PONY'S 2024
犯罪都市4 (2024) [电影] 豆瓣 Eggplant.place IMDb TMDB
범죄도시4
6.1 (57 个评分)
导演:
许明行
演员:
马东锡
/
金武烈
…
其它标题:
범죄도시 4
/
犯罪都市 PUNISHMENT
…
「怪物刑警」马锡道(马东锡 饰)这次要对抗的是规模最大的网络非法赌博组织首脑.白昌其(金武烈 饰),他是特种部队佣兵出身的恶徒;另外还要对付IT业界出身的天才CEO.张东哲(李东辉 饰)。马锡道将与华丽回归的张夷秀(朴智焕 饰)、广搜队及网络搜查队合作,展开更胜以往的扫荡行动!
交错的场景 [图书] 豆瓣
渡された場面
8.0 (12 个评分)
作者:
(日) 松本清张
译者:
徐建雄
同心出版社
2013
- 10
「我永远都不会消失,永远不会,即使死了也不会。」
一切死亡必有冗长的回音,一切记忆不会随时间归零。那些曾经再也寻不回的真相,那些枉死者的憾恨,从未随死亡消散。
凶手保有不可破的不在场证明,狂妄以为可以驾驭事实真相,反而为自己制造出不可逃脱的巨大陷阱。一场跨越生死界限的追捕,就此将燃尽的生命之火再度燃起!本该永远长眠的人,以另一种形式演绎生命的回响,决意让隐藏在幕后的凶手无所遁形……
悬疑宗师松本清张,用波谲云诡的笔法架设跨越生死界限的交错场景,以冷静而细腻的文字直抵人性黑暗,激起读者刻骨铭心的内心共振。
一切死亡必有冗长的回音,一切记忆不会随时间归零。那些曾经再也寻不回的真相,那些枉死者的憾恨,从未随死亡消散。
凶手保有不可破的不在场证明,狂妄以为可以驾驭事实真相,反而为自己制造出不可逃脱的巨大陷阱。一场跨越生死界限的追捕,就此将燃尽的生命之火再度燃起!本该永远长眠的人,以另一种形式演绎生命的回响,决意让隐藏在幕后的凶手无所遁形……
悬疑宗师松本清张,用波谲云诡的笔法架设跨越生死界限的交错场景,以冷静而细腻的文字直抵人性黑暗,激起读者刻骨铭心的内心共振。
Other Rivers [图书] 豆瓣 Goodreads
9.2 (75 个评分)
作者:
Peter Hessler
Penguin Press
2024
- 7
An intimate and revelatory eyewitness account of two generations of students in China’s heartland, chronicling a country in the midst of tumultuous change through the prism of its education system
More than twenty years after teaching English to China’s first boom generation at a small college in Sichuan Province, Peter Hessler returned to Sichuan to teach the next generation. At the same time, Hessler and his wife enrolled their twin daughters in a local state-run elementary school, where they were the only Westerners in a student body of about two thousand. Over the years, Hessler had kept in close contact with more than a hundred of his former students, who were now in their forties. By reconnecting with these individuals—members of China’s “Reform generation” —while teaching current undergrads, Hessler was able to gain a unique perspective on China's incredible transformation over the past quarter-century.
In the late 1990s, almost all of Hessler's students were the first member of their extended families to become educated. Their parents were subsistence farmers who could offer little guidance as their children entered a brand-new world. By 2019, when Hessler arrived at Sichuan University, he found a very different China and a new kind of student—an only child whose schooling was the object of intense focus from a much more ambitious and sophisticated cohort of parents. Hessler’s new students have a sense of irony about the regime but mostly navigate its restrictions with equanimity, and embrace the astonishing new opportunities China’s boom affords. But the pressures of this system of extreme “meritocracy” at scale can be gruesome, even for much younger children, including his own daughters, who give him and his wife an intimate view into the experience at their local school.
In Peter Hessler’s hands, China’s education system is the perfect vehicle for examining what’s happened to the country, where it’s going, and what we can learn from it, for good and ill. At a time when anti-Chinese rhetoric in America has grown blunter and uglier, Other Rivers is a tremendous, indeed an essential gift, a work of enormous human empathy that rejects cheap stereotypes and shows us China from the inside out and the bottom up, using as a measuring stick this most universally relatable set of experiences. As both a window onto China and a distant mirror onto America and its own education system, Other Rivers is a classic, a book of tremendous value and compelling human interest.
