Films Directed by Women

一对恋爱中的男女必须面对两人长期的异地恋带来的紧张和不安。

The Sandy Hook massacre was considered a watershed moment in the national debate on gun control, but the body count at the hands of gun violence has only increased. Through the lens of the victims' families, as well as pro-gun advocates, we examine why our politicians have failed to act. World Premiere

Frank is an ex-soldier, haunted by a violent past. He lives alone, drowning his nightmares with alcohol. Christine - smart and successful... on the surface, tackles life as a single working mother by immersing herself in drugs, parties and sex. Lynette, a young rough sleeper watches Christine stumble out of a club whilst she sits in the cold waiting for loose change to fall on her lap; her luck seems to change when she meets Frank who despite his misgivings, offers her a place to stay.

两个友情甚笃的年轻人，在网路业看涨的时候，想架设一个让民众可以利用网路缴交通罚款的网站，他们辞掉既有工作，到处筹募资金。从1999年5月开始，他们的构想，行情一路看涨，公司一度膨胀到拥有200名员工、价值超过千万。但是一直写不出好的程式、对手开始出现、技术问题重重、人际关系开始由猜疑到破裂。《<!--fSen00256408 -->天才网路梦》从这两名主角发这场网路大梦开始，亦步亦趋完整记录了网路泡沫经济的一个真实个案，是经济的记录、也是人性碎裂的写真。 网路科技业的暴涨暴跌，是过去几年全球最戏剧化的经济现象；电子摄影机的无孔不入、记录题材的全民运动，则是媒体时代民间起义的革命战场。这两者在《天才网路梦》里被紧密结合、相互造就成一部兼顾私密感情、社会经济临场真相、和长期累积忠实观点的纪录片娱乐佳作。因为被拍者跟摄影师的私交甚笃，我们得以看到很多既真实却又戏剧化的场景，例如两名主人翁在电话上，企图说服金主出资，峰回路转的谈话，隐然有决战成败的悬疑；或者主角的女友抱怨被冷落，主角之一怀疑被朋友暗算，娱乐中带有对人性不敌现实压力的感伤。在长达约一年半的记录中，这个黄金梦筑高又烟消云 散的案例，极具代表性为网路业的荣衰，写下时代见证，《天才网路梦》是活在网路时代的人，不能不看的影片。

17岁的艾菲（朱丽娅·耶恩奇 Julia Jentsch 饰）在母亲的安排下嫁给了年近四十的男爵因斯泰顿（赛巴斯汀‧柯赫 Sebastian Koch 饰）。因斯泰顿是一个野心勃勃的男人，将所有的经历都放在了工作上，而艾菲则恰恰和他相反，年幼的她对于世间的一切都充满了好奇心。因为丈夫常常不在家，艾菲感到非常的寂寞，又有传闻说她所住的庄园里闹鬼，这让艾菲更加感到每日担惊受怕。
一次偶然中，艾菲结识了因斯泰顿的好友克拉姆巴（路德韦格·布洛克伯格 Ludwig Blochberger 饰），克拉姆巴常常陪伴孤单的艾菲，随着时间的推移，两人之家碰撞出了爱情的火花。最终，因斯泰顿发现了妻子和好友之间的私情，他向克拉姆巴提出了决斗的要求。

Two middle-aged, lesbian couples accidentally kill a younger lesbian and hide the body, without reporting it to the authorities. Their guilt and long-kept, dark secret comes back to haunt them, as an unexpected stranger shows up in their lives, bringing tension and discord. Little do they know that this mysterious stranger has a plan which includes all four of them.

在中国海南省某小学校长和海南省某官员携带六名小学女开房的事件被新闻曝光后，被网友称为“流氓燕”的叶海燕带领一群人发起抗议，虽然这一抗议或许大概率会以失败而告终。在纪录片制片人王男栿跟随叶海燕这群人拍摄她们抗议经历的过程中，王男栿和她的朋友与家人也无可避免地卷入到了整个事件当中

在西班牙马德里闷热的仲夏午后，十四位男男女女的爱情生活彼此交互影响着，他们不约而同在下午六点与相识的或素昧平生的另一半相约在太阳门广场中央的Km.0见，不论是约定或是巧遇，他们分别在此集合然后解散，展开七段不可设限、完全“0规则”可循的爱情奇遇。

Married nudists Anne and Tom work in real estate but Tom is fired for his lifestyle. Unfortunately, as he was ready to close a big major deal, Tom goes to his favorite nudist camp to take his mind off his problems and discovers that the client is also a member. Together, they scheme to get Anne and their boss to visit in order to make the deal.

　　在洛杉矶，正在流行一种新的发明，叫做“爱情时钟”。只要支付一定的安装费和月租费，就可以装在手腕上，准确地为主人进行真爱倒计时。乌娜很好奇，便和约会对象一起跑去安装。结果很让人失望，时钟显示，这个男人要再等三年才能结婚。而安娜手上的不管怎么调试，都是空白。身边的朋友一个个都有了归宿，乌娜觉得自己快失去耐心了。她抛开自己原本制定的择偶标准，和超市的收银员米奇一见钟情。米奇的爱情时钟只剩下四个月的时间了，乌娜的内心十分忐忑，未来的四个月，会发生什么呢，也许只有忽略滴答的时钟，才能找到属于自己的真爱。看来这项发明并没有给乌娜带来快乐。不过也是，感情的事儿，经不起推算，可遇而不可求。

Among the backdrop of 1950s Los Angeles, Johnny, a working-class hoodlum caught up with a ring of car thieves, is floored when he meets Laura, a rich girl riding in a hot set of wheels. But nothing can prepare these teenage lovebirds for the head-on collision of cultures that results from their passion-fueled, high-octane relationship.

