A Polish van traverses the roads of Ukraine. On board, the driver-director and evacuated people, following the Russian invasion. The vehicle becomes a fragile and temporary refuge, a zone of confidences of exiles who have only one objective left, to escape the war.
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烽火連三月，家書抵萬金，何況持續超過兩年的俄烏戰爭？當前線戰況慘烈而膠着，士兵家人渴望平安消息的程度可想而知。唯個人幸福在國家安全和領袖號召下愈發無足輕重，無仁義之戰方是真實常態，即使怎樣的真情對話，在意識形態洗禮下都顯得無比荒謬。頹垣敗瓦和百廢待興的光復城鎮景象，夾雜烏克蘭軍方竊聽得來，前線俄軍與家人的通話錄音，清晰展示侵略者心理變化。由狠話到申訴到厭戰埋怨，記錄了全無意義的生靈塗炭，殘酷原來已是最溫柔的形容詞。

台湾导演彭紫惠、王品文执导，中年男人不忍妻子骤逝，将其遗体放进雪柜，与关系疏离的同志儿子展开一段被湿气与遗憾充斥的《春行》。入围HAF21WIP单元。

Set in Iraq (but shot in Syria), this is the story of three men who try to leave their impoverished and hopeless lives to get get work in Kuwait. They hire a water-truck driver to transport them illegally across the border in the tank of his truck...

Raúl Ruiz未完成的作品，现已由其妻子Valeria Sarmiento代替完成，不同于1973年版本。
A satirical take on President Salvador Allende's Popular Unity process prior to the 1973 Chilean coup d'état. The film is made up of a series of short stories, in which different worlds cross paths. On the one hand that of the workers and the underdogs, headed by the figure of Lucho and, on the other, that of a group of intellectual supporters of the Unidad Popular coalition who come together in a poetical front more representative of the petite bourgeoisie. At one point in time, the characters converge in an apparent friendship that ends in scenes of great violence, giving rise to a satirical reading of the period.
The world of workers and the lumpenproletariat run into the petite intellectual bourgeoisie in this hitherto-unseen film, conceived as a satirical reading of President Salvador Allende’s Popular Unity process, prior to the military coup d’état that took place in Chile 50 years ago.