The Albums That Invented Death Metal

Alektoris

Alektoris @alektoris

10 张专辑  

Explore the essential death metal albums that forged the genre’s early identity, from Florida’s underground tape-trading scene to the guttural sounds of Sweden.

By Steve Huey on Discogs https://www.discogs.com/digs/music/essential-death-metal-records/

Even the most casual heavy metal fan knows the essence of death metal: growling Cookie Monster vocals, crusty down-tuned guitars, blast beat drumming, and horror-movie lyrics about blood, guts, and Satan. Unlike its more European cousin black metal, death metal evolved primarily from American thrash, with its high-velocity palm-muted riffs. Slayer‘s influence on death metal towers above all else, but early bands also drew inspiration (especially vocal) from European extreme-metal pioneers like Venom, Celtic Frost, and Bathory.

Death metal initially blossomed thanks to an underground tape-trading network dedicated to raw, unpolished demo recordings. These fans wanted the ugliest, most intense sounds they could get their hands on. Once a few metal labels started taking chances on these bands, producers had to figure out how to properly mic and record music played this fast and low. Scott Burns, of Tampa, Florida’s now-legendary Morrisound Studios, developed a signature sound that was clear and well-defined, making him for a time the world’s premier producer of death metal, and Tampa its unlikely capital.

Death metal was too harsh and amelodic to ever land a true mainstream breakthrough, but it’s still an underground institution. Over the several decades it’s been, ahem, “alive,” it’s spun off a number of subgenres, and even scored its own cartoon series in Adult Swim‘s Metalocalypse. And it all started with a relative handful of metalheads who wanted to hear – and make – the most repulsive, ungodly racket possible.

Here, then, are the ten most essential albums from that very first wave of death metal bands, the ones that created and defined the genre.

Seven Churches [音乐] Discogs
Possessed 类型: Thrash / Death Metal
发布日期 1985年10月16日 出版发行: Combat / Roadrunner Records
Alektoris: There’s a pretty solid consensus that Seven Churches was the first official death metal album. On the surface it sounds like ultra-extreme thrash, constantly threatening to fall apart at any moment, but transcends its roots to herald the arrival of something new. Jeff Becerra‘s tortured howls and growls were unlike anything else at the time, seeming to evoke Satan himself (not coincidentally, the band’s favorite lyrical subject). No blast beats yet (those were still gestating over in England’s grindcore scene), but there’s plenty of furious double-time drumming underneath the warp-speed twin-guitar assault.

Becerra wasn’t the first to put the words “death” and “metal” next to each other, but when he did on the album’s closing track, it crystallized what this new music ought to be called.
Leprosy [音乐] Discogs
Death 类型: Death Metal
发布日期 1988年8月12日 出版发行: Combat
Alektoris: If Seven Churches wasn’t the first genuine death metal album, there’s really only one other candidate: Death‘s debut album Scream Bloody Gore. But the follow-up Leprosy is a landmark in its own right. It was the first death metal album recorded at Tampa’s Morrisound Studios, which soon became the center of the genre. Musically and technically, it’s a sharp improvement on its predecessor, since bandleader Chuck Schuldiner hired three-quarters of underground legends Massacre as his new backing lineup.

Schuldiner’s growing ambition is apparent; already his lyrics were shifting away from movie tropes and into real-life horrors, while the compositions are a terrifying blend of chops and brutality. Of course, Death’s entire catalog is essential, especially the jaw-dropping ’90s-era progressive phase. But for the pure old-school sound, it doesn’t get any better than Leprosy.
Altars Of Madness [音乐] Discogs
Morbid Angel 类型: Death Metal
发布日期 1989年5月12日 出版发行: Earache
Alektoris: If Leprosy isn’t the single most essential album on this list, then it’s probably another Tampa classic, Altars Of Madness. Morbid Angel‘s occult-obsessed debut was a game-changer that really set the template for what most people now recognize as death metal. The band’s roots in Slayer are still audible, but Altars Of Madness pushes into sick new territory everywhere: David Vincent‘s demonic rasp, Trey Azagthoth‘s angular Eddie Van Halen-meets-H.P. Lovecraft guitar, and the insane double-bass drumming of Pete Sandoval, late of the L.A. grindcore band Terrorizer.

