My Story, The Buraku Story is a new feature-length documentary film that explores the discrimination against a group of people – commonly called “the burakumin” – who were classed into lowly groups and segregated from the rest of Japanese society. This discrimination is not by race or ethnicity, but rather by place of residence and bloodline, and has existed for centuries – albeit very rarely acknowledged or discussed in Japan. When director Yusaku Mitsuwaka imagined the exemplary score for such a culturally sensitive and significant subject, he idealized MONO to help tell this story through their legendarily cinematic music.
Following their recent experiments with electronic textures infused into their trademark dynamic rock compositions, My Story, The Buraku Story finds MONO at their most understated and elegiac. The songs that make up My Story, The Buraku Story are largely built around piano, strings, synths, and choral vocal loops. As one might expect from MONO, the arrangements are masterworks of understated execution with oversized emotional resonance. By far MONO’s most delicate album, it is a fitting document of the band’s first-ever full-length film soundtrack.

Originally released in 1982, the soundtrack to yet another of Werner Herzog’s films, Fitzcarraldo is perhaps the most bizarre and provocative of all Florian Fricke’s film scores. Fitzcarraldo is the story of an opera house being built in the South American jungle for an appearance by Enrico Caruso. Yet Fitzarraldo’s music is not what one might expect given the film’s circumstance; it is music of and about deep contrast, with Caruso’s rich voice interplaying with the Popol Vuh sound. Fitzcarraldo is a true reward to all Popol Vuh and Krautrock fans alike.

Popol Vuh was founded by mastermind Florian Fricke in Munich in 1970 and are known as pioneers of electronic music as well as the predecessors of the 90's ambient and trance genre. Florian Fricke was one of the first German musicians who worked with a MOOG III, an instrument which created a very new and special sound which was profiled on Affenstunde. This album quickly became a milestone and practically created a whole new genre. The name and the book Popol Vuh stems from Incan mythology and is the memory of the evolution of humanity. Florian Fricke doesn't like to catagorize his music; "Music is a form of law for me." He died on December 29, 2001 in Munich. Kraut Rock at the highest level made by, and for music fans !

All Popol Vuh re-releases are manufactured as high quality collector's series with stickers indicating the bonus tracks. The Digipak spines have a design and when all are put together they form one big picture.

Milan Records will release a new score album for the AMC original series Better Call Saul. The album features selections of the original score from the show composed by Dave Porter (Breaking Bad, The Disaster Artist, The Blacklist, Preacher, Hightown, Flesh and Bone). The soundtrack will be released digitally tomorrow, May 13. Sony Classical has previously released a first score album featuring music from the first seasons in 2017, while Madison Gate Records has released a separate soundtrack featuring a selection of songs from the drama’s first season in 2015. The sixth and final season of Better Call Saul created by Vince Gilligan & Peter Gould and starring Bob Odenkirk premiered last month on AMC and AMC+ with new episodes dropping every Monday.

「影乐志」首度以CD的形式，面向全球荣誉呈现作曲家Jóhann Jóhannsson、Jonas Colstrup与导演娄烨合作的《风中有朵雨做的云》电影原声音乐。影片将一段在中国广州发生的真实事件作为背景，引入了一段历经中国改革开放，横跨三十年的大时代悲剧。本片也是继《浮城谜事》、《推拿》之后娄烨与Jóhann Jóhannsson的第三次合作。全片的音乐是在《推拿》一段未曾完全使用的音乐《黑暗中行走》的基础上重新解构并全新发展而来，并最终形成了一次模糊了音乐与声音界限的工业化式篇章。
整张专辑的音乐素材在作曲家Jonas Colstrup的协助与监督下，以中国大陆公映时发行的黑胶唱片为基础被重新编辑、排序。Colstrup长期合作的录音师Thomas Eberger在瑞典为本张唱片进行了全新的混缩和母带制作。唱片的封面设计则是邀请Jóhann Jóhannsson长期合作的伙伴，来自丹麦的音乐家兼设计师Anders Ladegaard完成。
本CD发行限量600套，每套唱片均拥有唯一的烫金收藏编号。

「影乐志」以CD的形式，面向全球首度荣誉呈现作曲家Jóhann Jóhannsson、Jonas Colstrup与导演娄烨合作的《推拿》电影原声音乐。电影《推拿》改编自中国著名作家毕飞宇的同名小说，通过提炼盲人小马的故事，串联起一家按摩中心中的盲人群体，关注他们之间流动的情欲、伤痛和仿徨。影片通过失焦的主观镜头和声音为先的视听构想，完美地还原了小说中在黑暗世界里发生的聚散离合。Jóhann Jóhannsson与Jonas Colstrup的音乐则通过对音景和钢琴旋律的构建，巧妙地还原了盲人视觉下的感官体验与心理感受。影片不仅获得了51届台湾电影金马奖最佳音乐奖的提名，也横扫了包括最佳剧情片奖在内的六座金马奖奖项。
《推拿》是Jóhann Jóhannsson少数未公开发行过的电影音乐作品之一。整张专辑的音乐编辑工作在作曲家Jonas Colstrup的协助与监督下完成，音乐混缩和母带制作由与他长期合作的录音师Thomas Eberger在瑞典进行。唱片的封面设计则是邀请Jóhann Jóhannsson长期合作的伙伴，来自丹麦的音乐家兼设计师Anders Ladegaard完成。
本CD发行限量500套，每套唱片均拥有唯一的烫金收藏编号。