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<p>Condemned and banned for five years in Molière’s day, <i>Tartuffe </i>is a satire on religious hypocrisy. Tartuffe worms his way into Orgon’s household, blinding the master of the house with his religious "devotion," and almost succeeds in his attempts to seduce his wife and disinherit his children before the final unmasking.</p>
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<i>Les Fourberies de Scapin</i> est une comédie en trois actes en prose.<br /><br />En l'absence de son père, Octave a épousé en secret Hyacinthe, la femme qu'il aime. Mais dès son retour son père a décidé de le marier avec une inconnue. Quant à Léandre c'est Zerbinette qu'il aime, mais son père a également décidé autrement. Alors, que peuvent bien faire ces deux jeunes gens sans argent contre la puissance et l'autorité de leurs pères? Faire appel à Scapin, bien sûr, le valet bondissant et malicieux, joueur et beau parleur: rien de tel que l'un de ses nombreux tours pour retourner la situation !<br />Etant le personnage clé dans la commedia dell'arte qu'il est, il n'est pas surprenant que Molière a choisi de donner à Scapin un rôle de premier plan dans l'une de ses meilleures farces. Rien d'étonnant non plus à ce que cette pièce ait été l'une des plus jouées et des plus applaudies du répertoire de Molière : son humour universel continue de divertir même les pince-sans-rire.

<i>The Misanthrope</i> or <i>Le Misanthrope ou l’Atrabilaire amoureux</i> is a comedy of manners in five acts and in verse.<br /><br />It is one of the best of Molière's plays — and one of the greatest of all comedies — spotlighting the absurdities of social and literary pretension, focusing on a man who is quick to criticize the faults of others, yet remains blind to his own.<br />This play satirizes the hypocrisies of French aristocratic society, but it also engages a more serious tone when pointing out the flaws, which all humans possess. The play differs from other farces at the time by employing dynamic characters like Alceste and Célimène as opposed to the traditionally flat characters used by most satirists to criticize problems in society. It also differs from most of Molière's other works by focusing more on character development and nuances than on plot progression. The play, though not a commercial success in its time, survives as Molière's best-known work today. Much of its universal appeal is due to common undercurrents of misanthropy across cultural borders.

'...If you wanted to go on from the end of The Hobbit I think the ring would be your inevitable choice as the link. If then you wanted a large tale, the Ring would at once acquire a capital letter; and the Dark Lord would immediately appear. As he did, unasked, on the hearth at Bag End as soon as I came to that point. So the essential Quest started at once. But I met a lot of things along the way that astonished me. Tom Bombadil I knew already; but I had never been to Bree. Strider sitting in the corner of the inn was a shock, and I had no more idea who he was than Frodo did. The Mines of Moria had been a mere name; and of Lothlorien no word had reached my mortal ears till I came there.' -- J.R.R. Tolkien to W.H. Auden, June 7, 1955
J.R.R. Tolkien, cherished author of The Hobbit, The Lord of the Rings, and The Silmarillion, was one of the twentieth century's most prolific letter writers. Over the years he wrote a mass of letters -- to his publishers, his family, to friends, and to fans of his books -- which record the history and composition of his works and his reaction to subsequent events.
By turns thoughtful, impish, scholarly, impassioned, playful, vigorous, and gentle, Tolkien poured his heart and mind into a great stream of correspondence to intimate friends and unknown admirers all over the world. From this collection one sees a mind of immense complexity and many layers -- artistic, religious, charmingly eccentric, sentimental, and ultimately brilliant.
Now newly expanded with a detailed index, this collection provides an invaluable record that sheds much light on Tolkien's creative genius, his thoughts and feelings about his own work, and the evolution of his grand design for the creation of a whole new world -- Middle-earth.

A new hardback edition of JRR Tolkien's legacy of short stories which inhabit the realm of The Lord of the Rings. Unfinished Tales is a collection of narratives ranging in time from the Elder Days of Middle-earth to the end of the War of the Ring, and provides those who have read The Lord of the Rings with a whole collection of background and new stories from the twentieth century's most acclaimed popular author. The book concentrates on the realm of Middle-earth and comprises such elements as Gandalf's lively account of how it was that he came to send the Dwarves to the celebrated party at Bag-End, the emergence of the sea-god Ulmo before the eyes of Tuor on the coast of Beleriand, and an exact description of the military organization of the Riders of Rohan. Unfinished Tales also contains the only story about the long ages of Numenor before its downfall, and all that is known about such matters as the Five Wizards, the Palantiri and the legend of Amroth. The tales were collated and edited by JRR Tolkien's son and literary heir, Christopher Tolkien, who provides a short commentary on each story, helping the reader to fill in the gaps and put each story into the context of the rest of his father's writings.

Amazon.com Review
This marvelous collection by one of science fiction's most thoughtful and graceful writers belongs on the bookshelf of anyone interested in literary science fiction.
Collected here for the first time, Ted Chiang's award-winning stories--recipients of the Nebula, Sturgeon, Campbell, and Asimov awards--offer a feast of science, speculation, humanity, and lyricism. Standouts include "Tower of Babylon," in which a miner ascends the fabled tower in order to break through the vault of heaven; "Division by Zero," a precise and heartbreaking examination of the disintegration of hope and love; and "Story of Your Life," in which a linguist learns an alien language that reshapes her view of the world. Chiang has the gift that lies at the heart of good science fiction: a human story, beautifully told, in which the science is an expression of the deeper issues that the characters must confront. Full of remarkable ideas and unforgettable moments, Stories of Your Life and Others is highly recommended. --Roz Genessee --This text refers to the Hardcover edition.
From Publishers Weekly
Here's the first must-read SF book of the year. Chiang has acquired a massive reputation on the basis of very few pieces of short fiction. This collection contains all six previously published tales, including the Nebula Award-winning "Tower of Babylon," plus a new story, "Liking What You See: A Documentary." It's rare for a writer to become so prominent so fast. In this case, though, the hype is deserved. Chiang has mastered an extremely tricky type of SF story. He begins with a startling bit of oddity, then, as readers figure out what part of the familiar world has been twisted, they realize that it was just a small part of a much larger structure of marvelous, threatening strangeness. Reading a Chiang story means juggling multiple conceptions of what is normal and right. Probably this kind of brain twisting can be done with such intensity only in shorter lengths; if these stories were much longer, readers' heads might explode. Still, the most surprising thing is how much feeling accompanies the intellectual exercises. Whether their initial subject is ancient Babylonians building a tower that reaches the base of Heaven, translation of an alien language that shows a woman a new way to view her life as a mother, or mass-producing golems in an alternative Victorian England, Chiang's stories are audacious, challenging and moving. They resemble the work of a less metaphysical Philip K. Dick or a Borges with more characterization and a grasp of cutting-edge science.
Copyright 2002 Reed Business Information, Inc. --This text refers to the Hardcover edition.