这是一本关于中国心脏地带两代学生的亲密而揭示性记录,由一位观察了过去二十五年中中国剧变的作者何伟所撰写。
在中国经济腾飞的初期教授英语二十多年后,何伟回到四川省,教导下一代的学生。他的这段经历也在他的书《江城》中有所记录。同时,何伟和妻子将双胞胎女儿送入了当地一所国立小学,她们是唯一的西方学生。多年来,何伟与许多他在上世纪90年代教过的人保持密切联系。这些人如今已是四十多岁的中国“改革一代”。通过与这些人重聚,同时教导当代的大学生,何伟获得了一个独特的视角,目睹了中国令人难以置信的变化。
1996年何伟抵达中国时,他班上的几乎所有人都是第一代大学生。他们通常来自大型农村家庭,父母多为维持生计的农民,对孩子踏入全新世界几乎无法提供指导。到2019年,何伟来到四川大学,他见到的是一个截然不同的中国以及一种新的学生类型——独生子女,他们的教育是一个更加雄心勃勃的家长群体的重中之重。在四川大学,许多年轻人对体制抱有一种讽刺的态度,但大多数人平静地适应着体制的限制,并拥抱中国崛起带来的机会。然而,极度竞争的压力依然让人精疲力尽,甚至影响到更年幼的孩子——包括何伟的女儿们,她们的学校经历让他得以深入了解当地教育环境。
在何伟的笔下,中国的教育体系成了审视这个国家的过去、现在和未来的完美媒介,让我们从中汲取正面和负面的经验。在美国反华言论愈加尖锐和丑陋之际,《Other Rivers》是一本不可或缺的巨著,饱含深厚的同理心,摒弃了廉价的刻板印象,从内而外、从下至上地展示了中国。这本书既是对中国的窗口,也是对美国的镜子,堪称这位大师级作者的经典之作。
More than twenty years after teaching English to China’s first boom generation at a small college in Sichuan Province, Peter Hessler returned to Sichuan to teach the next generation. At the same time, Hessler and his wife enrolled their twin daughters in a local state-run elementary school, where they were the only Westerners in a student body of about two thousand. Over the years, Hessler had kept in close contact with more than a hundred of his former students, who were now in their forties. By reconnecting with these individuals—members of China’s “Reform generation” —while teaching current undergrads, Hessler was able to gain a unique perspective on China's incredible transformation over the past quarter-century.
In the late 1990s, almost all of Hessler's students were the first member of their extended families to become educated. Their parents were subsistence farmers who could offer little guidance as their children entered a brand-new world. By 2019, when Hessler arrived at Sichuan University, he found a very different China and a new kind of student—an only child whose schooling was the object of intense focus from a much more ambitious and sophisticated cohort of parents. Hessler’s new students have a sense of irony about the regime but mostly navigate its restrictions with equanimity, and embrace the astonishing new opportunities China’s boom affords. But the pressures of this system of extreme “meritocracy” at scale can be gruesome, even for much younger children, including his own daughters, who give him and his wife an intimate view into the experience at their local school.
In Peter Hessler’s hands, China’s education system is the perfect vehicle for examining what’s happened to the country, where it’s going, and what we can learn from it, for good and ill. At a time when anti-Chinese rhetoric in America has grown blunter and uglier, Other Rivers is a tremendous, indeed an essential gift, a work of enormous human empathy that rejects cheap stereotypes and shows us China from the inside out and the bottom up, using as a measuring stick this most universally relatable set of experiences. As both a window onto China and a distant mirror onto America and its own education system, Other Rivers is a classic, a book of tremendous value and compelling human interest.
