Films Directed by Women

TV drama - following Adam Bishop, a petty criminal, as he leaves prison for a drugs rehabilitation programme in order to turn his life around.

WHO TOOK JOHNNY is an examination into the infamous thirty-year-old cold case behind the disappearance of Iowa paperboy Johnny Gosch, the first missing child to appear on a milk carton. The film focuses on the heartbreaking story of Johnny's mother, Noreen Gosch, and her relentless quest to find the truth about what happened that tragic September morning in Des Moines when Johnny never returned from his paper route. Along the way there have been mysterious sightings, strange clues, bizarre revelations, and a confrontation with a person who claims to have helped abduct Johnny. WHO TOOK JOHNNY captures the endless intrigue and conspiracy theories surrounding the eye-witness accounts, compelling evidence and emotional discoveries which span three decades of the most spellbinding missing person's case in U.S. history.

In fast-paced Tokyo, there are few safe havens for men who are down on their luck… But those in the know, go to THE HOUSE OF MAIDS, a maid cafe whose waitresses will do anything to bring a smile to their customers’ faces. The smoking-hot Azusa Ayano stars in this sexy, comedic romp, that is guaranteed to bring warm feelings to your heart – and perhaps other parts?

2006 Tamil film directed by Revathy S. Varmha

Zaynab，一个三十多岁的巴基斯坦，穆斯林，女同志在芝加哥把她的甜美和TV-痴迷的母亲照顾。至于Zaynab爱上了阿尔玛，一个大胆的和非常明亮的墨西哥女子，她搜索了她的生活，爱情和摔跤的身份。

这部影片的主人公是苏联国内战争时期被称为“乌克兰的夏伯阳”的军事家肖尔斯。影片描写这位年轻骁勇的乌克兰统帅多年来驰骋沙场、屡建奇功的事迹。肖尔斯带领队伍不断抗击入侵乌克兰的各种敌人。骁勇善战，但最初只凭勇气和对敌人的憎恨去进行战斗，以至遭受过不少挫折。在革命觉悟较高的波仁科的帮助下，肖尔斯的部队成为纪律严明的乌克兰第一义勇团。波仁科在面对基辅的资本家们进行威逼下获得经济支援，从而打败彼得留拉反革命...
本片获得了评论界的一致肯定，是苏联乌克兰电影大师杜甫仁科的代表作。杜甫仁科是怀着对伟大的乌克兰十月革命的热爱和敬意把此片作为人民的纪念碑来创作的。这部影片表现了杜甫仁科的创作特点：史诗性，抒情性和高昂的激情。他将浪漫主义热情与以现实主义手法对生活的再现结合在一起，从而使作品产生极大的感染力。它是作为历史革命史诗来拍摄的。这部影片的重要意义在于这一人物形象不仅仅被看作是一个真实具体的人，而应当被看作...

鲁斯（菲丽希缇·琼斯 Felicity Jones 饰）渴望成为一名律师，并且凭借着自己的努力考上了哈佛大学的法学院。在法学院里，鲁斯因为身为女性而遭到了来自各方面的歧视和压力，只有他的丈夫马丁（艾米·汉莫 Armie Hammer 饰）坚定的支持着妻子的选择，因为他明白，鲁斯充满了天赋和正义感。
马丁被查出患上了癌症，病愈之后，他带着孩子们前往纽约工作。为了能够和自己的家人们生活在一起，鲁斯向学校提出希望能够转去哥伦比亚大学完成学业，却被拒绝了。之后，鲁斯离开了哈佛，成为了罗格斯大学的法学教授，可即便她是这样的优秀，依然没有律师行肯聘用她，只因为她是一个女人。

Second in the series by the Maysles brothers documenting the monuments/sculptures of Christo, whose art projects are landscape-scaled, and more "pop" performance art designed to question how we relate to art in the public sphere, especially when it's as oblique, non-political (at least, that is what he would claim), and neutral as running a fence through a landscape.

透过窗户，你可以看到大海，柔和的海浪有规律地拍打着沙滩上的沙子。虽然客厅里摆放着巨大的扶手椅，墙壁上也挂满了镜子，但这所房子显得冷清而宽敞，有些空旷。这无疑是一个理想的地方，让你找到自己，找到你所爱的人，你曾经爱过的人。那种无法实现的爱，就因为爱着他，让你想要逃离他。阿加莎就在那里，带着这一切，给人的印象是她并没有占据她默默行走的空间。但她始终在场，因为她和她的弟弟在对话，她深爱着她的弟弟，他们的声音时隐时现。他们谈论着自己的过去和未来。他们禁忌之爱，以及对现实之爱的发现。他们分离的生活，还有他们渴望重逢的切切愿望。但同时也是为了逃避彼此。就像他们现在要做的一样，同时强烈期盼或许将来，更久的将来，再次相遇。

The story is about a superstitious village, where the mayor has sold a tower to an unknown, who is soon suspected of being the devil.

Welcome To This House, a feature documentary film on the homes and loves of poet Elizabeth Bishop, is about life in the shadows, and the anxiety of art making without full lesbian disclosure. Hammer filmed in Bishop's best loved homes in the U.S., Canada, and Brazil, believing that buildings and landscapes bear cultural memories. Interviews with poets, friends,and scholars provide missing documents of numerous female lovers. Bishop's intimate poems and the creative music composition by Joan La Barbara bring the poet into our lives with new facts and unexpected details.

