LP1 is the first full length studio album by FKA Twigs. It will be released August 12, 2014.

重塑雕像的权利耗时八年的新专辑。

French/Finnish duo The Dø – aka Olivia Merilahti and Dan Levy are back with their new album 'Shake Shook Shaken'. Olivia and Dan met back in 2005 and collaborated on a number of compositional projects – including films and ballet scores – before launching their own musical endeavours in 2007. After spending two years honing their craft, the band released debut album 'A Mouthful' in 2008, which saw them land the prized no.1 album spot in France.
Among some of the first French artists to top the French charts with English vocals with their off-kilter, indie pop sound The Dø's first two albums are a fusion of warped vocals, electro-folk and avant-pop percussion; their 3rd album brings synthetic dance sounds and percussion to the forefront.

"Cellophane" is a song by English singer FKA Twigs, released as a single on 24 April 2019 through Young Turks. It is her first single in three years. Its music video was also released on 24 April.

Recital publish the newest record by Canadian composer Sarah Davachi. Currently working on her PhD in Musicology at UCLA, her trajectory has been unorthodox. Hailing from Calgary, Alberta, which, if you've never been there, doesn't really scream "Avant-Garde" (Calgary is the rodeo capital of the world). From a young age, Sarah was a driven pianist (and figure-skater, although that's a story for a different time). It is important and interesting that she chose to study esoteric music; as Sarah could have easily been a cowgirl or a concert pianist had her ingrained love of synthesis and sonic phenomenology not taken the wheel.
"Sarah is a considered person. I find few people that have the diligence and resolve to take their time with music... especially in a live context. I respect that about her. The first time I saw Sarah perform, I presumptuously told her that her music reminded me of my favorite Mirror albums (the exceptional project of Andrew Chalk and Christoph Heemann). Sarah was not familiar with Mirror, so the compliment was initially lost on her. Years back I was in the same situation when a review compared my music to Andrew Chalk, who was unknown to me at the time. So I felt a kinship in our magnetic drift towards unspoken and clustered beauty.
Let Night Come On Bells End The Day follows the release of her "sound-wheel" LP All My Circles Run, which examines the isolation of different instruments. Let Night Come On..., recorded mainly with a Mellotron and electronic organ, feels like a return to the nest. Burrowed in the studio, Davachi was the only performer on this album. She both splays her compositional architecture and re-contextualizes the essence of her early output. She chiseled careful and shadowed hymns; anchors of emotion.
Two pillars of this album are "Mordents", which to my ears drops hints of her love for Progressive rock music - and "Buhrstone," comparable to a sombre funeral march of piano and flutes. These two examine punctuations of early music, gently plucking melodies and movements. The three other compositions are tonal works, blowing slow jets of lapping harmonics.
Writing this description now, I find it hard to separate "At Hand" from filmmaker Paul Clipson, who made a melancholic film for this piece of Sarah's. A fitting title for Sarah and Paul's relationship - frequently working in orbit of each other, meticulous and tactile. I cherish this track as a memory of Paul.
This is a lovely album to fill an evening living room with. A blanket, a cup of wine, a dim bulb, a wide window.
Three beautiful photo-prints by Davachi are included with Let Night Come On Bells End The Day. Frames are not included."
- Sean McCann

Following up the massively acclaimed Ravedeath , 1972 was never going to be simple, but then Canadian drone don Tim Hecker has never tak en the easy route. The artist has just announced his highly anticipated next full-length, and entitled Virgins it apparently loses much of the gristly distortion that has defined his work up until now.
The album was recorded in Reykjavik, Seattle and Montreal using woodwind, pianos and synthesizers and is billed as Hecker’s most defined to date, apparently drawing influence from the theological aspirations of early minimalist music.
We’re not sure what we think about losing the distortion just yet, but assisted again by Ben Frost and Valgeir Sigurðsson, you can be sure that we’re in for something that will surpass any expectations.

A ‘one-reeler’ also entitled ANIMA will be available to watch exclusively via Netflix from 8am BST on June 27. The one-reeler, made by Paul Thomas Anderson, is set to three tracks from Thom’s new album.
ANIMA was written by Thom Yorke and produced by Nigel Godrich. The album features 9 tracks, with an extra track exclusively on vinyl. ANIMA will be available on CD, black double vinyl, limited edition orange double vinyl, and a deluxe 180g heavyweight orange double vinyl which includes a 40-page book of lyrics, and drawings done in pencil by Stanley Donwood and Dr Tchock.

22, A Million is part love letter, part final resting place of two decades of searching for self-understanding like a religion. And the inner-resolution of maybe never finding that understanding. The album’s 10 poly-fi recordings are a collection of sacred moments, love’s torment and salvation, contexts of intense memories, signs that you can pin meaning onto or disregard as coincidence. If Bon Iver, Bon Iver built a habitat rooted in physical spaces, then 22, A Million is the letting go of that attachment to a place.

半沢武志の一人ユニットFree Tempoの1stフル・アルバム。ポップ、ハウス、エレクトロニカ、ブラジリアン、ソウル、ジャズ…とさまざまなジャンルを飛び越え独自のサウンド＆グルーヴへと導く至極の1枚！