝国主义的到来，卫生的意义是如何从中国人的宇宙观转变为包含了诸如国家主权、科学实验、身体净化和民族适应性等方面的概念。本书解释了卫生的现代性不仅改变了一座城市，还塑造了中国人对于在立足于现代世界的卫生要求的认知。

该书围绕民国时期天津的自然灾害以及人为灾害展开梳理，通过近代以来天津慈善社团的活动演变来探索天津近代慈善救济、慈善思想的现代化历程。在此基础上，该书联系当代中国社会慈善事业运行中出现的问题，总结历史，提出了对发展慈善的几点建议。

本书为作者博士论文。

百度百科：https://baike.baidu.com/item/%E6%B0%91%E5%9B%BD%E6%97%B6%E6%9C%9F%E5%A4%A9%E6%B4%A5%E6%85%88%E5%96%84%E7%A4%BE%E5%9B%A2%E7%A0%94%E7%A9%B6/50682678

本书以民国时期天津银行业发行的纸币与公众对纸币的信任为重要线索，以银行职业经理人卞白眉的经历为独特视角，讲述了民国时期新兴的银行业对信任构建的努力，以及面对危机时天津城里的军阀、政客、银行主以及地方精英所做出的应对，深入探讨了民国时期天津的货币、银行及国家-社会间的关系。

★ 一座城，七段传奇人生。穿越百年，再现民国世事沧桑与人间传奇；恩义情仇，津腔津韵， 织就津门往事与世情百态。
★ 水铺、小白楼、澡堂子、戏园子、窑子、寓公、蝴蝶党、师徒……去见证那些早已消逝的人和风景。
★ “南有上海，北有天津”，同一段历史，换一座城，带给读者更多的阅读新鲜感。
★ 著名作家、学者汪兆骞、林希、王斌、肖克凡、北村、韩浩月等倾情推荐！
★ 一个三小时可以读完的故事，你却用了一生来忘却……
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本书由七部中篇小说组成，以民国时期天津各阶层人物的传奇人生为题材，从底层和中层社会切入，涉及政界、军界、商界、文艺界，多方位立体地展示了民国天津的社会风貌。天津作为一座华洋杂居的城市，在那个动荡的年代，产生了无数的传奇人物与故事。民国时期曾有“南有上海，北有天津”的说法。这部以民国天津为背景的传奇小说集正是现今民国小说和影视稀缺的题材。同一段历史，换一座城，带给读者更多的阅读新鲜感。
七段传奇故事，都充满了人间真情。水铺姑娘历险设局为素未谋面的亲姐复仇；落魄少爷报一饭之恩搭救沦落风尘的伯爵夫人；小人书铺老板坚守暗恋四十年；热血青年舍身救国与敌特殊死斗争；评书少年对爱情和评书一生的执着……这里有血浓于水的亲情，有得人恩果牢记回报的恩情，有超脱世俗坚守的爱情，有救国存亡的家国大义，有对艺术终身的坚守。
每段故事情节设置巧妙，矛盾冲突激烈，故事走向合情合理，颇具写实风格，充满了年代感。对老天津的民俗与社会生活，诸如水铺、小白楼、澡堂子、戏园子、窑子、寓公、蝴蝶党、师徒等的描写，“津”味十足。这些近百年前的风俗和时代的产物，多已消失，更能激发读者对那个那段历史的求知欲。
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※ 名人推荐
溯洄时光之旅，作家舒怀以情致婉曲、文采华茂之笔，把我们带进他雕刻的精致而苍凉的故事，沉醉在五光十色的民国红尘里。站在萧飒而又旖旎的市井街巷，睥睨形形色色各具情态小人物的惨淡人生，感受到人间冷暖、人性善恶，并辐射开去，分明看见一轴丰富复杂的大千世界风景。正所谓：寓病态社会于风俗民情图画，借引车卖浆者演绎津门旧事。
——著名学者、作家、文学评论家 汪兆骞
苦难中的浪漫，残酷中的情义，吕舒怀先生擅长从凉薄的世态中撷取温暖的花朵，并用这花朵装饰灰暗年代。他笔下的故事，具有令人拍案的传奇性，也有催人泪下的纯真与纯粹。他的作品让人觉得：津味小说，魅力永存。
——著名作家、文化评论家 韩浩月

本书以自述及口述相结合的表达方式，较为全面地展现了吴家窑新村从兴建至消失的全过程，细致描述了工人新村的生活点滴以及与之相关联的领域，从多个角度再现了不同时期天津工人新村的生活场景。书稿中既有作者对自家生活的真实记录，也有对老邻居、老同学的采访，还有对20世纪下半叶儿童游戏、社会风俗的生动描绘。图片有作者创作的简笔画，有作者及邻居同学珍藏的老照片。内容丰富，图文并茂。

《万国天津：全球化历史的另类视角》是法国学者辛加拉维鲁依据大量档案文献，撰写的一部研究八国联军临时政府对天津进行殖民统治的历史专著。自列强在北京与清政府开始谈判以来，联军便在天津组织了临时政府，统治这座城市长达两年零一个月之久，直到 1902年 8 月 15 日才将之移交给新任直隶总督袁世凯（1859-1916）。
在国内研究庚子国变和八国联军侵华史的相关论著中，有关天津临时政府及其管治史的著述并不多见。本书更以丰富的史料和生动的历史叙事而独树一帜。