An althogether astonishing album close to a total of 40 minutes of mesmerizing songs on the threshold of the figuratively explicit and sublime--a work somehere on the illusive boundary between the impending apocalypse and the rising of an Epicurian kingdom. This remarkable recording embarks further on the previously determined and unmistakably distinct path of Ordo Rosarius Equilibrio, but further evolves the preceding impressions of eloquent odes, accompanied by the imposing sounds of acoustic guitars, drifting strings and tactile eroticism.

德国著名军事工业/管弦乐队08年的新专,专辑名引用一部战争诗集的名字
音乐上延续前两张感觉，依然是宏伟的史诗军事作品，非常赞
和上张专辑一样，此次依然是有in slaughter natives加盟
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East German industrial titans follow up 2004's Reise Reise with this fifth studio album, whose title translates as "Rose Red". It consists of leftover material from the Reise Reise sessions which the band felt strong enough to merit a release in its own right. On this album they continue to broaden their palette with a track in Spanish and a duet with Texas's Sharleen Spiteri on "Stirb Nicht Vor Mir" ("Don't Die Before Me"). Includes the single "Benzin" ("Petrol").

Review by Dream_Taster

1997’s “Sehnsucht” is the second studio album from the most exposed German singing band on earth, Rammstein. In their characteristic style, quite difficult to label, but I guess close to Industrial Metal. Those six former East-Germans reached a status of international stars with this very album, especially in the United States, all of this starting after some of their songs were selected for a movie soundtrack ['Lost Highway' by David Lynch]. Then, this album just overwhelmed everybody who had the chance to listen to it, and all of this despite of the fact that all the songs use the natural language of the band, German. It even became mandatory for the band to sing in German since it has become one of the trademark of their music.

After you’ll unpacked the CD from its freaky artwork, it’s nearly impossible to put it back in there as it’s so unusual and transporting! Repetitive chorus, slow mechanical rhythms, hypnotic lyrics and odd keyboard lines make “Sehnsucht” into a curiosity that only the discovery of their first album “Herzeleid” can tied.

“Sehnsucht” is a collection of eleven songs, all around 4 minutes, and all so indispensable to the ambient atmosphere of the album. From the eponymous opener to the controversial “Küss Mich Fellfrosch” [I won’t translate that one, find out by yourself!], every song is an oeuvre d’art. True radio hits, especially in Germany, ‘Engel’ and ‘Du Hast’ are both amongst the best songs ever written by Rammstein. But it’s almost impossible to find a weak link on this album! ‘Eifersucht’, ‘Spielt Mit Mir’,... every track is worth a thousand words. My personal favorites are still ‘Klavier’, a odd ballad through the eyes of a sick mind, both heavy and melodic, and ‘Sehnsucht’, catchy as hell.

Rammstein is a phenomenon that needs to be checked out quickly if you still don’t know it. While their first album “Herzeleid” is probably better in the whole, “Sehnsucht” is without a doubt a great introducer to their music. Dark and complex lyrics add to the mystery that [still] follows the band, twisted emotions arise and Rammstein prevails.