黛咪．摩尔、西塞．斯派西克、雪儿等三大女星阵容，一点不输给卖座片《大老婆俱乐部》，但因题材严肃，探讨女性如何面对首次堕胎的问题，所以只能拍成电视影星电影。雪儿首次获得在幕后一展所长的机会，与南茜．沙佛卡一同执导本片，而黛咪摩儿则是联合制片人。剧情描述分别发生于五十、七十和九十年代的三个堕胎故事，三名妇女在不同时代面对意外怀孕的不同态度。编导对相关问题持中立角度，客观地反映正反两方的不同看法，给观众留下自我思考的余地。雪儿在她执导的第三段故事中饰演妇科医生的角色。

影片讲述了著名奥地利作家斯蒂芬·茨威格遭纳粹驱逐后在纽约、巴西等地的流亡之旅。茨威格出身富裕犹太家庭，在三十岁时就已然成为了赫赫有名的文学大师，作品远销海内外。但继纳粹上台后，书作先后在德国、奥地利被禁，他也踏上了流亡之旅，最后客死他乡。茨威格一生写过、同情过许多人的不幸遭遇，他的不幸遭遇自然也得到了人们的同情。

Tore（Julius Feldmeier 饰）是Jesus FreakS组织的成员之一。这场基督教庞克运动反对宗教，却严苛遵循基督所倡导的爱。Tore帮助Benno（Sascha Alexander Gersak 饰）以几乎不可能的方式重启汽车，因此认识了Benno。他搬进Benno花园的帐篷中，成为其家庭一员。不过，Benno不可自持地羞辱Tore的信仰。这对Tore的信仰来说是一个巨大的挑战。

Rambabu, a cable operator, lives with his beloved wife Jyothi and two daughters. One day, his family inadvertently gets involved in a grave crime and he must go to great lengths to protect them.

故事发生在二十世纪的英国，刚刚结束的战争让英国人民们看到了重新过上美好生活的希望，对于乔伊（马修·麦克诺提 Matthew McNulty 饰）来说，动荡的时局个千变万化的格局让他得以获得向上流社会攀爬的机会，凭借着战争时代在战俘营里获得的会计资格证，乔伊来到了财务局，成为了那里的高级审计职员。
然而，野心勃勃的乔伊对自己的现状并不感到满足，他觉得，自己值得更好的生活。一次偶然中，乔伊遇见了名为苏珊（珍娜·科尔曼 Jenna Coleman 饰）的女子。苏珊是镇上首富家的千金小姐，已经有了一个和她门当户对的男友杰克（提奥·詹姆斯 Theo James 饰），然而，杰克的存在对于乔伊来说却并不是什么难题，他有的是办法捕获苏珊纯洁的心灵。

Marion Ravinel is trapped in an abusive spousal relationship. She forms a plan with her husband's former lover to kill him. However, the outcome turns out to be more than she planned on as she begins to believe that her husband has come back from the dead to get her.

Shanichari is a beautiful girl born in lower cast and her life is full of sufferings because of lower cast, poor finances, lost parents, drunken husband, mischievous son. The title refers to a custom in some parts of Rajasthan—where aristocratic women were long kept secluded and veiled—of hiring professional women mourners on the death of a male relative, a rudaali (pronounced “roo-dah-lee”—literally, a female “weeper”) to publicly express the grief that family members, constrained by their high social status, were not permitted to display—or at times, perhaps did not feel. Underwritten by the National Film Development Corporation (NFDC) and Doordarshan (Indian national television) and based on a short story by famed Bengali author Mahasweta Devi—whose tales often focus on the travails of low-caste women.

抗战胜利前夕，被日寇蹂躏多年的柳堡解放了。新四军开了进来，江南的百姓由于多年来受尽了兵匪日寇的欺侮，对拿枪的“兵”总是怀有某种不可言状的戒心。新四军战士纪律严明，作风严谨，很快就消除了当地百姓的疑惧心理，和当地百姓打成了一片。四班副班长李进（廖有梁 饰）在二妹子(陶玉玲 饰)家养伤的时候，耳鬓丝磨，产生了感情。指导员（徐林格 饰）发现后劝他们放下儿女私情。部队离开后，土豪刘胡子欲霸占二妹子，二妹子坚决不从，她心里一直想着李进。部队接到二妹子弟弟小牛(陈东岗 饰)送来的求救消息，率队返回柳堡，救出了绝境中的二妹子。但李进还是以革命大局为重，安怃好二妹子，重返抗战前线，期待胜利后重逢的日子......

最新DC动画电影，“该来的时候，甚至是神也必须要死！”今年是超人诞生80周年，这发生在1993年的故事，今天仍然是漫画界中最浓重的一笔。影片讲述超人与“毁灭日”这个劲敌战斗之后被杀的故事，随着之后的超人复活还将引出超人的接班人“小超（Superboy）”，其中超人的另一个反派版本“机械超人”同样将亮相。超人的死去活来，本有成为经典超人故事的潜力。然而DC在这个题材面前却屡次以平庸收场。这次能成功么？