Films Directed by Women

西班牙的《我知道你是谁》是根据马德里的一宗真人真事改编而成的作品。
当年左翼强硬派在律师行放下炸弹，为了将派系内的温和份子对改革的障碍剔除。杀手Mario没料到那个生日会竟有弱小妇孺，所以爆炸后，小女孩伤痕累累走出灾场，他正义的手从此沾上蒙上眼睛的尘埃。不想看，所以Mario要求自己的脑袋永久损伤，好等自己永远忘记那少女尸体的记忆。
可是，有心人精神科医生Paloma对Mario这个个案感到非常有趣，誓要将他锁起的记忆解封。桥段像Robert de Niro及Robin Williams的Awakenings，Paloma加重药份，务求在最短时间内将Mario失忆的真相揭开。
可惜，药物不能持久，Paloma由怜生爱，希望用自己的身体代替小女孩的尸体。这招比药物的投放更痛苦。Paloma在床上问Mario：「你会记得我吗？」
镜头一转，Paloma的努力引起暗杀集团的忌讳。结果，真相使Paloma不能接受爱郎是个杀人凶手，同样暗杀集团也不容一个恢复记忆的杀手。
回忆是好、是坏？
导演Keith F. Hatcher没有答案。不过，这出影片原名「真相」倒是我们值得深思的课题，真相需要付代价，不过这个代价需要个人来牺性，抑或由群众来付出，倒是伦理重要的一课。
（皮皮/文）

通过写真采访欧洲妓女的纪录片。女人为什么沦为妓女？男人对妓女有什么需求？妓女的生存现状如何？如何在现实社会中进行肉体买卖？她们追求金钱，自甘堕落？还是另有不可告人的秘密？妓女何去何从？未来的命运将会怎样？本片深入采访，揭露了妓女阶层的真相

A team of astronauts on the first mission to Mars crashes onto the surface, losing contact with Earth. With no other recourse, and help millions of miles away, the crew is forced to make desperate choices in order to stay alive. Will they be able to survive as the minutes slip away?

“零点莫斯科”导演在这部影片中选择冰城莫斯科为拍摄积聚地，更邀请了以“侠圣”成名作品的瓦尔·基尔默及文森特·加洛联合主演。这部耗资一千万美金的恐怖片在俄罗斯引起了巨大的轰动，值得一看。
瓦尔·基尔默扮演一伙生活在城市地下的俄国人的头头, 文森特·加洛扮演的角色带领一个救援小组进入了这个复杂的地下世界, 他们的任务是营救在这里消失的一个俄国人类学家. 随着剧情的发展, 他们在地下世界发现了一个更为复杂的由巨大的管子和墓穴组成的可怕系统.

这部记录片描记了原始星球大战三部曲的从头制作。我们从中可以了解乔治·卢卡斯的星球大战之梦已经后续拍摄的星球大战（1977）、星球大战5之帝国反击战（1980）以及星球大战6:绝地大反攻（1983），视觉特效、财政问题、拍摄、编辑、音效、以及上吨的电影胶片，幕后制作人员，演员都将展现给大家。

Even big stars need to stand in front of the director and audition for their roles, and some of the best screen tests are from the early years of legends. See some of Hollywood's top names and greatest talents in their very first appearances on celluloid. From Dustin Hoffman's 1966 stock and personality tests to Raquel Welch and James Coburn cavorting for Our Man Flint, from The Three Stooges to Rock Hudson, see stars trying to get on film.

A survey of 86 years of Titanicana in popular culture, with the emphasis on movies about (or inspired by) the disaster.

2002 film by Chus Gutiérrez

2001 film by Yamina Benguigui

2005 film by Chus Gutiérrez

2014 film by Chus Gutiérrez

在本年代初，在罗塔海滩上出现了11具摩洛哥年轻偷渡者的尸体，他们想要划着一艘小船穿过海峡。从他们的衣服上看出，他们来自同一个村庄汉萨拉。《回归汉萨拉》试图通过两个人物的双眼再现当时的情况：马丁，从事丧葬的商人，他想要在这件事赚上一笔，雷拉，遇难者之一的姐姐。他们将一起冒险将这个遇难者的遗体用一个小货车遣送回国，在这段路途中，他们俩人将经历一场道德激烈的风波，而这将改变他们的信仰。

Laura is a young woman from Madrid who lives in the most degraded area of ​​New York. There he lives a series of anecdotes that make up his day-to-day life in the United States

film directed by Chus Gutiérrez

Eva, Alba y Juan are the protagonist of the story. Eva gives birth to Marina, Alba has just been left by her boyfriend. And Juan is happily married. Their paths intersect one night and their lifes will change forever.

Documental que intenta recuperar la memoria del Sacromonte, barrio de Granada, a través del testimonio de los más ‘sabios’; las leyendas vivas del flamenco que sufrieron el desastre de las inundaciones de 1963. Chus Gutiérrez profundiza en la relación del barrio y el arte del flamenco y para ello ha contado con la participación de todo el elenco de artistas que tiene sus raíces en las cuevas. (FILMAFFINITY)

Chus Gutiérrez, responsable de El calentito o Insomnio, entre otras, trae este documental que ofrece una mirada de cerca y sin tapujos al mundo de la drogadicción.
Como parte del día a día, la cultura moderna incluye como normal el consumo de drogas. Ante este entorno, los gobiernos de países con mayor grado de adicción se están planteando cambiar su medida de censura radical por una comercializada y legal más abierta. Dados los vanos intentos por una conciencia objetiva sobre la situación, este documental pretende dejar de lado los tabúes en torno a la falta de información y al atractivo juvenil de las sustancias, para acercar los verdaderos problemas e incluso sus cualidades paliativas en enfermos crónicos y severos.
La película destinará un porcentaje de sus beneficios a la Fundación Hay salida y Fundación Recal, ambas llevan años ayudando a personas con este tipo de problemas.

1994 film by Chus Gutiérrez

Cortometraje de Chus Gutiérrez.

For thirty years, French-Algerian sisters Zorah, Nohra and Djamila have been living in the hope of finding their brother Rheda, abducted by their father, and hidden in newly decolonised Algeria. Their relationship is shaken when Zorah, the eldest sister, decides to write a play based on the traumatising events of their childhood that haunted them their whole life. But when they learn that their father is dying, the three sisters decide to go to Algeria to seize their last opportunity to have him reveal where their brother is. When the past catches up, the three sisters have no choice but to put their differences aside.