Werner Herzog Film Appearances

Cast and crew speak on adapting One Shot as the first Jack Reacher film, casting Tom Cruise, earning Lee Child's blessing, additional character qualities and the performances that shape them, Lee Child's cameo in the film, and shooting the film's climax.

This documentary explores key moments in the life of writer Juan Rulfo, with artists such as Werner Herzog and Eduardo Galeano reflecting on his work.

A veteran film critic explores the legacy of Cannes Film Festival regular Pierre Rissient.

Signs of Vigorous Life: New German Cinema features interview footage with Werner Herzog, Wim Wenders, Volker Schlondorff, and Rainer Werner Fassbinder. The documentary takes you through the origins of German film during its post war failures to the birth of the New German Cinema and its founding members.

Unleashed from the video vaults of the American Genre Film Archive (AGFA), AGFA MYSTERY MIXTAPE #2: LATER IN L.A. is a brand new compilation of the most electrifying found footage mayhem that you’ll see this week. For our second tape, we’ve returned to the hallowed halls of “behind the scenes” horror for another hour-long joyride of F-U-N. Thank you for your incredible support during these difficult times. And remember: “Do what your spirit tells you.”

Meteor: Sohrab Shahid Saless by Mahmoud Behraznia is a documentary with a different perspective on Sohrab Shahid Saless, a leading Iranian filmmaker. Someone whose viewpoint at cinema and the special type of aesthetics he used in his films has been a path-breaker for many Iranian filmmakers. The film provides the viewer with new information about the life and work of Sohrab Shahid Saless in Germany.

让-吕克·戈达尔提出记录他的创作过程。看着曾出演《各自逃生》的三位演员——雅克·迪特隆、伊莎贝尔·于佩尔和缪缪的照片，戈达尔谈到了伟大的影像制造者：德莱叶和维姆·文德斯，画家爱德华·霍珀和皮埃尔·博纳尔。

查尔斯只有三种嗜好：收集艺术品、收集花朵和欣赏裸体美女。对他而言，所有的艺术都和性有关，或者说所有的性都是一种艺术。事实上他在日常生活中面对性无能为力，但观看艺术杰作和欣赏美女带给他同样的感动。这样的艺术辨证听起来故弄玄虚，但保罗考克斯却有本事寓道理于简单的故事中，你凝视银幕上的影像而不可自拔吗？【花痴】说出了艺术迷共通的秘密。
1983 澳洲电影奖最佳男主角奖及四项提名。

　　本片是关于德国新电影领军人物之一、电影大师维姆·文德斯的纪录片，以其代表作品《德州巴黎》等经典段落为线索，全方位呈现了他近半个世纪的影路历程和拍摄理念。影片不仅让文德斯对镜自述，更邀请到科波拉、赫尔佐格、帕蒂·史密斯、威廉·达福等与之合作过的名人“现身说法”，做出褒贬不一的评价。导演还选用了一些鲜为人知的影像资料，向观众展示了文德斯不走寻常路的现场拍摄方式。该片荣获2020年瑞士玫瑰奖艺术奖，亦被推荐为德国“申奥”纪录片。

In an idyllic suburban neighborhood, Jerry runs his big business lemonade stand and has the market cornered, until ten-year-old Addie opens her own stand across the street. Competition equals war, and both sides use (and abuse) a government regulator to try and win. In the end, one special customer will decide their fate.

What is the future of cinema? In 1982, in Cannes, Wim Wenders invited many movie makers to answer this question. 26 years later, the question remains, but Wenders is now on the other side of the camera.

"Rescue Dawn: The Making of a True Story" is a documentary film that provides a behind-the-scenes look at the production of the movie "Rescue Dawn" (2006). Directed by Werner Herzog, the documentary delves into the process of bringing the captivating true story of Dieter Dengler to the big screen. This documentary film provides a fascinating insight into the filmmaking process, shedding light on the director's vision, the authenticity of the settings, the grueling conditions endured by the actors during filming, and the passion that drove everyone involved to create a powerful and authentic portrayal of a remarkable real-life hero.

With Herzog's direction, Richard Thompson leads a small group of musicians into creating Grizzly Man's evocative soundtrack.

Celebrating the relaunch of Film4 as a free-to-air TV channel, Channel4 counts down their list of the fop 50 films to see before you die, as compiled by film critics and personalities.

For over half a century, the filmmaker Edgar Reitz, one of the signatories of the Oberhausen Manifesto and a pioneer of epic film narration, has explored, as a practitioner and theoretician, the rules and limits of cinema, which he always seeks to break and extend in new ways. One example of his tireless search and research are the Geschichten vom Kübelkind, which he co-directed with Ula Stöckl in 1969/70, 22 absurdly funny, subversive and anarchistic short films of different lengths, which consciously oppose all conventions, with incredible success. The films remain unrivalled in their Dadaistic inventiveness.
The documentary Der Film verlässt das Kino: Vom Kübelkind-Experiment und anderen Utopien centres on how the Geschichten vom Kübelkind, now rediscovered and restored, actually came about. Edgar Reitz, Ula Stöckl, Werner Herzog, Alexander Kluge and other filmmakers and contemporaries look back on the conditions that made this and other such visionary projects possible 50 years ago. They are all concerned with the question: What will the future of moving pictures look like?

Documentary about the twin sister Jutta and Gisela Schmidt. In the late sixties the two women rebelled against middle class society as if they gave vent to a new kind of art. They became active in the underground communist party KPD and showed a heart-felt interest in the colour red, the aesthetics of the revolution. Soon, though, the twins quit their experiments in Germany. They left their husbands and went to Rome, where they met the fabulously wealthy Paul Getty III, and soon things got really out of hand.