超现实主义
一条安达鲁狗 (1929) 豆瓣 Min reol TMDB Eggplant.place IMDb
Un chien andalou
8.2 (354 个评分) 导演: 路易斯·布努埃尔 演员: 西蒙妮·玛勒伊 / Pierre Batcheff
其它标题: 안달루시아의 개 / アンダルシアの犬
  路易斯·布纽尔西班牙的电影狂热者和现代主义诗人,他于1928年执导的〈一条安德鲁狗〉也许是最具超写实本质的一部电影。它的故事主要是关于一对情侣之间的争吵,但是片中的时序和逻辑则错乱不清。电影开场的一场戏中,一个男人不可思议地用剃刀将女主角的眼睛切开,然而她在下一场中出现,眼睛却毫发无伤。随著继续不断的争吵,一群蚂蚁从男主角手掌上的一个洞中爬出来,男主角拉著一个塞满骡子尸体的钢琴横越房间,一双手从墙洞中伸出来摇著鸡尾酒的调酒器。贯穿全片一直出现的插卡字幕,告知一些毫无意义的消逝时间间隔,像是「十六年前」的字幕插入时,剧中的动作却一直连续进行没有中断。
  这部作品被《电影元素》的作者波布克引为“电影史上最有影响力的作品之列——因其率先运用了象征、省略的影象和印象主义的剪辑技巧”。
猪之日 (1992) 豆瓣
Il Giorno del Porco
导演: Sergio Pacelli 演员: 约翰·菲利浦·劳
其它标题: Il Giorno del Porco / Day of the Pig
根据Hyeronimous Bosch的超写实主义绘画启发而拍摄的影片,堪比<索多玛120>和<人与猪>的水准...超级SICK! 心脏不好的别看
A philosophical fable based on the images of Hyeronimous Bosch. A hunchback named Sarchis is an outcast in his kingdom. His brother, a king supposedly turned into a pig is slaughtered by the people who don't want to be ruled by a pig. Azazel the regent takes the power and proclaims three days of absolute freedom with no laws and prohibitions. As a result all of his citizens are dead. Azazel asks Sarchis to help him.
银色头颅 (1998) 豆瓣
Серебряные головы
导演: 叶甫盖尼·尤菲特 / Vladimir Maslov 演员: Sergei Chernov / Vasili Deryagin
其它标题: Серебряные головы / Silver Heads
Necrorealism是产生于80年代处苏联艺术名城圣彼德堡的一种新电影创作风格,此类电影擅长在片中以塔可夫斯基的诗电影方式描写死亡,疾病等黑暗主题,Yevgeny Yufit是其中的领军人物,它属于超现实主义电影的一个特殊分支吧.
从布鲁克林来的叔叔 (1995) 豆瓣
Lo Zio di Brooklyn
导演: Daniele Ciprì / Franco Maresco 演员: Salvatore Gattuso / Pippo Agusta
其它标题: Lo Zio di Brooklyn / The Uncle from Brooklyn
90年代意大利最佳超现实主义电影?!
variety的官方评论:


The best italian film of the 90's, the most extreme and radical work since SALO', a ruthless representation, in a surreal-metaphorical key, of a civilization condemned to worshipping its own blindness. The two sicilian directors use a language free from compromise and from the traditional storyline rules: the movie is photographed in a sharp and very contrasting black & white, with no beautiful pimp music, and lacks a logical story. There are no women (the ones we see are actually men), and the language is strict sicilian dialect. The directing style is characterized by long fixed shots on a post-atomic world, which is really present-day Palermo, inhabited by fat people in socks and underwear who burp and fart while roaming around smelly alleyways and waste dumps. And above all, there is the black humor of the two "cinics", acute, ruthless, and very intelligent. An extraordinary essay of surrealistic cinema in perennial confinement between drama and irony, between disconcertment and a liberatory laugh, the whole mixed with a profound sense of squalor and discomfort that accompanies the viewer even after the film is over. A film that shows the loss of certainty and moral values in today's world, the absence of order and sense: God is dead and man is alone in this abyss, this is what Cipri and Maresco seem to be reminding us of with a resonant blow.