Films Directed by Women

les题材影片。妮娜，一名30岁的中年教师，她希望和丈夫要一个自己的孩子，但因为生育原因不得不找一位代孕妈妈，看起来，她和丈夫一起找到了理想的候选人，但是妮娜却爱上了那个可能生下她的孩子的女人。

Woman’s body bleeds regardless of her will. Through untold ages, this bleeding has been the symbol of secret, mystery, fervor and disavowal. The process of bleeding which has been taken care of with any absorbent materials, however, has undergone changes through critical moments of human history. NPR, the public channel in USA declared the year 2015 as ‘The Year of the Period,’ and ‘Free Bleeding Movement’ arose also in Korea. Numerous startup companies launched products for “New Bleeding.” Over a million viewers are visiting pages of sanitary-products-reviewing youtuber, and politicians start to talk about the blood. The walls of information collapse, and women choose their own way of “how to bleed.”

I wanted to document various stories around apartment buildings from the first-generation urbanologist of Seoul and also from the apartment generation who was born and raised in apartments. They have cozy memories, upcoming anxieties and inconvenient experiences in their apartments, and in addition, they have witnessed the street trees growing up all the while. I was sad to hear that the residents do not garden trees because they want to start to rebuild as soon as possible.Therefore, the life circulation of an apartment building in Korea is only 30 to 40 years.

Ewa returns to her village after a hospital stay. She works on a plantation that grows wild roses. While Ewa was away her mother has been taking care of her children Marysia and Jas. Ewa's husband Andrzej also returns home after working for months in Norway. The time apart has created distance between them. During Marysia's first communion, Ewa starts to feel ill. Her friend Basia drives her home. Basia admits that she leaked the gossip to Andrzej about Ewa's affair with Marcel, a local high school boy. Ewa meets Marcel on the rose plantation. She says that their relationship is over. After Marcel leaves, Marta realizes that Jas, her 2-year-old son, has disappeared. The search begins. After hours a policeman appears and says that Jas has been found. Marta and Andrzej go to the next village and pick up Jas. Ewa returns to the hospital she left a few days before. We discover that Ewa had given birth to a child and put it up for adoption. Ewa wants her child back.

今年暑假，十岁的莉娅意识到她的朋友都变得有点怪异，他们突然对舞蹈和脸部绘画感兴趣了，他们彷佛正准备进入青春期，但自己却没跟上他们的步伐。她慢慢被同龄女生疏远，有一天，她发现了一个男孩帮派，她渴望加入其中，因为他们建造了一个很棒的木筏，还拥有一个树屋。但这个帮派的规则并不允许女生加入， 为了打破那个规则，莉娅必须通过两个非常艰难的测验。

某个枪声大作的午后，小女孩艾斯德蕾雅独自返家，不仅苦等不回相依为命的母亲，还开始见到一连串的异象。在恐惧驱使下，她离开了变调的家，踏上冰冷的街头，被迫加入少年帮派以寻求食物与庇护。然而，天下没有白吃的午餐，她的第一个任务，就是拿著偷来的手枪，闯入豪宅去谋杀一名凶恶的毒枭爪牙⋯⋯。墨西哥导演伊莎罗培兹以独到女性视角，探讨连年毒品战争后被忽略的儿童问题。

一位优秀的俄罗斯艺术体操运动员Margarita Mamun正拼力冲击奥运冠军。这是她运动生涯中最重要的一年，也是她达成最终目标的最后机会——拿到奥运会金牌。影片塑造了一位年轻女性动人心魄的形象，她要努力在达成自己的志向的同时满足俄罗斯官方训练体制的期望。
这部影片揭开了体操运动员精英生活神秘面纱，也独到地刻画了年轻女运动员与她两名教练之间的三角关系。《超越极限》是一部关于成功背后的残酷的贴近人心的影片。

