脑洞大开高分奇片，地球人外星人千里奔现！ 唐志军（杨皓宇 饰）是一家诞生于上世纪八十年代的科幻杂志——《宇宙探索》编辑部的主编。现如今的杂志社日渐式微，唐志军也终成落魄潦倒，鳏寡孤独之人。但他却依然几十年如一日的痴迷于寻找地外文明。终于有一天，他接收到了一个疑似来自宇宙深处的异常信号，于是他召集同是天涯沦落人的伙伴们，带着那一个困惑他终生的问题，再一次踏上寻找外星人的旅途。

来自乡村的年轻人「飞（柯震东饰）」独自一人来到城市，为了赚钱抚养家人成为性工作者，后来与同行的前辈「晓来（林哲熹饰）」成为恋人，但两人在一场意外后断了音讯。时隔五年，飞的同事纷纷出于家庭与社会压力而离开，唯有飞选择留在城市与同乡男友龙继续打拼，却与已结婚生子的晓来不期而遇。

演员过日子，举手投足就是一幕幕川剧，癫狂、苦涩、地道，烟火气刺鼻。百年的生活史，大大小小，就这样在舞台上下踉跄展开。

暴风雪夜，护林员桑杰（金巴 饰）的小屋突然闯进了一位自称是森林公安的持枪男子（王铮 饰），埋伏并抓捕了疑似盗猎接头人的村民根宝（更旦 饰），惊魂未定间，又一位男子（达杰丁增 饰）持枪闯入，声称他才是真的森林公安……
是谁开了枪？谁又在说谎？这场荒野逃杀还暗藏哪些秘密？真相扑朔迷离，一时杀机四起，而屋外始终有一双眼睛在冰冷地注视着这一切……
影片改编自藏族作家江洋才让的同名短篇小说。

“Our family is special”, says filmmaker Lei Lei’s father Lei Jiaqi. On the audio track of this inventive, poignant essay film he starts to talk about the struggles of his family, amid China’s troubled times of the 1960s. When his own father, Lei Ting, is sent to the countryside, he stays behind with his sister and his ill mother. When Mum passes away, and the system forbids Ting to come back to live with his children, the kids are kept in an orphanage.
Not long after, history repeats itself: once again, Ting is sent to a re-education centre, branded a class traitor – this time because of a new political movement. The family is split. All they can do is write to each other. The daughters are older and going to university, while Jiaqi and his new mother are sent to the countryside. They all wait to be reunited one day.
For the images, the director mixes and reinvents materials, including brightly coloured clay puppets, propaganda images, surrealist collage, and pop-art animation. The animation is an imagined and fantastic representation of what happened to the family at the time: locked in cages, Jiaqi and his sister become birds, and Ting – as half bird, half man – can also fly.
Although the turbulent recent history of China is the thread running through this film, the strong, vivacious family takes the foreground. Silver Bird and Rainbow Fish is an ode to family, memory, and the reconstruction of family history in the History of China.

Julius is an eloquent young museum attendant loved by his friends, colleagues and his girlfriend.
One day he invites his colleagues on a sailing trip on his aristocratic family’s boat. But something goes wrong. Julius is not who he seems to be.

他的人生是黑白的。每天照料臥病在床的父親，當個無動於衷的社畜。但這個寡言憨厚的男人也很細膩，為植物澆水、餵食螞蟻、甚至會關注蜘蛛結網。父親去世後，他被迫搬家，碰上有史以來最熱的夏天。明明烈日當空、萬里無雲，天上竟飄來一朵雲，為他溫柔遮蔭。沒人相信他被雲纏上了，紛紛當他有病。雲兒哪管人間凡俗，它緊緊跟隨這個男人，時而像悲憫的天使，時而像鬧脾氣的情人，它是調皮的跟屁蟲，也是耐心的傾聽者。他愛上了這片雲。

