Films Directed by Women

中学生秀儿（李世英 饰）在自己十三岁生日当天知道了一直被称为英珠姐姐，同时独立抚养自己的人竟然是自己的亲身母亲（秋相微饰 ），因为现实生活的压力英珠忽略了成长期敏感的秀儿情绪，秀儿认为人气歌手尹雪英（金润雅 饰）就是自己的亲身妈妈，就此产生了寻找真正妈妈的计划。秀儿该如何化解与妈妈自己的矛盾关系呢？

一个三十多的男人Jung Woo，为了治疗他严重的嗜酒成瘾症，找到了一个在江原道深山的疗养院。在那里遇到了一个深深吸引他的美丽年轻的修女Maria。但他的酒精成瘾症让他整日地在山林里游荡并陷入了被攻击的幻觉，直到遇见了一位常常拜访疗养院的中年猎人。为了猎人背包里的白酒，他加入了猎人的狩猎之旅。没想到却被暴风雪困在了深山里的小屋中。更遭的是，猎人威胁他对自己开枪，否则他们两人都将无法逃出升天。

影片讲述了一个关于青春、关于成长的故事。因为意外事故失去了好朋友的两个女生在长大成人后偶然相遇，由此展开了一段故事。不知不觉地来到三十岁……内心的伤痛却才刚刚开始。善珠的未婚夫智勳遭遇事故入院，中学好友素拉亦赶来相见。善珠不能相信未婚夫出版社筹备中的新刊作家正是素拉。故人相见，彼此间却被一种紧张而神秘的氛围笼罩着。这时，善珠又遇到了儿时玩伴由恩的姐姐正恩。三个女人被遗忘的过去即将被揭晓，她们心中究竟藏着怎样的秘密和伤痛？

故事讲述40多岁的米拉在巴黎生活了20多年。刚和法国丈夫离婚的她，决定去韩国，见到了20年前上过戏剧课的老朋友杨恩和宋宇。当米拉在酒吧里度过快乐时光时，之后去了一趟洗手间，当她回来时，时光倒流回20年前。这是米拉出发去法国前的告别派对。在弄清楚是否是米拉的幻觉之前，她经历了一系列神秘的事情。

Widerstandsmomente (Moments of Resistance) carries voices, writings, and objects from the anti-Nazi resistance into the present. Politically engaged women of today respond to historical resistance and make links to current events. A line is drawn from what was before and what is today to what might be: a society based on solidarity without discrimination or exclusion.

喜剧明星兼演员珍妮·斯蕾特的第一部 Netflix 原创喜剧特辑《怯场》让观众得以一窥这位喜剧演员的内心世界。在这令人捧腹的单口喜剧节目中，穿插着珍妮童年的个人片段和对其家人的采访，近距离审视了她的人生。本特辑于 10 月 22 日面向全球上线，珍妮将讲述自己参加午夜天主教弥撒的经历，以及童年时家里闹鬼的故事；经历了这些也就不怯场了。

15岁的利是一名体操运动员，专注于她在国家队的第一场比赛。当她不认识的同父异母哥哥乔来到她和父亲身边时，她的生活发生了翻天覆地的变化。但当她对体操的信心受到打击时，利发现自己陷入了一个地下世界，与她的哥哥一起骑着摩托车犯罪。她开始兴奋刺激并且得到了她一直迫切需要的关注，利站在她的体操梦想和一个令人兴奋的新世界之间的十字路口。

Viktoria is an odd and extremely self-disciplined researcher in the field of suicide. She is invited to a psychiatric ward to treat the suicidal patient Jenny. Through intimate night conversations, they form a tight bond. Viktoria slowly opens up to experience closeness with another person for the first time in her life, but the closer the two women get, the more it becomes clear that something is not as it seems.

The love story of a couple caught up in the gentrification of a neighborhood that is wiping out a seminal African-American cultural legacy and displacing its original residents. In 2008 Norwegian artist and filmmaker Lene Berg moved in with her partner, a Black New York publisher, who will be referred to as D. After giving a statement to the police about being harassed by his neighbor in Harlem, D. was arrested, prosecuted, and imprisoned. But for what exactly? His arrest initiated a journey over the course of which D.’s faith in the American justice system put everything he cherished in life at risk.