齊蒂洛娃：Calamity的故事是一輛火車遇到大雪崩而停車，我將GCD隠喻為大雪崩，人們都想脫出困境、尋找自由。......這部電影獲准拍攝，因為當時國際女性組織質問捷克政府我為何不能拍電影，他們回答說我可以拍電影，所以就讓我拍了。我提出Calamity的劇本，很快到他們就了解這部電影（的真正含意），然後禁止電影院放映這部電影。

The abortion battle continues to rage in unexpected ways on one corner in an American city.

波兰女导演荷兰徳早年的“女性三部曲”的第一部，也是她独立执导的长片处女作，尽管她后来的作品如《欧洲，欧洲》《华盛顿广场》等已经不再是女性主义了，但她早期的三部影片《地方演员》（1978）《孤独的女人》（1980）和《狂热》（1981）才是最能体现她作为一个女性导演的个人风格的作品。与同时代德国女导演M-冯-特罗塔的《德国姐妹》一样，这部影片的女主角Halina Labonarska的表演也非常出色，获得波兰国家电影节最佳女演员奖，以及1980年嘎纳影展的影评人费比西奖。
The film is set in a small town near Warsaw, to which a young and coming director comes to produce a classic play (Wyspianski "Wyzwolenie") with a modern vein. Everyone in the production gets his usual stereotypical role, but the aging idol of the ensemble senses opportunity to give the performance of his life. For young director everything is already set. The leading man, however, is not giving up and is trying to restore the role according to his view. His wife listens to his fears, complaints and frustrations, while resigning herself to a fading career in a puppet theatre.
Talented Polish female director Agnieszka Holland who would be better known in later years because of her films like Europa, Europa (1991) or some of her American works like Washington Square (1997), hits the mark early and again with this ostensible story about provincial actors in Poland. In reality, the comedy-drama can be read as a commentary on the contemporary Polish scene in politics and society. The story begins as a savvy director arrives in a small town to put on a stage play. His leading man is filled with insecurities and goes beyond the confines of his lead role to expand his part, restore his cut lines, and generally outdo himself while taking on some of everyone else's job, including the director's. No one wants to lose him because of his drawing power, and the director is caught in a bind. At the same time, the lead actor's wife is slowly losing her chances at success, being relegated to a much lesser position in the troupe. This fine comedy won the Fipresci award at the 1980 Cannes Film Festival.

萨瓦尼和他的朋友在一家工厂工作。在单调的轮班之后，他们开始享受下午和晚上的乐趣：性爱、派对和音乐会。萨瓦尼和朱莉约会，朱莉和其他女孩一起在工人宿舍工作。他们已经订婚了，但几乎没有时间在一起。在青年公园举行的一场音乐会上，朱莉结识了盖扎。他们调情，并最终与一个流行乐团周游全国。萨瓦尼ú追上了他们，赶上了盖扎和流行乐队。一场小小的战斗会让气氛降温。朱莉必须做出决定，她的选择是萨瓦尼。现在没有什么能阻止婚礼。

When the Minister of the Interior accidentally becomes locked inside his computerized, armoured limo following a mechanical failure, it triggers a series of headline-making events, especially as he happens to be in front of his political opponent's home. The event becomes a scandal involving many, including the rival, his feminist daughter, his wife, and her one-time terrorist lover hiding in the basement.

杜拉拉（徐静蕾 饰）是个初入职场的小白领，由于前任老板总是对她性骚扰，所以她决定跳槽，进入了著名跨国企业DB。DB的销售部金牌经理王伟（黄立行 饰）与HR副总监玫瑰（莫文蔚 饰）是一对地下情人，但是由于两人的工作压力都很大，以至于谁也无暇顾及家庭，双方大方分手。杜拉拉刚来DB，遇到了互相斗法的伊娃（李艾 饰）和海伦（吴佩慈 饰）。因为一次巧合，在电梯里邂逅了患有幽闭恐惧症的王伟，两人从此熟识。因为总公司高层要来中国分公司视察，因此中国区总经理和HR主管商量要重新装修公司。然而玫瑰却在此时患病需要动手术，其他人也避之不及，唯有初出茅庐的杜拉拉勇挑重担，并以其坚强不屈完成了这个重大的任务，受到了上司的赏识。而且，公司还在泰国举办了庆祝派对，期间杜拉拉与王伟擦出了爱情的火花，但是这段办公室恋情却遭遇了重重的阻力……
本片是徐静蕾的第四部导演作品，根据李可同名畅销小说改编。

An elderly widow (Joan Benac) starts to wonder what happened to a would-be lover from her past who appeared with her in a live televised drama in the 1950s. After discovering the show in CBC’s archive, her granddaughter Audrey (Deragh Campbell) attempts to try and track the man down.

Incarcerated women join a band of volunteers who battle forest fires and assist during natural disasters.

首先要声明一点，站在我们眼前的大块头肥妞贾兹敏·比特摩尔可没披挂什么橡胶皮囊，她是个货真价实的肥妹有情天，虽然她在人前一副“性感肥妞”代言人的派头，可心里压根就不相信是因为脂肪而美丽。
贾斯敏与同病相怜的挚交斯特西坚信三件事：她们都不满足于在布鲁姆菲尔德女性时尚用品店的店员生活；她们憎恨苗条女孩儿；她们需要男人，尽管两人对此不抱希望。贾斯敏有个梦想，就是成为时尚设计师，专为肥妞们设计服装……