西班牙加利西亚新民谣团体Sangre De Muerdago的第四张全长专辑。

"When I heard that Sangre De Muerdago were coming to the Pacific Northwest I couldn’t believe i t. Their albums are some of the most listened to music in my collection, especially while traveling. For some reason their music walks hand in hand with the concept of the journey. Their latest album “Noite“ is a stunning piece of modern folklore that manages to hint at things ancient and timeless while being completely vital and necessary in our modern age. As a listener and fan of the band, I can’t recommend them enough."
- Steve Von Till / Neurosis / Neurot Recordings
SANGRE DE MUERDAGO is the creation of Pablo C. Ursusson. Acknowledged musician, composer, painter, sculptor, lyricist, free soul and traveller of the deep forests and the seven seas, together with different guests and collaborators that include outstanding and recognized musicians Georg Börner, Erik Heimansberg and Asia Kindred Moore as main collaborators at the moment.
“Noite” is the 4th album of Leipzig-based Galician folk-druids Sangre de Muerdago. A new step up in the history of emotional music; a birth of a musical journey full of light in the darkness, from the depths of troubled hearts, and proving this international ensemble capable to print their aknowledged exquisite live performance into a recording.
With their previous album “O Camiño das Mans Valeiras” (2015) getting excellent international critic acclaim and countless mentions on best-of-the-year lists in 2015, they‘re back with an album that crushes the borders of their Galician musical heritage. With twelve songs pouring playful melancholy, ancient spirit and romanticism, they push the levels of emotion beyond what was done in the realm of folk music until now.

Recorded during a cold weekend of February 2015, north of Thüringer Wald. Recorded, mixed and mastered by Tobias Häussler. Art by Marina Girardi. Album concept by Pablo C. Ursusson.
“Mensaxeiros do Pasado” is based on a real story, based on events we experienced strongly in 2012 in WA, and we gratefully thank the old spirits for joining our singing and melodies that evening and many others, the honor is ours.
-Pablo C. Ursusson: Composition, classical guitars, hurdy-gurdy, drums, shakers, voices, texts.
-Emma Skemp: Baroque flute, drums, voices.
-Georg Börner: Nyckelharpa, viola, hammered dulcimer, backing vocals.
-Bubu: Additional classical guitar on 2, 3, 4 and 6.
-Jorge Olson de Abreu: Always inspiration from the Otherworld.
This album is dedicated to the loving memory of my grandma Lola. I wish it fulfills your heart wherever you may roam. Thank you. -Pablo C. Ursusson.
Released by Música Máxica, Sick Man Getting Sick Records, Neuropa Records and Into Endless Chaos.

Heimatfolk,是奥地利Steinklang Industries的民谣分支厂牌,到目前已经发行了5张新民谣唱片
JAENNERWEIN is a brilliant new Folkband from the breathtaking Salzburg countryside around the holy mount Untersberg, the myserious home of STURMPERCHT.
They play their very own style, a mix of oldschool Folkmusic and NeoFolk with some Martial rhythms, many Alpine-Folk and even some medieval elements. Jaennerwein use many traditional alpine
instruments, as harmonica, bells, marchial-drums, flutes, lyra and violins, but they also use a few electronics and they create a warm and heimish atmosphere in all their songs.
Although they come from the same region and have a similar musical background as STURMPERCHT, JAENNERWEIN are somehow quite different, because they are more serious with their ancient, sad lyrics about holy (often christian) rituals and mysteries from the central european Alps. But anyway - who likes Sturmpercht, MUST like JAENNERWEIN as well !

Over the years many bands from the Industrial / Neofolk spectrum have collaborated with Croatian artist Bleiburg. Here, for the first time, those alliances are collected together in a double CD set. Each band brings their own unique flavour to their collaborative piece and Bleiburg also executes seven unreleased solo tracks. Features such renowned international artists as: Amir Baghiri, Aube, Cawatana, Cellar Of Rats (ex-Kerovnian), Harvest Rain, Larrnakh, Lonsai Maikov, Nocturne, Obscure Resistance, Project Toth, The Soil Bleeds Black, Telepherique, Thorn Agram and Vidna Obmana.

Label: Bunkier Productions – BVIII
Format: CDr, Limited Edition
Country: Poland
Released: 2005
Genre: Electronic
Style: Downtempo, Experimental, Minimal
CDr in digipak, limited to 160 copies.

