Films Directed by Women

2011 film by Danielle Arbid

New Year's Eve 1969: A variety of Russian folklore characters gather in the hut of Baga Yaga to await the arrival of the New Year, amid much foolery, snippets of popular artists of the day, satirical views of the west via a magical kaleidoscope, and other hijinks.

1901年，一个小偷（梅尔·吉布森饰）犯下了谋杀罪，正等待处决。典狱长的妻子（黛安·基顿饰）决定替上帝拯救他的灵魂。她为他读《圣经》，希望他被绞死后，灵魂能够升上天堂，而不是堕入地狱。他们相互吸引。她帮他策划越狱，然后与他会合。在逃跑途中，他们做了爱，但仅此一次。当局的搜捕逼近时，她意识到他只有死路一条了，于是决定和他一起去死。“开枪打死我吧，”她恳求他，“我决不想比你多活一天。”他扣动扳机，但只是打伤了她。在结局处，她被判终身监禁，但她带着自豪走进自己的监房，一口痰吐向监狱看守的眼睛。

1928 film by Germaine Dulac

三部科幻短片的简编，每一部都带有明显的女权主义倾向。

人到中年的崔海甲（金允石 饰）是一个超级愤世嫉俗的大叔级导演，他质疑一切国家政策，嘲笑球迷四年一度爆发的爱国热情，指责政府剥削民脂民膏。他的乖张举止虽然得到贤惠的妻子安凤熙（吴妍秀 饰）的包容，但是却也给家人带来不少的麻烦，家中小店鲜少有人光顾，海甲本人则被公安部门作为赤色分子重点关照。来自周遭的压力和排挤越来越大，海甲带着老婆、儿子娜罗、小女儿娜来来到家乡的南方小岛，在废弃的民居展开全新生活。清新的空气，自由的人生，而老愤青海甲关于民主和自由的抗争仍未结束……
本片根据日本作家奥田英朗的同名原作改编，此前该小说曾由已故日本导演森田芳光搬上银幕。

Historical Documentary from directors Shari Springer Berman and Robert Pulcini about the Hollywood Memorial Park cemetery.

A dark historical drama about two sisters, the man that comes between them, and the tragedy that results. Set in the 1870s.

An award-winning film that probes into the vulnerable corners of family life and depicts messy struggles over social media, video games, and academics. The film offers solutions on how we can help our kids navigate the digital world.

瑪格麗特（瑞秋格瑞菲斯飾演）喪子又離婚，在年輕遊民喬（貝瑞科漢）的身上得到親情般的慰藉，兩人的關係逐漸發展成曖昧情愫，但瑪格麗特的前夫和喬的幫派友人卻無法接受。

在韩国的一所私立高中，以进入名校为目标的平凡少年在试图加入尖子学生的学习小组的过程中，了解到了令人震惊的幕后真相，并渐渐丧失本性沦为“怪物”。

弗兰齐斯卡(Eva Mattes)是一个著名摄像师，她正在旅行，并试图接受不堪回首的过去。一路上，幼年时的记忆一直纠缠着她——父亲(Martin Wuttke)从非洲的法国驻外军团退伍回家后，做出了一系列奇怪的举动。父亲被殖民战争时所见的景象困扰着，回家以后仍然不堪其扰。如今，弗兰齐斯卡决定认真处理幼年时的回忆——从幼年保守至今的秘密将要揭开。

Mother rules the house with an iron hand and has such power over her daughters that they see themselves as becoming old unmarried, maids. Jodie has feelings for the local doctor, a man much older than her, for which her mother strongly disapproves. Beth finds a relationship with a male stripper in Bristol, but sees nothing in the future with Mother around. While both girls would like to be rid of Mother, nothing happens until Jodie sees images of H. R. Armstrong, the man who put the town on the map by dispatching his un-loving wife

一家发廊里的三个年轻女子都喜欢商场对面服装店老板的儿子Robby。虽然Robby自私肤浅，但他吸引了时尚的发廊经理Lili，也吸引了天真甜美的Mado和聪明但消极沮丧的Pascale。Robby的父亲告诉他要成长并看到多变的Lili之外，于是他突然向Mado求婚。她很高兴，但在婚礼前一天，Lili又回来看望Robby。在背景中，一位曾在第二次世界大战中作为士兵在法国的美国人回到巴黎，试图重新赢回他的战时恋人，也就是Robby的母亲的爱。

宝琳（Charlotte Rampling）在多年之后返回故乡都灵，并与开办母亲中心的安吉拉（Elena Radonicich）重逢。在这里，宝琳利用安吉拉收集的访谈、照片和视频进行了一项研究，涉及今日母亲们的经验和问题。其中有一名叫做艾玛（Maria Grazia Mandruzzato）的年轻貌美的舞蹈演员，正处在危机之中，不知如何母亲的职责，生活陷入瘫痪，她感到孤独和无助。在这个过程中，宝琳逐渐了解到了艾玛的悲剧往事，并使得艾玛重拾信心，面对她作为母亲的新身份。

关于美国60年代脱口秀鼻祖Richard Pryor的记录片。

电影讲述的是在农村生活的青年诗人不听父亲的劝说毅然决定去牛市卖掉家里的牛。可是牛市的价格大跌，他决定带着牛前往各地想卖个好价钱。旅行途中他接到朋友妻子的电话，得知朋友去世的消息，赶往葬礼现场。想起曾经三人共度的年轻快乐时光，他答应要照顾朋友的妻子。于是两个人相伴与牛开始全国旅行……

I AM I is the story of a young woman, Rachael, who meets the father she never knew, Gene, at her mother's funeral. She discovers that her father is completely delusional and believes her to be her dead mother. After Rachael visits Gene in an assisted living home, she learns that he suffers from a disease called Korsakov's Syndrome, a form of retrograde amnesia and that her mother had placed him in this facility for treatment a year earlier. He does not remember anything past the age of thirty-three, and believes that he is still a young man. Unable to convince him of who she really is, Rachael decides to go along with her father's delusions by pretending to be her mother and discovers that under this guise, she and Gene can have "normal" conversations. Before long, Rachael is visiting Gene everyday, finding new ways to bring elements from his past into their present relationship.

1928年，35岁的梅瑞迪丝仍是单身，她的叔叔到一个偏远的灯塔担当灯塔看守人，她也一起前往。

一部处于虚幻和现实之间的电影，突出了关于群体动态和既定等级制度的问题。一群人20年后相聚高中同学聚会。其中一人谈到自己曾被欺凌和排斥，很快前同学们又回到了学校时的角色。但这只是电影的一部分。