电影讲述了奥斯维辛集中营的指挥官鲁道夫·霍斯和他的妻子海德薇格在集中营旁的一所房子里和花园中为他们的家庭打造梦想生活的故事。

Mustafa Abu Ali, born in 1940 in Maliha, Palestine, is a Palestinian filmmaker. Died 30 July 2009 in Jerusalem, Palestine.
Ali studied cinema in London, graduating in 1967. One of the founders of Palestinian cinema under the auspices of the PLO, and the Palestinian Cinema Association in Beirut in 1973, (re-established in Ramallah in 2004), he has written four screenplays and directed more than 30 films, for which he has won more than 14 awards, the most recent from the 2003 Ismailia Film Festival.

Remembering the 1948 siege of Deir Yassim, Jerusalem

On April 9, 1948, the small Muslim village of Deir Yassin just outside Jerusalem was attacked by Jewish Israelis, and 100 unarmed civilians were massacred.

With powerful archive footage from the siege itself, we relive the terror that has inspired Palestinian suicide attacks ever since.

A 42 minute documentary film that combines the cactus and the memories it stands for. The film addresses the story of the destruction of the Palestinian villages of Latroun in the Occupied West Bank and the forcible transfer of their civilian population in 1967. Over 40 years later, the Israeli occupation continues, and villagers remain displaced.

The film follows two separate but parallel journeys. Aisha Um Najeh takes us down the painful road that Palestinians have been forcefully pushed down, separating them in time and place from the land they nurtured; while Israelis walk freely through that land, enjoying its fruits. The stems of the cactus, however, take a few of them to discover the reality of the crime committed.

اختزل الفيلم الوثائقي الفلسطيني "ذاكرة الصبار" في 42 دقيقة قصة معاناة فلسطينيي قرى اللطرون الذين هجروا على أيدي الجيش الإسرائيلي عام 1967. الفيلم من إنتاج مؤسسة الحق وإخراج حنا مصلح.

لاتزال قصة (عمواس ويالوا وبيت نوبا) قرى اللطرون محفورة في ذاكرة من بقوا من الجيل الفلسطيني الشاهد على عمليات تهجير الفلسطينيين من القدس عام 1967 . حكايات يجسدها فيلم ذاكرة الصبار الوثائقي الفلسطيني والذي يحكي قصص من اقتــلعوا من منازلهم التي تحولت الآن إلى متنزه لأبناء المستوطنين في القدس.


خوف وحيرة وذكريات لا تنتهي جمعها الفيلم الذي أنتجته مؤسسة "الحق" الفلسطينية وأخرجه حنا مصلح والذي عرض من خلاله نماذج من معاناة سكان قرى اللطرون غربي القدس ساردا حكايتهم على ألسنهم فأعاد الفيلم المشاهدين الى الوراء عشرات السنين وكأن الحدث كان البارحة.

وقد حاز الفيلم على الجائزة الأولى كأفضل فيلم وثائقي في مهرجان دبي السينمائي للسنة الثالثة على التوالي

影片改编自大卫·格兰所著畅销书《Killers of the Flower Moon：The Osage Murders and the Birth of the FBI》，聚焦1920年代的美国俄克拉何马州，“欧塞奇族印第安人谋杀案”（Osage Indian Mur ders）。当年欧塞奇族人因原居地发现油矿而获得持续巨额收入，有人为阻止上述安排而策划连环谋杀，4年间60人被杀，震惊全国。为此当年美国政府成立“调查局”（即FBI联邦调查局前身）跨部门调查，揭发维护欧塞奇族人权益的“欧塞奇监护人计划”原来极度腐败；最后即使在大量证据下，亦只有少数的谋杀案获得起诉。