向Black Tape for a Blue Girl 致敬迷你专辑：

digipack 限量200张发行。
条形码617026030029

sangredemuerdago.bandcamp.com
novemthree.bandcamp.com
sickmangettingsickrecords1.bandcamp.com
NOVEMTHREE
Crafting gently dark and dreamlike tunes of psychedelic-fringed folk music with verses inspired by a longing for a connection with Nature, the sense of solitude and peace in the vastness of the cosmos, meandering reflections on life and loss.
SANGRE DE MUERDAGO
SANGRE DE MUERDAGO puts together the four winds to create a world of fairy-like reality. Calling up our oldest memories and melodies and giving the quieter and more melancholic Galician Folk from the late 70s and early 80s a new dimension, where nature, folk tales, old wisdom, mysteries and love get together to build up a future far from technological civilization. Finger picked guitars, cello, violin/viola, baroque flute and ocassional percussion and hurdy-gurdy, dance together on a beauty invocation, on a feast of passion and melodies that will awake our sleeping "myself", our true soul.
With its music, SANGRE DE MUERDAGO brings us to a world of ancient musical enchantment.
Vinyl released by Avant! Rec. | Boue Rec. | SickManGettingSick Rec. | Música Máxica
Pressed on black vinyl with gatefold cover & thick printed innersleeve. Limited to 500 copies.
Cover art by Bluttanzt. bluttanzt.tumblr.com
Order your copy here:
»
released 30 March 2014
» This is SIM-011 «

"Nas Fragas do Río Eume" is our tribute to one of the most magical forests we've ever known so far, inspired by its trees, animals, streams, legends...
It contains 2 songs recorded at the same studio session as our 2nd album "Deixademe Morrer no Bosque".
credits
released 20 March 2014
Recorded in March 2012 at the Water Fortress Tonkeller in Eisenberg by Z.
It will be released in March 2014 by Stonehenge Records.

Sonne Hagal，作为新民谣迷们一定不会陌生吧？
他们可是德国新民谣的翘楚啊！
经过了长达三年的等待，终于等来了这张全新的大碟。
新碟中打破了一些新民谣固有的风格，加入了电子鼓等元素。
曲调还是延续了德国新民谣惯有的风格。
淡淡的曲调中充满了对事物的思考。

演奏：六貯（竹管樂器）/ 韓（吉他）
演唱：袁田（歸思）/ 六貯（雲相逐）/ 韓（遙夜）
詩作者：堪堪 / 唐 柳宗元
作曲：六貯（浮舟）/ 韓
錄音：袁田（歸思）/ 韓
混音/母帶處理：韓
錄音時間：2014年03月至09月
錄音地點：寧波 / 杭州 / 成都
攝影： 李卓雲
視覺設計：韓
出版發行：貓頭鷹樹
音樂人小站：
特別感謝：
蒙蒙山房主人小京女史/無用集主人管雅女史/滿月居主人潤羲
為我們提供錄音場地
序
余古琴弟子韓與六貯合力之操刀大作《歸棹》問世，托余作序，忝為師長，乃綴敘所懷，勉力充數爾。
歸棹本歸舟之意。古者多有舟入詩。野渡無人舟自橫，自氣象瀟灑。韋應物詩“ 歸棹洛陽人，殘鐘廣陵樹。今朝為此別，何處還相遇。 ”是乃灞橋折柳，無限傷感。是碟以歸棹名，乃有歸去來兮之意，觀雲氣相逐，獨隱於山水間。
音聲者，導養神氣，宣和情誌。故於音樂之道，精微奧妙，變化莫測，聽者會心而已。
是碟融吉它，竹管，人聲集一體，吉它仿琴音色，近似古琴泛音與散音，不禁憶前輩劉天華所作琵琶曲《虛籟》，亦是模仿古琴綽註指法而別有一功，是異曲同工之意。竹管聲悠意遠，人聲由其二人擔綱及邀友人合作末首，二器相匯而能成曲中聽，尤難得也。
首曲長空一，前如中庭冷落，月點波心，靜謐清泠，夏夜也。乃如琴曲《良宵引》之意，偶見孤猿野鶴，清風怪石，亦為知音。翕忽一變，如入野花滿徑，撲鼻菊香。唯其輕松之至，復歸於人定。
次曲長空二，靜觀松風水月，銀河可見，璀璨萬里，復有孤高賞景，間以心緒起伏，其意，最難平！
其三遙夜乃取詩遙夜之意，雨滴巖下，空谷幽蘭，竹管突起，令人懷遠。只於離人，再歌而泣歟？
其四名雲相逐，亦喜，彼取意自柳宗元詩《漁翁》。
兩器所造，境由心起，月中皎潔，無物比倫。然一轉而六貯以嘉興話唱此詩，直有對面不相見之感。其音清朗蕭疏，六貯今已遠赴海外遊學，聆聲如晤其人，人中龍鳳也。
余獨愛其五浮舟之曲，其意幽遠，若平林漠漠，其聲泣訴，直指人心，韋詩泛泛入煙霧之地，只百轉心頭，“世事波上舟，沿洄安得住？”
其六歸思，仿佛踱步林間，忽忽有所思，歌間雜以弦管，忽如山花爛漫，忽如小溪淙淙，誰待遠人歸？直欲將心事付之耶？
“長風破浪會有時，直掛雲帆濟滄海。”二仁棣既樂之同道，當思精進，期有佳作再現。
“和心足於內，和氣見於外，故歌以敘誌，舞以宣情。然後文之以采章，照之以風雅，播之以八音，感之以太和，導其神氣，養而就之。” 噫，素心者雅宜清賞，當明之耳！
泉唐琴人 萬仲亮 於甲午年立冬

