Caldecott Medalist Michaela Goade's first self-authored picture book is a celebration of the land she knows well and the wisdom of elders.
On an island at the edge of a wide, wild sea, a girl and her grandmother gather gifts from the earth. Salmon from the stream, herring eggs from the ocean, and in the forest, a world of berries. Salmonberry, Cloudberry, Blueberry, Nagoonberry. Huckleberry, Snowberry, Strawberry, Crowberry. Through the seasons, they sing to the land as the land sings to them. Brimming with joy and gratitude, in every step of their journey, they forge a deeper kinship with both the earth and the generations that came before, joining in the song that connects us all.

The controversial Dakota Access Pipeline (DAPL) made headlines around the world in 2016. Supporters called the pipeline key to safely transporting American oil from the Bakken oil fields of the northern plains to markets nationwide, essential to both national security and prosperity. Native activists named it the “black snake,” referring to an ancient prophecy about a terrible snake that would one day devour the earth. Activists rallied near the Standing Rock Reservation in North Dakota for months in opposition to DAPL, winning an unprecedented but temporary victory before the federal government ultimately permitted the pipeline. Oil began flowing on June 1, 2017.
The water protector camps drew global support and united more than three hundred tribes in perhaps the largest Native alliance in U.S. history. While it faced violent opposition, the peaceful movement against DAPL has become one of the most crucial human rights movements of our time.
is the story of four leaders—LaDonna Allard, Jasilyn Charger, Lisa DeVille, and Kandi White—and their fight against the pipeline. It is the story of Native nations combating environmental injustice and longtime discrimination and rebuilding their communities. It is the story of a new generation of environmental activists, galvanized at Standing Rock, becoming the protectors of America’s natural resources.

This first complete account of the Lakota Indians traces their rich and often surprising history from the early sixteenth to the early twenty-first century. Pekka Hämäläinen explores the Lakotas’ roots as marginal hunter-gatherers and reveals how they reinvented themselves twice: first as a river people who dominated the Missouri Valley, America’s great commercial artery, and then—in what was America’s first sweeping westward expansion—as a horse people who ruled supreme on the vast high plains.

The Lakotas are imprinted in American historical memory. Red Cloud, Crazy Horse, and Sitting Bull are iconic figures in the American imagination, but in this groundbreaking book they emerge as something different: the architects of Lakota America, an expansive and enduring Indigenous regime that commanded human fates in the North American interior for generations. Hämäläinen’s deeply researched and engagingly written history places the Lakotas at the center of American history, and the results are revelatory.

Documentary on the 1838 Cherokee removal from the southeastern United States, dubbed the "Trail of Tears."

From Rich-Heape Films, the award winning producers of Trail of Tears Cherokee Legacy and Black Indians An American Story and told from the Native American perspective, this documentary uncovers the dark history of the US government policy and will give a voice to the countless Indian children forced through the system. The film deals with both the schools run by Christian missionaries and those run by the United States' Bureau of Indian Affairs. It addresses the schools' role of forcing cultural assimilation of the resident children into the ways of the majority culture of European Americans.[2]

This comprehensive look at the ancient health and healing methods of American aboriginals uncovers the invaluable contributions that Native Americans made to early frontier living.

James Earl Jones narrates a stunning and informative documentary "Black Indians: An American Story", which explores issues of racial identity between the mixed-descent peoples of both Native American and African American heritage. James Earl Jones is himself a Black Indian.

2011年，隨著黑熊研究學者黃美秀及其研究團隊的腳步，攝影團隊翻山越嶺，徒步重裝三天，到達位在玉山國家公園核心地帶的大分「有熊國」；這是一個深刻令人著迷，匯集豐富野生動物生態及布農原住民人文色彩的地方。每年冬天，台灣黑熊會因為大分的青剛櫟林提供了豐富的果實來源，從四面八方地來到此地逗留。 事實上，大分「有熊國」廣為人知得回溯到1998年，當年從美返國進行博士論文的黃美秀在布農耆老的指引、巡山員林淵源的協助下，深入「有熊國」尋熊捉熊。曾經是布農獵人的林大哥，其狩獵技能與對環境熟悉，還有情義濃烈的性格及慷慨施予，使得黃美秀於蠻荒之境尋熊的三年歲月順利開展。2000年結束研究下山之際，林大哥甚或在美秀即將墜崖的生命交關時刻，拉了她一把，救了她。兩人亦師亦友的情誼，自此深植。 黃美秀的黑熊研究揭開了台灣黑熊的神秘面紗，但也揭示台灣黑熊悲情的一面。15隻捕捉繫放的黑熊中，有八隻斷肢或斷掌。時至今日，在攝影團隊的監測攝影下，斷掌熊的苦難未曾改變。試問，我們是否能作些什麼呢？