Once the spray tan and stage makeup are washed away after her latest bodybuilding competition, Edina is immediately back at the gym. World championships are quickly approaching, and there’s more pressure riding on her proportionately built shoulders than ever. Adam, her partner and trainer, and former bodybuilding champion himself, closely monitors her food and supplement intake, criticizing any small misstep. As the financial, emotional, and physical burden of maintaining her lifestyle increases, Edina finds spiritual release in the unlikeliest of places — working as a specialty escort.
From the grueling workouts and controlling atmosphere at the gym to the playful, freewheeling nature of the escort service, Gentle deftly navigates Edina’s disparate worlds and the mounting friction between them. Co-directors Anna Nemes and László Csuja intimately explore the underbelly of an industry solely devoted to appearance, revealing its human cost. Nonprofessional actor Eszter Csonka delivers a powerful corporeal performance as Edina, using her sturdy physique to subtly evoke Edina’s internal struggle between cementing her legacy as a world champion and leaving it all behind to save herself.

2014年7月，准父母Irka和Tolik住在乌克兰东部靠近俄罗斯边境的顿涅茨克地区，这是顿巴斯战争早期有争议的地区。随着MH17航班附近的坠机事件加剧了笼罩他们村庄的令人生畏的紧张气氛，他们对第一个孩子出生的紧张预期被突如其来的事件猛烈地打断了。迫在眉睫的失事客机残骸和即将到来的哀悼者队伍强调了当时超现实的创伤。

12岁女孩达尔瓦被有恋童癖的父亲从小严格控制并塑造成芭比娃娃的样子，她也认为自己是一个女人，与父亲相爱没有错，直到她的父亲被逮捕。本片是法国导演艾曼纽·妮可的长片处女作，她挑战了一个难度极大的道德主题，用克制清晰的镜头语言直指严肃尖锐的社会问题。摄影机紧紧跟随主角达尔瓦，记录她从被塑造的成熟女人、经过自我觉醒、慢慢学习成为一个年轻女孩的艰辛过程。饰演达尔瓦的新人演员塞尔达·萨姆森以强有力的表演荣获2022年戛纳电影节影评人周单元新星奖，本片亦荣获戛纳电影节平行单元费比西影评人奖。

40岁的抑郁症患者瓦利德与他的妻儿一起生活在海法，梦想从事写作的职业。当瓦利德与新邻居——一个住在他公寓楼里、负债累累的三流骗子成为朋友时，他的生活发生了变化，两人逐渐变得形影不离，但他们对这份友谊有着不一样的看法。

Although a lowlander, Marco is a robust fellow. He is now working as a farmhand for mountain farmer Alois in a remote Swiss alpine village and, even at the regulars’ table at the local inn, people are slowly learning to appreciate this iced tea drinker. Anna is a local village girl; she has a daughter, Julia, from a previous relationship. Some doubt whether this new relationship will work out – but not Marco or Anna. They get married. Their love is gentle and beautiful; unable to fully fathom it, they express it in simple words. The trust between them grows and their tenderness endures; the happiness they feel at every touch is only surpassed by the warmth of stroking a cow. But soon Marco seems to be losing control of his impulses more and more often ...
Humankind and nature merge in a unique way in Michael Koch’s film. Powered by the congenial normality of its non-professional cast, his work follows the rhythm of the seasons with a tranquil conviction that is devoid of hysteria in spite of the circumstances – even if body and soul are fraught with tension. A jewel of a film.