Through the entire creation Empyrium runs like a thread through string: the love of nature, tragedy and romance. Empyrium have already combined acoustic guitar and transverse flute in their romantic, dark metal compositions on their first albums 'A wintersunset' and 'Songs of moors & Misty fields' in order to lend a 'more natural' touch and to achieve their vision to a better depth. 'Songs of moors & Misty fields' already perfects this style hence why a new form of the feeling had to be found. ' The band's EP Dead Winter Days is described as a preview of Empyrium’s 2014 return to form, The Turn of the Tides, following their successful Into the Pantheon live DVD/CD release.

Musk Ox's second full-length album. A one-hour, five part progressive chamber folk epic for classical guitar, cello and violin
“Now an instrumental trio that includes violin and cello, Musk Ox expertly combines the subtlety of Arvo Pärt with the tension and drive of Clint Mansell. “Woodfall” is a grand and panoramic sophomore effort that offers the warmth and maturity only hinted at on the debut.”
- Don Anderson (Agalloch, Sculptured)
"Musk Ox's most ambitious offering to date; rich in harmony, expression, and most notably, the nuanced finesse of Nathanael Larochette’s classical guitar stylings. Much like the nature that I imagine has inspired it, “Woodfall” evokes a sense of calm, stillness, and simplicity, while at once flowing forward and in constant motion".
- Kevin Hufnagel (Dysrythmia, Gorguts, Vaura)
"Whatever it may lack in heavy metal thunder or ravishing grimness, Musk Ox more than makes up for with its richness in atmosphere and emotion, created in tune with the natural world and its terrifying beauty."
- Pitchfork
"Their new full length album Woodfall shows them as seriously talented musicians who have made a beautifully sculpted instrumental classical folk album...nothing short of epic."
- Echoes and Dust

"The Ways of Yore" is the 12th album from Burzum. "The Ways of Yore" is similar in style to Burzum’s pervious ambient albums, but differ in both style and vocal expression. A mix of haunting story telling channeled through distinct vocals combined with Burzum musical genius makes "The Ways of Yore" is a very interesting and innovative sounding album with mass appeal to Burzum fans. Inspired by Burzum's in-depth knowledge of our European history and evolution, "The Ways of Yore" is a continuation of his work to explore our Forebears and to explain our human evolution.
Burzum says of the new album: "The Ways of Yore" is my first step towards something new, which at the same time is as old as the roots of Europe. With "The Ways of Yore" I try to transport the listener to the days of yore, to make them feel the past, that is still alive in their own blood.

Derived from the greek words for 'birth' [genesis] and 'again' [palin], the term Palingenesis refers to a variety of concepts of rebirth and recreation, ranging from the stoic idea of the continuing recreation of the cosmos, the christian belief in spiritual regeneration through baptism, or the originally pythagoreean concept of the souls' transmigration into a new body. NEBELUNG take up the energy behind these concepts, using them as archetypal images for mans' eternal strive for spiritual perfection in a meditation on death and decay, transformation and renewal.
More than two years on the making, the release of PALINGENESIS defines a new era for NEBELUNG. Where its predecessors had been singing the hymn of autumn and night by the means of simply structured melancholic folk songs, PALINGENESIS takes on a different approach, transcending the boundaries of lyrics and song, sparing light and reason, and letting the music take on a direct and unaltered way to the depths of the subconscious. PALINGENESIS is a deep and transforming listen, with tracks built up like Mantras, tucking the listener into a dense and detailed tapestry of subtly woven, intertwining melodies and drones, rich in detail and structure, and incorporating such a variety of acoustic instruments as both classical and steel stringed guitars, cello, accordion, indian harmonium, hammered dulcimer, glass harp, percussion and voice.
"’Palingenesis’ is impossibly delicate, impeccably rendered neofolk; it is transporting and autumnal, bringing spectral figures into focus, exploring with curiosity and wonder the darkest heart of a vast folkloric wilderness."
STEREOGUM
"This soundtrack for us nemophilists is a gentle woodland reprieve, somehow capturing the meditative mind of Nature. As the seasons whisper death into birth, these songs reflect the continuous cycle of cessation, the ephemeral and liminal moments that are the Solstice and Equinox. It’s as if you were hiking in the woods and the flora and fauna picked up some acoustic instruments and started playing a song that led you into the other worlds." - 5/5
HEATHEN HARVEST
“Unutterably beautiful, no essay, however long, will ever do this release justice, but perhaps it suffices to say that if you have a passion for music in all its forms then Nebelung’s wondrous masterpiece is an essential piece to be added to your collection.”
SONIC ABUSE