arne ericsson
Pärson Sound 豆瓣
9.5 (11 个评分) Parson Sound
发布日期 2001年1月1日 出版发行: silence record
This 2-CD set presents the most remarkable Swedish underground band, known in a later incarnation & continuation as International Harvester & Trad, Gras Och Stenar (Trees, Grass & Stones), & features both intricate studio recordings & orgiastic live performances. Parson Sound never released any records in their time & that is why a very few have heard about them at all. The recordings date from 1967/68 while the band explored unknown musical territory as well as inner- & outer space. In 1968 they were invited by Andy Warhol to play at the opening of his exhibition Screens, Films, Boxes, Clouds & a Book, at the museum of Modern Art in Stockholm & also opened for the Doors. Influenced by the musical concepts of Terry Riley, Parson Sound worked at discovering & perfecting their own unique approach towards the mixing of rock & minimalism. They created some of the most remarkable psych- trance- drone- pre-noise music- rock sounds ever recorded. Parson Sound's music described contexts, interplay & organic growth & shaped a conception of the world - an opposite of fragmentation, individual achievements & intellectual construction. This world was to be perceived as one body, a whole of inviolable parts. Subliminal Sounds.
2022年10月17日 听过
来自 66~68 年的瑞典地下摇滚两个小时记录。充斥着酸性摇滚的风味,通过时断时续的噪音吉他来演绎,低音蜂鸣与迷幻音墙里,也夹杂了不少瑞典简易的民谣小调和更古老的类巫催眠嘶叫。Arne Ericsson 的大提琴仿佛拉锯扯开黑暗之幕,Thomas Mera Gartz 的打击节拍无序不间断的收拢离体的魂念,归于冥土!而且中期几曲结尾骤然开碑裂石般进入低迷的嗡嗡臆想氛围,仿佛之前要涨开空间的冲击咆哮,打散令听者不安的各色器乐段落小节,形成一种真空后的负压倒吸,声音的遗址。追毛求疵的话,还是有着模仿痕迹,他们开场过的 Doors 或者 Terry Riley 甚至更偏向 velvet underground 而且长时间的集中聆听这样的合辑,还是有所谓噪音层面的同质化与疲惫感,兴奋刺激的过度脱敏。
anders lind arne ericsson bengt berger bengt nyquist boanders persson