A nice supper with eight vociferous BDSM workers who tell disconcertingly joyful stories from their professional lives while being served by a silent, bare-assed man. When the subject turns towards murder and genocide, darkness threatens. But the mistresses of severity and grace shall save the day.

1997 film

达拉和比马在发现他们即将会有一个小宝宝之后，便准备将这件事瞒到毕业。因为一旦秘密暴露，他们就会遭受到来自各方的社会压力和期望。这部影片是高产编剧基纳特里·S·努尔的导演处女作，在这个加入了“怀孕”元素的非传统青春故事中，她巧妙地处理了老少两代人之间的代沟，并且展示了家的各种组成方式。

What are films and the cinema capable of accomplishing in the best case? Who can answer this complex question more beautifully and wisely than Naum Kleiman? The Russian film historian and curator of the legendary Eisenstein Archive was director of the Moscow Film Museum, which was closed in 2005. Since then the cinematheque’s films and collection have been in storage on the grounds of the Mosfilm Studios. The Moscow Film Museum – Kleiman and the Friends of the Museum – continued working in exile however, against all resistance. The film reconstructs the events leading up to the summer of 2014, when Kleiman was scandalously dismissed. “Cinema has the ability to turn people into citizens.” Only a few film excerpts are needed to grasp why Kleiman is such an admired film advocate and enthusiast: like his allies Erika and Ulrich Gregor of Berlin’s Arsenal cinema, Kleiman knows how to use film as a weapon in the fight for better, more open societies. It’s thus fitting that while this film looks back on an impressive, courageous life, it first and foremost documents why Naum Kleiman’s understanding of cinema in today’s Russia can hardly be surpassed in terms of force and topicality.

萨拉始终都是孤单一人。她今年22岁，有一个6个月大的孩子。她希望与她的弟弟和孩子的父亲一起有一个正常的家庭。她的父亲曼纽尔因入狱多年长期不在家，正打算重新回到她的生活，建立和孩子的联系。萨拉知道父亲是她重整家庭生活的主要障碍，所以她做出了一个艰难的决定：让父亲从她和她弟弟的身边离开。

大学生林见清（井柏然 饰）与同乡方小晓（周冬雨 饰）在春运的火车上相识，两个北漂青年开始了共同的奋斗生活。东北小城的除夕夜、中关村的电脑配件城、下雪的北京街道、地下通道的小贩、出租屋的各色租客都见证了他们的喜怒哀愁，在情感上屡次被骗的小晓终于与刚毕业的见清走到了一起，一年又一年，不管生活再不如意他们都一起回家，在见清父亲（田壮壮 饰）开的小餐馆里吃年夜饭，亲密的就像一家人。可是随着时间的消逝，两个人开始有了分歧，恋爱、分手、错过、十年后重逢.......后来的他们再也回不去了。

奥利维亚（亚力姗德拉·吉蒙内兹 Alexandra Jiménez 饰）、埃洛伊（布鲁诺·塞维利亚 Bruno Sevilla 饰）、吉尔（伊萨克·费里斯 Isak Férriz 饰）和安娜（Maria Ribera 饰）是相识多年的老友，彼此之间的感情十分要好。他们有一个共同的朋友名叫科马斯（米奇·艾斯巴尔贝 Miki Esparbé 饰），他35岁的生日马上就要到了，四人决定前往他所居住的柏林，给他一个惊喜。
然而，当科马斯真正见到自己的朋友们后，表现得却并没有众人想象中那样的兴奋。在他们共同度过的两天里，种种的矛盾都在酝酿之中，而这些朋友们所掩藏的过往和争端，也渐渐地开始浮出了水面。

影片主人公是一群十五岁的的少女，她们出生良好、聪明懂事，然而为了追求刺激和证明自己不再是孩子，她们开始了秘密计划。

A portrait of the internationally acclaimed Spanish film director Isabel Coixet and an analysis of her particular world and her sensibility as a creator: her fictional universe, her career and her life through the words of actors, technicians, family, friends, journalists, specialized critics and those filmmakers who have been inspired by her work.

为了追求更美好的未来，琼远走他乡，回到家乡，试图与初恋情人迭戈和父亲重修旧好。她将努力让他们重拾少女时代搬到柏林的梦想。然而，她很快就会发现，岁月已经改变了迪亚哥，他现在变得孤僻，从不出门。