Films Directed by Women

这部影片是塞内加尔著名歌星尤索·恩多于2004年在埃及发行专辑后拍摄的，表达了他对苏菲派穆斯林虔诚的信仰，这张专辑被他故乡的人们视为亵渎神灵而拒绝接受，但是他因这张专辑获得了第一座格莱美奖杯。美国著名乐评杂志《滚石》是这样评价他的：“如果有哪位来自第三世界的艺人在全球影响力上能和Bob Marley（鲍伯·马里）相提并论的话，那只有尤索·恩多。他的嗓音独特，古老非洲的历史似乎都凝结在他的声线之中。”

In Mauritania, a country seemingly bound by tradition and male dominance, three women speak freely about sex, love and money.

2003 film

As a novelist, actress/screenwriter for François Ozon and director, Marina de Van is fearless, always eager to deal with taboos and expose herself. Mostly home-made and shot under the radar, Ma nudité ne sert à rien is a brave self-portrait of de Van as a forty-something wandering soul, asking herself about her work, body and relationships in the age of dating apps and one-night stands.

Investigating the gruesome murder of a cabinet minister's daughter, a special investigator and a local police detective find themselves knee-deep in political corruption and conspiracy, in this sizzling noir thriller set in post-apartheid South Africa.

A playwright Iran tries to confront a creative crisis while political clashes erupt during her country's 2009 election.

荣获柏林电影节水晶熊奖/和平奖
塞巴斯蒂安国际电影节特别评论奖
2008年亚洲电影节最佳影片提名
法兰德斯国际电影节评委会奖提名
影片讲述了一群阿富汗小男孩模仿他们所看到战争场面，欺负一个六岁小女孩的故事。男孩们恶作剧的蓝本就是塔利班炸毁巴米扬大佛时的情景。上世纪80年代，哈娜马勒巴夫出生在一个电影世家，父亲和姐姐都是伊朗知名导演，她更是从14岁就开始拍摄电影。马勒巴夫执导的影片曾在威尼斯、东京和蒙特利尔等多个电影节上获奖。以独特的方式揭示战争的苦楚，这位天才少女的出众才华让所有观众叹为观止。

《疯狂的快乐》是15岁的汗娜拍摄的关于姐姐的电影《下午五点》 （曾参加戛纳电影节竞赛单元角逐）的记录片，是威尼斯电影节“国际影评人周”上首映的第一部电影，创造了威尼斯电影节上最年轻导演的奇迹，也是她的处女作，之前她八岁完成短片《嫂嫂生病那天》10岁时在姐姐萨米拉1998年的《苹果》一片中担任副导演。14岁出版首本诗集，并完成本片。表面上记录姐姐萨米拉拍电影的选角艰难，但由于人们当汗娜在儿戏，毫无戒心，反让她直接捕捉到阿富汗女性的恐惧。

Zephyr, a strong-willed adolescent girl, spends her summer vacation with her grandparents in the mountains, waiting for her mother to come and take her back home. Her mother finally shows up, but only to say farewell before going far away places for a voluntary position. But Zephyr is determined that she will not let her mother ever leave her again.

The Iranian revolution leads to the Shah’s downfall and installation of the Islamic Republic. Avoiding the more sensational elements of the news this film questions Iranian society as a whole to try to understand what this wave of change means for the Muslim world.

三个女人在世界末日的阿根廷巴塔哥尼亚偶然相遇，踏上了一段多情的旅程，陷入了寻找新的关系，远离占有和痛苦。他们成为火之女乐队，致力于帮助那些寻找自己的情色之路的女性。

In 1977, when she was four years old, Albertina Carri's parents vanished without a trace, victims of Argentina's brutal military junta. In this fresh and politically daring film, the young Argentinian filmmaker attempts to unravel the mystery, piecing together her memories and fantasies in a quest to understand her parents' untimely fate.

阿根廷中产阶级的魅力，竟如纸般脆弱。剧中一家五口，父亲沉默寡言，母亲精力旺盛，口若悬河。长子住在西班牙，夏天刚和女友回来举行婚礼。母亲左右打点，务求一切做得风光体面，却不料最小的儿子和女儿，在青春期的朦胧渴求中，一起沉沦肉欲的快感。导演没有对兄妹的出轨关系妄作解人，只是一步步营造气氛，把情节推向高潮。母亲这么爱面子，若发现真相，会有何反应？影片先铺陈中产阶级懒洋洋的生活节奏，然后迎头痛击。

阿根廷乡下一个名为拉比亚的村子里，中年男子波多和邻居皮肯经常因为鸡毛蒜皮的小事发生口角。大人之间虽然不和，孩子却打成一片。波多始终不会说话的女儿娜蒂（Nazarena Duarte 饰）和皮肯的儿子拉迪多（Gonzalo Pérez 饰）是一对亲密玩伴，父亲们的矛盾无法影响两个孩子的友情。而波多的妻子又和皮肯有染，这一切都让一言不发的娜蒂静静看在眼里。
某次聚会上，皮肯无心之语热闹波多，他们的矛盾再次升级……
本片荣获2008年哈瓦那电影节最佳导演奖、2008年罗马尼亚Transilvania国际电影节FIPRESCI奖。

A noir vision of a paranoid and dangerous Buenos Aires where a group of diverse Porteños are fatefully linked by a brutal killing.

Albertina Carri wants to make a film about Isidro Velázquez, an almost mythical outlaw figure from northern Argentina who was shot dead by police in 1967. She’s not the only one interested in him: her sociologist father Roberto Carri wrote a book on him called “Pre-Revolutionary Forms of Violence” and a film was made about his story, although both father and film disappeared during the Dirty War. Legends, families, political alignments, cinema: none offer a stable foothold and Carri’s passage through them is like wandering a garden of forking paths, only to arrive at a landscape of cracked earth and thorns.

1949 film directed by Matilde Landeta

In Mexico City, two sisters live radically different lives: Maria, who—along with her supportive group of fellow sex workers—must deal with unscrupulous, abusive clients and her exploitative pimp, Rudy, and Elena, a society woman trapped in a marriage of convenience, who falls prey to Rudy’s fortune-seeking seduction.

1949 film by Matilde Landeta

在导演尚熙（朱相旭 饰）的眼里，没有他完不成的目标，没有他弄不到手的女人，只要能够向着成功不断的前进，不择手段也是一种很好的手段。在搭上了大财阀的女儿后，尚熙迅速定下了一桩没有爱情的婚事，在他充满欲望的眼里，妻子和岳母也不过是自己向上攀爬的垫脚石而已。
　　就在婚期将近的节骨眼上，一个神秘女子的出现扰乱了尚熙的心。女子名叫惠丽（张美仁爱 饰），她妖娆的风情让尚熙无法抗拒，而在一夜风流之后，她的神秘消失也教尚熙牵肠挂肚。但是，尚熙并不知道的是，此刻的他已经落入了一个由欲望和仇恨编织的圈套之中，如果不奋力挣扎，他将永远的被黑暗吞噬。