FOREIGN PARTS portrays a hidden enclave of auto shops and junkyards fated for demolition in the shadow of a new baseball stadium in Queens. The film observes this vibrant community of immigrants - where wrecks, refuse, and recycling form a thriving commerce - as it struggles for daily survival and contests New York City's development scheme.

Songhua depicts the intimate and complex relationship between Harbin residents and their "mother river," the Songhua in northeastern China. By attending to the everyday activities of leisure and labor unfolding along the banks and promenade, this nonfiction video also explores the interface between aesthetics and ethnography as it addresses environmental crisis within a major waterway of China.
Film Festivals, Screenings, Awards
Shadow Festival, Amsterdam, The Netherlands, 2007
Jury's Pick Award, Negotiated View Film Festival, Happy Valley, Pennsylvania, 2007
SIGGRAPH, San Diego, California, 2007
Vienna International Film Festival, Vienna, Austria, 2008
Jury's Pick Award, PLATFORMA Festival, Athens, Greece, 2008
Babel Film Series, Nanning, China, 2008
Jury's Pick Award, Eyes & Lenses Ethnographic Film Festival, Warsaw, Poland, 2008
PDX Film Festival, Portland, Oregon, 2009
Contro-Sguardi: International Anthropological Film Festival, Perugia, Italy, 2010

一位在中国居住多年的美国年轻导演史杰鹏（原名J.P. Sniadecki）历时三年拍摄的有关中国铁路社会学纪录片。
采访、暗拍、空镜，遵循自然主义，呈现未修饰的真实影像。史杰鹏导演的纪录片，这部新片的素材在国内拍了三年，天南海北的纪录火车上的中国人，你可以把这片子当成人类学的纪录片来观看，有着各种很中国化的见闻，包括一些老外眼里会很猎奇的中国元素。

一段虚构的真实，无限接近而遥不可及，在混沌中，城把人丢了，人也会把城忘了。2012年春节我们三个人带着一部16毫米摄影机来到被称作“鬼城”的甘肃玉门。在这座废墟面前，导演试图以外来者的方式介入玉门这座被遗弃的城市。当三位当地的女性进入视野之后，才得以完成这部关于玉门空城、关于记忆和幻想的影片。

一部由两位美国年轻导演史杰鹏和张莫导演的中国题材电影。该电影时长75分钟，是一部以独特大胆的视觉在四川成都人民公园进行的经验、结构主义纪录片。该片完全展现中国都市的悠闲生活，与王兵所展现的穷困乡村生活产生强烈对比。由于摄像机的拍摄角度完全贯穿整个公园，它捕 捉并记录了千百中国都市人外出消遣、放松、交流以及某种概念上自由的行为：吃东西，闲逛，唱歌，练毛笔字，或者仅仅是看看周围其他人。当画面慢慢集中仿佛是一个又欣喜又恍惚的凹陷视觉的时候，这种观看忽然间变成了某种舞蹈，逐渐达到一种雀跃的高潮，就像是人、动作、音乐、影像以及各种声音都交织在一起：这就几乎可以说是电影所能达到的纯粹的愉悦。