置于历史与战争的背景下，录音带里的“抹除”一词被赋予了新的意义。1948年以色列建国时，战争爆发，数百个巴勒斯坦村庄在战后人口锐减。这被以色列人称为独立战争，而对巴勒斯坦人而言则是“Nakba”（灾难）。上世纪九十年代末，研究生泰迪·卡兹对一场大屠杀展开研究，据说其发生于1948年的坦图拉村。后来这项工作遭受到抨击，并使他声誉俱毁，但长达140小时的音频证词幸免于难。

The first history of the United States told from the perspective of indigenous peoples

Today in the United States, there are more than five hundred federally recognized Indigenous nations comprising nearly three million people, descendants of the fifteen million Native people who once inhabited this land. The centuries-long genocidal program of the US settler-colonial regimen has largely been omitted from history. Now, for the first time, acclaimed historian and activist Roxanne Dunbar-Ortiz offers a history of the United States told from the perspective of Indigenous peoples and reveals how Native Americans, for centuries, actively resisted expansion of the US empire.

With growing support for movements such as the campaign to abolish Columbus Day and replace it with Indigenous Peoples’ Day and the Dakota Access Pipeline protest led by the Standing Rock Sioux Tribe, An Indigenous Peoples’ History of the United States is an essential resource providing historical threads that are crucial for understanding the present. In An Indigenous Peoples’ History of the United States, Dunbar-Ortiz adroitly challenges the founding myth of the United States and shows how policy against the Indigenous peoples was colonialist and designed to seize the territories of the original inhabitants, displacing or eliminating them. And as Dunbar-Ortiz reveals, this policy was praised in popular culture, through writers like James Fenimore Cooper and Walt Whitman, and in the highest offices of government and the military. Shockingly, as the genocidal policy reached its zenith under President Andrew Jackson, its ruthlessness was best articulated by US Army general Thomas S. Jesup, who, in 1836, wrote of the Seminoles: “The country can be rid of them only by exterminating them.”

Spanning more than four hundred years, this classic bottom-up peoples’ history radically reframes US history and explodes the silences that have haunted our national narrative.

An Indigenous Peoples' History of the United States is a 2015 PEN Oakland-Josephine Miles Award for Excellence in Literature.

　　影片来源于一个真实的故事。1962年，卢旺达宣布独立后，胡图族与图西族两部族之间矛盾重重，多次发生冲突，战事持续不断。 1994年4月6日，一架载着卢旺达胡图族总统朱韦纳尔·哈比亚利马纳和布隆迪总统西普里安·恩塔里亚米拉的座机在卢旺达首都基加利上空被火箭击落，两国元首同时罹难。4月7日，空难在卢旺达国内引发了胡图族与图西族两族的互相猜疑，从而爆发了一场规模空前的武装冲突和种族大屠杀，令世界震惊的人间惨剧拉开了帷幕。被胡图族种族主义者控制的广播电台也为大屠杀的行为煽风助阵，他们叫嚣着“让一切的郁积都爆发出来吧。在这样一个时刻，鲜血将滚滚而出”，失控的人群在媒体的号召下四处搜寻和杀死图西族人，空气中弥漫着血腥的味道。 当一个国家陷入了疯狂，世界也闭上了双眼时，有一个名叫保罗·卢斯赛伯吉纳（唐·钱德尔 饰）的饭店经理却敞开了温暖的怀抱，他经营着当地一家云集着欧洲游客和军界政要的米勒·科林斯饭店，八面玲珑地运用着一切关系尽心地呵护着饭店的顾客们。保罗是胡图族人，而他的妻子塔莎娜（苏菲·奥康尼多 饰）却是图西族的，对他而言，在动荡的时局中，保护他的图西族的亲戚与朋友成为了一生中面临的最大使命与挑战。联合国维和部队的无所作为和与世界媒体的隔绝使得保罗夫妇二人和在饭店中避难的1268名当地居民更加坚定了活下去的信心与勇气，“我们一定让全世界都无地自容地去采取应有的行动”。事态越来越严重，百日之内竟有约100万人死于非命，但米勒·科林斯饭店却成为了嗜血荒漠中的一片生命绿洲。