is about identity, soul-searching, and being on the never-ending journey of finding ourselves and finding God. As both a member of the Potawatomi Nation and a Christian, Kaitlin Curtice offers a unique perspective on these topics. In this book, she shows how reconnecting with her Native American roots both informs and challenges her Christian faith.
Drawing on the narrative of her personal journey and the poetry, imagery, and stories of the Potawatomi people, Curtice addresses themes at the forefront of today's discussions of faith and culture in a positive and constructive way. She encourages us to embrace our own origins and to share and listen to each other's stories so we can build a more inclusive and diverse future for the church. Each of our stories matters for the church to be truly whole. As Curtice shares what it means to experience her faith through the lens of her Indigenous heritage, she reveals that a vibrant spirituality has its origins in identity, belonging, and a sense of place.

悲伤了很久很久，泪水流得很长很长，长到汇聚成一股清流，蜿蜒围绕，保护着河流中央的川中岛。那里休憩许多疲惫灵魂，等待伤口癒合的一天。八十年后，雾社事件遗族重返过去祖先奔跑的土地。高山绵延、水鹿追逐，遥远神秘的深处，Pusu Qhuni仍矗立着。传说中，它是具半石半木、高耸入云的巨岩，也是赛德克族起源之处。
被日人强迫迁徒的抗日余生，失去摰亲，远离家园，生命被监看限制，最后只能噤声以求自保。他们压抑悲苦，只求孩子努力念书，于是清流部落成为今天教育程度最高、公务人员最密集的原住民部落。八十年的故事很长，愿意开口娓娓述说的历程也很长。今日终得逐一拜访“余生”遗族，倾听他们的故事；也得以前往幽远高山之中，尚飨发源地——Pusu Qhuni。

剧情改编自记述1867年罗妹号事件及南岬之盟的历史小说《傀儡花》。故事背景起点在当年3月，美国商船罗妹号（Rover）在台湾南部恒春半岛的琅峤地区（今恒春镇）遭遇暴风而触礁搁浅海边。船上13人上岸求生时因误闯原住民族斯卡罗酋邦的领地，被当地原住民误认为侵略者而被杀害，史称“罗妹号事件”。当时的斯卡罗人、排湾族人会攻击擅闯领域的洋人，宣称是龟仔甪社的祖先曾经在百年前遭洋人入侵，几乎被灭社，为了保护部落并为祖先报仇，才将误闯地盘的洋人出草猎首。

事件一触即发引发震荡，美国任命其驻厦门领事李仙得来台调查，大清对此事虚以委蛇欲盖弥彰意图将此事掩盖过去。对此美国决定自己发动福尔摩沙远征，派出两艘海军军舰出兵攻打原住民部落。然而拥有较为先进武器的美军因不谙险恶地形而遭原住民伏击得手，带队军官反遭原住民狙击战死。美军受挫后决定撤退等待增援，但美国政府强硬表明决不善甘罢休。而清廷见到美国政府态度才惊觉事态严重，即派台湾总兵刘明灯率兵士500人协助前来调查的美英两国人员。

种族交织、山头林立的恒春半岛，风起云涌。包括山区卑南族、排湾族的斯卡罗酋邦、平埔马卡道族和土生仔的社寮部落、因土地开垦而移垦的闽、客汉人聚落。事发前，各方族群关系已不睦，为了生存，闽、客、原住民之间长期交锋，常常发生利益冲突。而这起事件的风波，加上外来势力的威胁，使得闽、客、原住民之间长年的恩怨积累爆发，导致更多种族纷争。

斯卡罗酋长大股头卓杞笃，以智慧化解纷争，整合在地各族群力量。最后，由美国领事李仙得，与卓杞笃双方达成共识，以书面纪录为非正式的谅解备忘录，史称“南岬之盟”，纷争始告一段落。

剧集交织历史人物和虚构角色，呈现罗发号事件事件及其衍生事件，涉入其中的族群有原住民排湾族、卑南族、马卡道族、土生人（原汉混血）；汉人有闽南人、客家人、清朝官员，西方国家有英、美、法裔人。剧集描绘台湾原住民族、汉人，与西方国家势力，多个族群间的冲突与发展，也刻划出台湾族群融合的深刻过程。