这是一本关于中国心脏地带两代学生的亲密而揭示性记录,由一位观察了过去二十五年中中国剧变的作者何伟所撰写。
在中国经济腾飞的初期教授英语二十多年后,何伟回到四川省,教导下一代的学生。他的这段经历也在他的书《江城》中有所记录。同时,何伟和妻子将双胞胎女儿送入了当地一所国立小学,她们是唯一的西方学生。多年来,何伟与许多他在上世纪90年代教过的人保持密切联系。这些人如今已是四十多岁的中国“改革一代”。通过与这些人重聚,同时教导当代的大学生,何伟获得了一个独特的视角,目睹了中国令人难以置信的变化。
1996年何伟抵达中国时,他班上的几乎所有人都是第一代大学生。他们通常来自大型农村家庭,父母多为维持生计的农民,对孩子踏入全新世界几乎无法提供指导。到2019年,何伟来到四川大学,他见到的是一个截然不同的中国以及一种新的学生类型——独生子女,他们的教育是一个更加雄心勃勃的家长群体的重中之重。在四川大学,许多年轻人对体制抱有一种讽刺的态度,但大多数人平静地适应着体制的限制,并拥抱中国崛起带来的机会。然而,极度竞争的压力依然让人精疲力尽,甚至影响到更年幼的孩子——包括何伟的女儿们,她们的学校经历让他得以深入了解当地教育环境。
在何伟的笔下,中国的教育体系成了审视这个国家的过去、现在和未来的完美媒介,让我们从中汲取正面和负面的经验。在美国反华言论愈加尖锐和丑陋之际,《Other Rivers》是一本不可或缺的巨著,饱含深厚的同理心,摒弃了廉价的刻板印象,从内而外、从下至上地展示了中国。这本书既是对中国的窗口,也是对美国的镜子,堪称这位大师级作者的经典之作。
每天回家都会看到老婆在装死 (2018) [电影] 豆瓣 TMDB
家に帰ると妻が必ず死んだふりをしています。
6.3 (71 个评分)
导演:
李斗士男
演员:
荣仓奈奈
/
安田显
…
其它标题:
家に帰ると妻が必ず死んだふりをしています。
/
回家时妻子一定在装死
…
曾有过一次失败婚姻的上班族加贺美淳(安田显 饰)和第二任妻子千惠(荣仓奈奈 饰)已经结婚三年了,对他来说“三年之痒”近在眼前,他和妻子都必须好好考虑一下是否有必要继续维持这段婚姻。某晚下班回家,加贺美恐惧地发现千惠倒在血泊之中,但他很快发现,原来妻子在用这种方法逗他开心。原本以为只是一时兴起而为之,谁知此后每天千惠都要花样百出地死在加贺美面前。加贺美一面费尽心力配合老婆的演出,一面还要苦苦思索千惠这番作为背后的真意。为此他向职场好友佐野(大谷亮平 饰)大吐苦水,然而对方看似美满的婚姻也有着无法逾越的鸿沟。妻子的表演仍在继续,他们的婚姻将何去何从……
电影取材自2010年在日本雅虎知惠袋上的提问,提问者写下的妻子奇特行为当时在网络上引起很大反响。
电影取材自2010年在日本雅虎知惠袋上的提问,提问者写下的妻子奇特行为当时在网络上引起很大反响。
绝地战警:生死与共 (2024) [电影] IMDb TMDB 豆瓣
Bad Boys: Ride or Die
6.2 (23 个评分)
导演:
Adil El Arbi
/
Bilall Fallah
演员:
威尔·史密斯
/
马丁·劳伦斯
…
其它标题:
Bad Boys: Ride or Die
/
两个鬼佬4
Marcus Burnett(劳伦斯)在与Mike Lowery meijubar.net(史密斯)闹翻后,离开了警局,成为了一名私家侦探,Lowery正在经历中年危机,与一个傲慢但忠诚的年轻搭档打交道。反派是一个阿尔巴尼亚雇佣兵,为了给死去的哥哥报仇,他向Burnett和Lowery两个前搭档展开攻击,闹别扭的两人不得不重新组队对抗恶势力。
城的中国史 [图书] 豆瓣
作者:
许宏
河南文艺出版社
2024
- 1
何为“城”?
中国最早的“城”出现于何时?
为什么说作为圈围设施的“城”不限于城墙?
城池为何而建,如何兴建?
“大都无城”体现了怎样的文化自信?
……
人类从穴居到走向开阔地带,再到筑城而居,城垣从无到有又消失,历史上象征着文明的每一步,伟大而深刻,没有比“城”更有烟火味道,更能给人以认同感和归属感了。有关中国历史上城池、城邑、城郭的变迁,无疑是一个让人感兴趣的主题。
作者的视角从距今9000年的中国最初的城池问世开始,下及秦汉帝国的城市体系,直至明清两代,分为16章,通过历代城池的营建和使用,一窥中国古代文明的兴起与繁盛;并和读者一起,探寻自然与社会中的古人行为,梳理中国早期城市、国家和文明的发展轨迹,进而对中国“大历史”有更明晰的把握,对于我们深刻理解华夏文明的起源与发展,具有重要的现实意义和学术意义。
全书体量不大,但视野宏阔,9万余字,配有130多幅图片,图文互读,深入浅出。
中国最早的“城”出现于何时?
为什么说作为圈围设施的“城”不限于城墙?
城池为何而建,如何兴建?
“大都无城”体现了怎样的文化自信?
……
人类从穴居到走向开阔地带,再到筑城而居,城垣从无到有又消失,历史上象征着文明的每一步,伟大而深刻,没有比“城”更有烟火味道,更能给人以认同感和归属感了。有关中国历史上城池、城邑、城郭的变迁,无疑是一个让人感兴趣的主题。
作者的视角从距今9000年的中国最初的城池问世开始,下及秦汉帝国的城市体系,直至明清两代,分为16章,通过历代城池的营建和使用,一窥中国古代文明的兴起与繁盛;并和读者一起,探寻自然与社会中的古人行为,梳理中国早期城市、国家和文明的发展轨迹,进而对中国“大历史”有更明晰的把握,对于我们深刻理解华夏文明的起源与发展,具有重要的现实意义和学术意义。
全书体量不大,但视野宏阔,9万余字,配有130多幅图片,图文互读,深入浅出。