★ 勇奪西班牙格拉納達國際影展最佳影片金獎
★ 鹿特丹國際影展競賽片
★ 金馬奇幻影展開幕片
一樁命案，揭開社會的真實面貌⋯⋯
總統選舉當日，女大三生楊婕被發現陳屍租屋處，她赤裸的身體被塗滿油彩，美麗的眼睛則遭利刃刨出，種種跡象顯示，她的畫家室友江中澤和閨蜜訥訥涉有重嫌。
訥訥既是男人也是女人，感情路上跌跌撞撞，他對楊婕情同姊妹，卻也嫉妒她擁有的一切。為追尋真愛，訥訥一心想變性來改變命運。江中澤曾是社運憤青，他雖與舞蹈家女友耽溺於肉慾，卻從楊婕充滿理想的眼睛，看見了過去熱血的自己。
他們在這座城市裡，用自己的方式衝撞著體制、社會、性別與愛情。關廠工人臥軌抗議那晚，楊婕與江中澤相戀，從此躍為他畫布上的女神，卻也開啟了更大的毀滅⋯⋯楊婕為什麼會死？究竟是誰殺了她？一樁命案揭開了這社會的真實面貌，活在激情和慾望下的，則是這時代裡躁動不安的靈魂。
【關於配樂】
電影《自畫像》配樂由獨立樂團Cicada製作，鋼琴手江致潔創作十六首配樂，皆由Cicada成員演奏。片尾曲〈太陽落下以前的天空〉與滅火器主唱楊大正及余青合作，以男女對唱的形式吐露電影主角的心聲。另外，創作歌手白安亦製作了其中兩首電音曲目，令人十分驚豔。
此原聲帶由畫作串成，每幅畫有一首主題配樂，對應電影中以七宗罪為名的七幅畫作──傲慢、嫉妒、憤怒、懶惰、貪婪、暴食及色慾，使近年來關注海洋與土地議題的Cicada，展現出截然不同的風格。
【關於電影】
今年轟動鹿特丹影展，探討藝術、人性與激情的台灣電影《自畫像》，以「跨性別」妙喻台灣處境，引爆國際熱議。該片獲得全球電影雜誌《銀幕》（SCREEN）盛讚全片光澤華麗，展現一面「具深度的寬廣畫布」。榮膺金馬奇幻影展開幕片的《自畫像》，隨後更擊敗韓國、日本、阿根廷、法國、伊朗等九國，勇奪西班牙格拉那達國際影展最佳影片金獎。《自畫像》邀來在《醉．生夢死》表現不俗的張寗主演，而首次演出電影的林哲熹、Kiwebaby與林微弋也都有大膽演出。
【關於導演】
導演陳宏一畢業於台大哲學系，拍攝超過一千多部MV與廣告作品，影像風格強烈。其在2008年跨足電影圈，作品《花吃了那女孩》奪下第45屆金馬獎最佳造型設計與義大利萊萬特影展最佳剪輯與最佳攝影大獎，並獲台北電影節、香港國際電影節以及歐洲與日本的眾多影展青睞。2011年，第二部電影《消失打看》奪下了台北電影獎最佳導演、最佳女演員、最佳攝影、最佳音樂等四項大獎。2014年，第三部電影《相愛的七種設計》是台灣首部結合文創與愛情的喜趣電影，入選台北電影獎、香港亞洲電影節以及北京新人電影節等國際影展，並勇奪美國休士頓國際影展最佳影片大獎。以上三部電影被業界譽為「台北三部曲」。

‘Seven Days Walking’: seven bodies of music to be released over seven consecutive months. The first, ‘Seven Days Walking: Day One’, which interweaves piano and strings in his unmistakable style, is Einaudi’s 14th studio album and will be released on 15th March, on Decca. ‘Seven Days Walking: Day Two’ follows a month later. Each ‘day’ is then released, digitally, a month apart, leading up to ‘Day Seven’ which will be released in the autumn in a box-set of the complete Seven Days. Inspiration for the entire project derived from walks that Einaudi would take through the mountains in winter. He explains, "In January last year I often went for long walks in the mountains, always following more or less the same trail. It snowed heavily, and my thoughts roamed free inside the storm, where all shapes, stripped bare by the cold, lost their contours and colours. Perhaps that feeling of extreme essence was the origin of this album." The first album focuses on several main themes, which then recur in different forms on the following albums – seven variations following the same imaginary itinerary. Or the same itinerary, retraced at seven different times.

"Imagine looking out of your window each morning, the same window with each day giving you a unique emotion setting your mood for the day" - Ludovico Einaudi
Ludovico Einaudi is back with a new project, Seven Days Walking: seven releases spanning seven months, featuring a new combination of piano/cello/violin but with a return to his trademark sound that has made him one of the most important and relevant composers today.
The project takes the idea of the same walk done over seven days, but each day the experience is different due to a variety of factors – the weather, the season, the walker's mood, the appearance of different wildlife, a new observation within the landscape and so on.
The first instalment, Seven Days Walking (Day 1), is significant as it establishes the project theme. The subsequent six variations on this theme (Seven Days Walking Days 2 to 7) will be released later this year and will feature stunning cello and violin arrangements, apart from Day 7 which is solely piano. This is essential Einaudi listening.

