1970年代を代表するロック・キーボーディスト、異才:柳田ヒロのセカンド・ソロ・アルバム。狂気とパワーが交差するニュー・ロックの歴史的名盤。
元エイプリルフールのメンバーで、ニューロック期を代表するオルガン・プレイヤーによる71年発表の2ndソロ。圧巻は何と言っても2曲目「The Murder In The Midnight」。ブンブンと唸るパワフルな石川恵樹のベース、強烈に歪ませたサイケデリックなトーンで奔放に弾きまくる水谷公生のギター、そしてギターとアグレッシヴに絡み合う壮絶なオルガン！我を忘れたように混沌の渦に突入していく演奏は、これぞニューロックという煮えたぎるようなエネルギーに満ちています。ヒートアップする3者のプレイとは対照的に終始タイトかつクールに刻まれる田中清司のドラムもまた印象的。フルートがリリカルにさえずる前半と熱いサイケギターが炸裂する後半のドラマチックな対比が素晴らしい「FANTASIA」、たおやかなピアノを基調とした愛らしいヴォーカルナンバー「ALWAYS」なども70年代初頭の空気をそのまま閉じ込めたような佳曲です。ニューロック期随一の鍵盤奏者としての腕前を遺憾なく発揮した傑作！

三年过去，还是没能成为一个厉害的大人。Chinese Football也没能成为一个摇滚天团。
游戏一旦开始就注定会有一个结局。
胜利或失败。
每个人都想成为赢家，用胜利的喜悦去回报付出的时间。
日复一日，已经开始接受失败的自己，接受有些梦想注定无法实现的事实。学会了自我安慰：拥有的是过程，努力过就好，收获在别处，至少已战胜了自己。
然后庆幸自己头脑清醒。没有迷失在与他人较量后的虚荣中，也没有迷恋于与自己较劲后的感动中。
只是偶尔还会发梦，梦到还未走向最终的结局。在某个结局里，我最终成为一个厉害的大人，Chinese Football也成为了中国摇滚传奇。（文/徐波）
《Win&Lose》作为游戏三部曲的最后一部，延续在《Here Comes a New Challenger！（新的挑战）》和《Continue？！（游戏继续）》之后。游戏会有终章，但是青春的游戏还会继续。
这是一张诞生于纠结和茫然时期的专辑，我们既对未来充满希望，又不知道明天将何去何从。三年的时间说长不长，但重量却无与伦比。我们在经历了痛苦，努力，挣扎和一丝绝望之后，似乎又看到一切可以重新开始。那么，胜利和失败，究竟应该如何定义呢？
也许就像专辑中的《游戏胜利》，将音频波形倒转就变成另一曲《游戏失败》，反之亦然。胜利和失败注定是一枚硬币的正反面，如影随形。
这张专辑本应在一年前就和大家见面，但世事难料，很多事情就是无法如期望般实现。但现在这个时间恰恰正好，三年前的这个时候我们的世界和过去一分为二，三年后的今天我们似乎又要回到之前的世界了。三年前暂停的旅程，又应该继续下去了，发出这张专辑，接受胜利和失败，再继续前往下一个篇章吧。
发行厂牌：野生唱片
发行编号：WILD-022
录音师：骷髅，李珂
录音棚：光合录音室，VOX STUDIO
混音/母带：骷髅
制作：Chinese Football（徐波/王博/李立鑫/郑紫莉）
封面插画：史悲
【特别感谢】
《武汉》
萨克斯：王威
小号：桂洲
长号：张硕
《人间失格》
手风琴：郭雨潇

Coming February 10: the most live-sounding Yo La Tengo album in years, This Stupid World. Times have changed for Yo La Tengo as much as they have for everyone else. In the past, the band has often worked with outside producers and mixers. In their latest effort, the first full-length in five years, This Stupid World was created all by themselves. And their time-tested judgment is both sturdy enough to keep things to the band’s high standards, and nimble enough to make things new. At the base of nearly every track is the trio playing all at once, giving everything a right-now feel. There’s an immediacy to the music, as if the distance between the first pass and the final product has become more direct. Available on standard black vinyl, CD and on limited blue vinyl.

Stereolab release the fifth in their ‘Switched On’ series of compilation albums, Pulse Of The Early Brain [Switched On Volume 5].
Simple Headphone Mind’ b/w ‘Trippin’ With The Birds’ was the second collaboration between Nurse With Wound and Stereolab. A 12” disk released on yellow vinyl [1000 copies] and black vinyl [4996 copies] The sleeve was made from a 'Mylar style’, aluminium coloured, material that was glued and sealed – each purchaser had to open the sleeve to discover which colour vinyl they had bought. The CDs were also released in a sealed sleeve. Originally released 28th April 1997 via Duophonic Super 45s. Catalogue numbers DS33-11 / DS45CD-11.

Debut album from The Smile – comprising Thom Yorke and Jonny Greenwood from Radiohead, with Tom Skinner from Sons of Kemet.

“辛丑｜壬寅”，惘闻的新专辑创作在这两个年头。
农历纪年法有点像音乐里面的复合节奏，十拍对十二拍。貌似两条各自行进的路线，在天干转六圈，地支转五圈后又重合在一起。
这又有点像我们的处境，所有的都在闭环里一遍遍的重演。
历史变得并不遥远和模糊，不再只有年份，人物和地点。
它一下子就跳到我们面前，变成每天都在面对的鲜活而赤裸的细节。
“辛丑｜壬寅”，只是记录了惘闻的经历。
Painful Clown & Ninja Tiger
发行：Space Circle
制作人：谢玉岗
监制：邓成龙
混音：谢玉岗、邓成龙
母带：Scott Hull
录音工程师：尹冲
录音棚：郊眠寺、惘闻工作室
书法设计：鲁大东
封面设计：卢涛

This 2-CD set presents the most remarkable Swedish underground band, known in a later incarnation & continuation as International Harvester & Trad, Gras Och Stenar (Trees, Grass & Stones), & features both intricate studio recordings & orgiastic live performances. Parson Sound never released any records in their time & that is why a very few have heard about them at all. The recordings date from 1967/68 while the band explored unknown musical territory as well as inner- & outer space. In 1968 they were invited by Andy Warhol to play at the opening of his exhibition Screens, Films, Boxes, Clouds & a Book, at the museum of Modern Art in Stockholm & also opened for the Doors. Influenced by the musical concepts of Terry Riley, Parson Sound worked at discovering & perfecting their own unique approach towards the mixing of rock & minimalism. They created some of the most remarkable psych- trance- drone- pre-noise music- rock sounds ever recorded. Parson Sound's music described contexts, interplay & organic growth & shaped a conception of the world - an opposite of fragmentation, individual achievements & intellectual construction. This world was to be perceived as one body, a whole of inviolable parts. Subliminal Sounds.

"A ko noću ide bez fenjera, zna se - lopov je i hainin."
- Milosav Popadić
credits
released November 27, 2020
Drugi studijski album, snimljen krajem 2019.
Snimano: Barake Čakovec by Daliborovo Granje
Mix & Master: Leonard Klaić
Artwork: Daliborovo Granje
Gitara - Filip Toplek
Gitara - Alan Horvat
Bas - David Lesjak
Bubanj - Andrija Munđar
Truba - Tomica Oskoruš