当医生来敲门，健康的人都成病人，不管小病还是重症，能够赚钱都是好病人。
柯诺克曾是一名骗徒，改邪归正成了医生，搬到阿尔卑斯山旁的富有山庄，接手退休医师的诊所，他下定决心在这裡赚大钱，不料当地居民个个身强体壮，一点赚头都没有，他只好用诚恳笑容和三寸不烂之舌，强力渲染各种疾病无所不在，没病没痛的村民都被柯诺克诊断出大病大症，还被再三嘱咐要定期回诊，很快地诊所挤满了各式症状的病患，不论病情是真是假。
于是，他成为山庄最炙手可热的新好医生，每週二的免费义诊谘询吸引更多居民看病，让他赚进大把钞票，同时也邂逅了一位美丽的农场女子，事业爱情两得意，引起了村庄神父的忌妒，神父愤怒看著他的教徒都挤在诊所外，而不进他的教堂，正好一个知道医生黑历史的不速之客出现在村庄，与神父联手来扰乱医生的大好计画…

法国著名女星朱丽叶·比诺什加盟日本导演河濑直美的新片《视觉》（Vision），影片将于本月在奈良开始为期两周半的拍摄工作，并在11月进行第二阶段的拍摄。除了朱丽叶·比诺什的加盟外，日本男星永濑正敏确定也将出演本片，这也是永濑正敏第三次与河濑直美合作，此前他们合作的影片《澄沙之味》、《光》均入围了戛纳电影节的竞赛单元，这部新片也有望再次入围戛纳。
影片由法国Slot Machine公司与河濑直美自己的Kumie公司联合制作，故事讲述比诺什扮演的法国女作家来到奈良，将与永濑正敏饰演的当地人开始一段跨越文化与语言的故事。影片计划在2018年上映，但具体上映日期还有待确定。

一位節目製片人在臨近巴黎的鄉間別墅組織了一次聚會。賓客包括節目主持人，主持人的前妻，網紅，地方市長，當地農民……而製片人對這位性格乖戾的主持人隱瞞了節目很可能即將被取消的消息……

2018年南韓電影

《诗人的爱》是以济州岛为背景的诗人及其妻子，以及一个男孩之间的强烈遭遇，动摇了这三个人日常的电影。济州岛土生土长迫切渴望孩子的四十岁诗人和其妻子，某天偶然遇到一个粗俗且纯粹的少年后发生的故事，是有关爱的价值以及珍贵关系的作品。三个角色分别由梁益準、全慧珍、郑家蓝出演。

After 26 years of spinning dives and flying uppercuts on the ring, Cassandro, the star of the gender-bending cross-dressing Mexican wrestlers known as the Exoticos, is far from retiring. But with dozens of broken bones and metal pins in his body, he must now reinvent himself.

一位年轻的波兰出生的柏林律师从事难民案件的工作，出乎意料地与他的父亲团聚，他的父亲是他与家乡唯一的联系。

Within the large wooded grounds of the pedagogical medical institute La Pépinière, in the Nord-Pas-de-Calais, a dozen eager, frank and spontaneous teenagers engage in a game of staging and cinema. An occasion for experimenting with music, poetry, love and philosophy, the institute becomes a stage for confidence and escape - revealing the inner tug of war between the quest for the mundane and the extraordinary.

2018 film directed by Arielle Dombasle

Sophie Bruneau’s haunting Dreaming Under Capitalism has its subjects recount their work-related dreams; we hear of waking anxieties turned into dark, often scary symbolism. Together, the films form a downbeat but soulful duet.

Ula, a young girl from a small town in Poland is kidnapped and taken to a brothel in Germany. Luckily she manages to escape and return home. However, the welcome she receives is far from warm, as the girl is ostracised by the local, conservative community.

十六岁的郑爱和她的父亲住在首尔的一个重建区。,她的父亲被诊断出患有晚期癌症，但已放弃并正在等待死亡。,他告诉她，当您放弃生存时，一切都会变得容易。,然而，郑爱拒绝接受他的想法，并试图克服他们的生活困苦。,很久以前就离开的母亲给郑爱写了一封信。,她相信找到失散多年的母亲是她的最后希望，因此决定与她联系。

一场跨越性别的旅程、一次寻找自我的发现。27岁的Phong于越南出生，是四兄弟姊妹中唯一的大学生，事业有成，但男性的身份一直困扰着他。他决定改变自己的性别，越南却没有相关的手术，只能于泰国进行。当他逐步以女儿身示人之际，家人、朋友的反应，手术前的心理变化，她都必须面对和拆解。电影把Phong的心路历程，逐层深入呈现。时而风趣、时而感人，绝对是忠于自己，无畏无惧的纪录。