Cello, Voice – David Darling
Guitar, Piano – Chris Hooson
Piano – Quentin Sirjacq

"Fragile" is a third full-length album by Endless Melancholy. Recorded during 2013-2014, it is scheduled for release for 15 October 2014 via Hidden Vibes and AZH Music labels.
Endless Melancholy on web:

endlessmelancholy.bandcamp.com
twitter.com/emelancholy
credits
releases 15 October 2014
Piano by Oleksiy Sakevych
Viola by Anatoliy Gavrilov
Cello by Vladimir Babutin
Mastering by James Plotkin
Special thanks to Anton Belov
Photography by Aldona Pieniążek

This recording has been taken on June 30th 2015, in Bratislava in a beautiful, somehow magical hall, the National Radio Slovak Hall.
What I like about this concert is that it perfectly represents my music: what I have been doing, the piano solo, the strings and all my beloved melancholy i try to put in notes. But it also gives a glimpse on what i am exploring these days: live electronics, sequencing old synths, drum machines, all together with my piano.
This record is a "bridge" somehow, between what I have been doing in the past and the territories I am exploring right now. I hope you will enjoy it.
Some notes on some on the previously unreleased tracks:
- Always Let It Go: it's an improvised piece of music, which now is quite often the opening song of my concerts.
For all you music-gears-nerd out there, the main loop of the song has been taken sequencing my vintage ARP Odyssey.
- Carpathian Mountains: this song has been composed thinking of the concert I was going to held in Bratislava. It's a new piano solo piece (yes, I am still composing piano solos!) and it's inspired by the beauty of the Slovakia's Capital.
- One Way: this is the main theme of my first official OST. It will be included in the "One Way" movie, directed by Aaron Thomas which hopefully will see the ligth in 2016, together with my OST album.
- Untitled (Lost Letters): not exactly an unreleased piece of music, since it belongs to my "Morning Sketches" EP, but for the first time on an "official" record. It is deeply linked to the following one - these two pieces of music represents the past and the present of my exploration in music.
- On the sky, the planets and everything above us: I am playing all the instruments I have on stage on this one.
- As far as I know: bonus track, unreleased track. The first I composed by mixing live electronics to my piano.
- Summer nights (reprise): another piano solo piece, developed following the leading harmonic texture of Summer Nights.
- Autumn Stories Suite: both the CD and the Vinyl version of this Suite are not interrupted, while playing. The intent is to bring what I believe are the best episodes of my Autumn Stories album to let the audience feel the Autumn Season, even if we were (in that case) in plain Summer. I have re-arranged Week #3, Week #10 and Week #12 and they sound different (hopefully better) than the original ones.

イタリアのメランコリック・ピアニストが表現する「ピアノの美学」。
豊かな想像性によって深いインスピレーションを与える美しきソロ・ピアノ作品。
ダスティン・オハロランとマックス・リヒターを合わせたような作風で徐々に名を挙げているイタリアはマントヴァのピアニスト/
作曲家ファブリツィ オ・パテルリーニ。ロンドンのエレクトロニック・アーティスト、ロンドンDCとのコラボレーションによって作り上げた
2013年リリースの前作『Now』 において、あえてエレクトロニクスとポスト・クラシカルを融合させ、作曲家としての新たな方向性を
示しました。そんな『Now』から1年足らずでリリース される新作ではまたソロ・ピアノへと回帰しています。
パテルリーニが最も愛を注ぐピアノという楽器に対する尊敬をタイトルに込めた『The Art of The Piano』は8曲のソロ・ピアノ作品が
収録されています。『Now』と同時期に作曲が進められ、パテルリーニの音楽のキーワードとも言うべき「Melancholy(メランコリー)」という
単語から思い浮かべるイメージをFacebook上で問いかけ、友人たちのフィードバックを元に彼がすぐさま作った渾身の楽曲が本作収録の
「If Melancholy Were Music(もしメランコリーが音楽だったなら)」でした。その後も彼は同様にソロ・ピアノ曲を作ってはSoundCloud上に
フリーでリリースし、 25万回の再生と5000回のダウンロードが行われました。それら7曲の楽曲に未発表曲「Wind Song」を加えたかたちで
リリースされるのが、この憂愁と悲哀をたたえる美しきピアノ・コレクション。間違いなくパテルリーニにとって最高傑作と言えるでしょう。

The first album for 4AD from this Icelandic composer is an expanded version of a performance piece originally written for the dancer and choreographer Erna Omarsdottir, and which has been performed in more than 40 European cities. This new incarnation was scored for a 60-piece string orchestra and the four original movements were joined by a completely new finale. The final mix incorporates electronics and vintage reel-to-reel recordings of the IBM 1401 mainframe computer which inspired the piece in the first place.

Genre: Electronic
Style: Modern Classical, Abstract
Credits: Artwork By [Art Direction And Design] - Chris Bigg , Vaughan Oliver / v23
Mastered By - Nick Webb
Photography - Chris Bigg
Written-By, Arranged By, Producer - Jóhann Jóhannsson
Notes: In debossed digipak.
Track 1 recorded in Prague in September 2005 and mixed in Reykjavik January 2006. Track 2 recorded in Reykjavik in 2004. Mastered at Abbey Road.

Jóhann will release his soundtrack to Max Kestner’s “city symphony”, Copenhagen Dreams, on June 18th. The album features music for string quartet, clarinet, celeste, keyboards and electronics and was recorded with some of Jóhann’s favorite Icelandic musicians. It will be available on vinyl only in a deluxe gatefold sleeve on Jóhann’s own NTOV label, distributed by Cobraside. The album will also be available as a limited edition CD release in a hand-made sleeve. This limited edition of 150 will only be sold on Jóhann´s European tour in May.