post-rock
辛丑|壬寅 豆瓣
7.3 (29 个评分) 惘闻 类型: 摇滚
发布日期 2022年10月10日 出版发行: Space Circle
“辛丑|壬寅”,惘闻的新专辑创作在这两个年头。
农历纪年法有点像音乐里面的复合节奏,十拍对十二拍。貌似两条各自行进的路线,在天干转六圈,地支转五圈后又重合在一起。
这又有点像我们的处境,所有的都在闭环里一遍遍的重演。
历史变得并不遥远和模糊,不再只有年份,人物和地点。
它一下子就跳到我们面前,变成每天都在面对的鲜活而赤裸的细节。
“辛丑|壬寅”,只是记录了惘闻的经历。
Painful Clown & Ninja Tiger
发行:Space Circle
制作人:谢玉岗
监制:邓成龙
混音:谢玉岗、邓成龙
母带:Scott Hull
录音工程师:尹冲
录音棚:郊眠寺、惘闻工作室
书法设计:鲁大东
封面设计:卢涛
2022年12月21日 听过
如此这般两年的转译和描摹,一首器乐一首唱词起伏缠绕!初听只有黑白药片的躁动和广场野火里的编织意象有点儿意思,可二三次复盘后,看到幕后没有了以往海外后摇名团的帮扶加入,在自己的 Space Circle 里谢老师和二千及其万青郊眠寺合作, “与人”鲁大东的封面,文智涌老师的号等等,曾经“看不见的城市”一路追寻“消失的图书馆”,仔细适应近二十年后再度开口的惘闻,当年失眠更似念白,如今醒世沉淀发问。确实单曲而论,几乎全砖没有能和过往比肩情感冲刷力度的,但又能在《广场地下的沃尔玛》中仿佛开辟节拍和音色抵达了新的叙述区间。
instrumental post-rock rock 万能青年旅店 俞威
My Story, The Buraku Story (An Original Soundtrack) 豆瓣
7.2 (6 个评分) Mono 类型: 原声
发布日期 2022年5月27日 出版发行: Temporary Residence
My Story, The Buraku Story is a new feature-length documentary film that explores the discrimination against a group of people – commonly called “the burakumin” – who were classed into lowly groups and segregated from the rest of Japanese society. This discrimination is not by race or ethnicity, but rather by place of residence and bloodline, and has existed for centuries – albeit very rarely acknowledged or discussed in Japan. When director Yusaku Mitsuwaka imagined the exemplary score for such a culturally sensitive and significant subject, he idealized MONO to help tell this story through their legendarily cinematic music.
Following their recent experiments with electronic textures infused into their trademark dynamic rock compositions, My Story, The Buraku Story finds MONO at their most understated and elegiac. The songs that make up My Story, The Buraku Story are largely built around piano, strings, synths, and choral vocal loops. As one might expect from MONO, the arrangements are masterworks of understated execution with oversized emotional resonance. By far MONO’s most delicate album, it is a fitting document of the band’s first-ever full-length film soundtrack.
2022年10月10日 听过
相比于从摄影师转换身份,首次导演的満若勇咲三个多小时的纪录片『私のはなし 部落のはなし』MONO 为其创作的原声音乐仅有短短的四十多分钟,在前九首氛围感上着重解离态,稀释感的钢琴与合成器甚至非即时性回声的人声效果。“缓慢” 的不打扰的浸入题材焦点人群的生活状态以及片段,仅仅在最后的 The Place 恢复了以往作为 PR 乐队的 MONO 光彩。
ambient dahm majuri cipolla hideki ‘yoda’ suematsu mono neo-classical