Sandoval didn’t just use blast beats as explosions of noise; he was consistently able to play them in time and in rhythm, setting a new technical standard for previously brutish style of extreme metal drumming. It all adds up to one of the most evil-sounding albums the metal world had ever heard. Helped by a major-label deal with Warner subsidiary Giant, Morbid Angel would go on to become one of the biggest-selling bands in death metal history.
Consuming Impulse [音乐] Discogs
Pestilence 类型: Death Metal
发布日期 1989年12月25日 出版发行: Roadrunner Records
Alektoris: Not all old-school death metal originated in Florida. On their second album Consuming Impulse, Dutch deathsters Pestilence evolved past their thrash roots into one of the first true death metal bands to break out of continental Europe. Borrowing from Slayer and Celtic Frost, Pestilence comes up with their own variation on the old-school death sound: a thick ‘n’ chunky guitar tone, high-energy double-time drumming, and the distinctively desperate-sounding vocals of Martin van Drunen, who seemingly swallowed all of the ants pictured on the front cover, and paid a heavy price for it. This was the band’s final album with van Drunen, who subsequently left to join death-doom pioneers Asphyx; in his absence, Pestilence retooled into a first-generation technical-death outfit.
Severed Survival [音乐] Discogs
Autopsy 类型: Death Metal
发布日期 1989年4月24日 出版发行: Peaceville
Alektoris: After drumming on Death’s Scream Bloody Gore, Chris Reifert relocated to the Bay Area (San Francisco, not Tampa) and formed his own band, Autopsy, for which he took on lead vocals as well. Their slime-encrusted debut Severed Survival contains the earliest experiments in the death-doom hybrid subgenre: slow, creepy passages oozing up in between the usual speed-blur blasting. Additionally inspired by Sabbath-y stoner/doom bands like Trouble and Saint Vitus, Reifert and company were among the first to fuse the heavy-fast and heavy-slow vibes of both genres in the very same songs. The even weirder, doomier follow-up Mental Funeral is just as classic in its own right.
Realm Of Chaos (Slaves To Darkness) [音乐] Discogs
Bolt Thrower 类型: Death Metal
发布日期 1989年10月28日 出版发行: Earache
Alektoris: So extreme and demanding was grindcore that its founding fathers, Napalm Death and Carcass, both morphed into death metal bands by the ’90s. But their fellow Brits Bolt Thrower beat them to the punch on Realm Of Chaos, their second album and Earache label debut. Moving past their punk roots, Bolt Thrower here marry grindcore-style blast beats to low, rumbling guitars that were so massively detuned, the band gave up on ever dealing with the inconvenient physical tradeoffs again.

Even so, they demonstrate a knack for memorable metal riffs, especially on their early classic “World Eater,” inspired like everything else here by the Warhammer role-playing game. Realm Of Chaos kicked off a remarkable run of consistency that made Bolt Thrower one of death metal’s most respected bands.
Cause Of Death [音乐] Discogs
Obituary 类型: Death Metal
发布日期 1990年9月19日 出版发行: Roadracer Records
Alektoris: Another member of Florida’s Big Four, Obituary was the scuzziest and sludgiest-sounding of the bunch. Like no other death metal vocalist, frontman John Tardy pushed the outer limits of what the human voice was capable of, making noises like he was being murdered from scratch every time he opened his mouth.

Obituary’s sophomore effort Cause Of Death stands out due to the presence of one-album-only lead guitarist James Murphy. Murphy had previously played on Death’s third album Spiritual Healing, and his performance here elevates the basic Obituary blueprint with unhinged solos that sound beamed in from another planet. Enlivened (or unalivened?) by the immortal “Chopped in Half,” one of their most lyrically intelligible onslaughts.
Left Hand Path [音乐] Discogs
Entombed 类型: Death Metal
发布日期 1990年6月4日 出版发行: Earache
Alektoris: The first major Swedish death metal album, Entombed’s Left Hand Path lit the fuse on a Scandinavian revolution. Here was the birth of the signature guitar sound of Stockholm’s Sunlight Studio. In contrast to the bass-heavy Morrisound blueprint, producer Tomas Skogsberg used greater mid-range frequencies to give the detuned death guitars a more cutting tone. And detuned they were – almost as low as Bolt Thrower’s, then cranked up through a cheap distortion pedal that was affordable for teenagers (which most of Entombed still were). The “Sunlight sound” resembled anything but, giving Left Hand Path a murky atmosphere that set it apart from their non-Swedish contemporaries, and inspiring a legion of imitators. In fairly short order, Entombed would slow down and pioneer the more accessible, groove-oriented “death ‘n’ roll” subgenre.
Deicide [音乐] Discogs
Deicide 类型: Death Metal
发布日期 1990年6月26日 出版发行: Roadracer Records
Alektoris: Of Florida’s Big Four, Deicide were the last to emerge from the everglades, their quintessential death-metal sound thus epitomizing, rather than shaping, the newly crystallized genre. But they made an immediate impact thanks to the outsized personality of bassist/singer Glen Benton. Benton’s ostensible Satan worship (he burned an inverted cross into his forehead) attracted media controversy like a magnet, and his oppositional anti-Christian lyrics earned the band a devoted following. To this day, Deicide still ranks as one of the biggest-selling albums in death metal history.
Necroticism - Descanting The Insalubrious [音乐] Discogs
Carcass 类型: Grindcore / Death Metal
发布日期 1991年10月30日 出版发行: Earache
Alektoris: In their prime, Britain’s endlessly inventive Carcass switched up their style with every new record, helping to define multiple extreme-metal subgenres along the way. On their third album Necroticism: Descanting The Insalubrious, their earlier grindcore sound gives way to the purest death metal in their catalog, thanks to new second guitarist Michael Amott, formerly of Swedish death pioneers Carnage.

Amott helps bring out a newfound intricacy in Carcass’s music, as he and founding guitarist Bill Steer trade breakneck speed for a mountain of crushing mid tempo riffery. Fear not: the band’s trademark medical-textbook lyrics are still intact, giving us oddly grooving moshers with titles like “Corporal Jigsore Quandary” and “Incarnated Solvent Abuse.” The follow-up, Heartwork, virtually invented melodic death metal, after which Amott departed to form Arch Enemy.
创建日期: 2025年11月9日