气候干燥的玻利维亚高地，一对年迈的、以放牧羊驼为生的克丘亚族夫妇一直在这里过着相濡以沫的生活。但一场多年难遇的大旱灾让他们本就拮据的生活雪上加霜，这不仅威胁到他们自己，还威胁到整个村庄的存亡。夫妻俩的孙子闻讯从城市返回，想让他们与自己一起进城生活，但这对早已习惯乡村生活的夫妻俩来说，又是一个严酷的挑战。两代、三人将以不同的方式看待社会与自然的变化，以及生命的意义。

德里的空气浑浊而具毒性，常令麻鹰从空中下坠，撞向建筑物而受伤。Nadeem 与 Saud 是一对穆斯林兄弟，两人在狭小的地下室内为麻鹰疗伤。两人首次发现麻鹰受伤时，将牠带往鸟类医院，可是院方却拒绝为“非素食”鸟类治疗。两人因接受健美训练而有一点解剖学知识，于是用来治疗麻 鹰，并治好了超过 20,000 只麻鹰。
印度近年一面倒倾向宗教多数主义。去年政府推出的国籍法，侵犯 1.82 亿穆斯林的权利。抗议声音席卷全国。两兄弟一面照料麻鹰，但又想参加抗议活动，为此颇感犹疑。街头抗议进行两个月后，突然变血腥暴行。暴民在德里杀了 50 多人，大多是穆斯林。两兄弟晚上在四邻巡逻，担心暴民前来生事。这个人类与麻鹰的故事，讲出世上最危险的城市不为人知的生活面貌。

越南瞩目新锐女导何黎艳，首部长片震撼国际影坛，年度最会得奖的纪录片，全球超过30个指标影展争相邀演。,本片历时4年拍摄，导演跟随一位名为琪的14岁苗族女孩，从无忧无虑的童年进入青春期的过程。,与所有青少女一样，琪面临着家计、学业、爱情，以及村落里绑架新娘的「抢婚」习俗。,在除夕当晚，琪失踪了一夜，父母亲便明白，她的童年宣告结束，而她最担忧的抢婚命运，已提早上门，琪将被迫一夜长大，面对成人的世界…

我们静静地凝视这座位于高原上的寺庙，记录下四季轮换里觉姆隐秘的日常。纪录片试图探寻她们深邃的内心世界，并思考我们人类与这个世界的关系

An audition for men aged between 16 and 99. There are no props nor make-up, just pure improvisation. All that is required is the willingness to engage openly with the topic and language of the words on the page. No small challenge, since the text in question is the scandalous novel published anonymously in 1906 “Josefine Mutzenbacher, or the Life Story of a Viennese Whore, as Told by Herself” which, as this film confirms, continues to be the subject of passionate and controversial discussions about desire, even today. What might be world-class pornographic literature for some is seen by others as an abusive depiction of child sexuality. In an intelligently arranged, experimental setting that permits analysis, emotion, reflection and intimacy in equal measure, these men transcend the boundaries of literary debate, opening up insights for us and for themselves into the cosmos of eroticism and sexuality – both within and beyond the confines of male fantasy. A cinematic experiment poised between imagination and identity that neither negates nor invokes its central taboo. For this reason it tells us a lot, not least about “#Me” as well as #MeToo.

At 17:00 every day, Andrew, a middle-aged man, drives home from work through Melbourne’s outer suburbs in peak-hour traffic. Occasionally, he offers a lift home to a younger colleague, David. Over a year, their tentative small talk gives way to a warm friendship and open conversation within the confines of the vehicle, incrementally revealing their lives.
One may wonder what a three-hour film, set almost entirely in a car and shot with a fixed camera from the back, can deliver? The answer is an unexpectedly engaging and entertaining observation of the rhythms of daily life, and a catalogue of suburban worries. In sensorial terms, The Plains charts the passage of time as the seasons change. The pitter-patter of rain and the familiar cocoon of the car provide a sense of comfort and safety from the outside elements. The car is the liminal space between work and home, as the day is pondered, the night planned. Documentary elements exist beyond the windscreen, as a fiction courses through the vehicle. The Plains is a road movie unlike anything you have seen before.

置于历史与战争的背景下，录音带里的“抹除”一词被赋予了新的意义。1948年以色列建国时，战争爆发，数百个巴勒斯坦村庄在战后人口锐减。这被以色列人称为独立战争，而对巴勒斯坦人而言则是“Nakba”（灾难）。上世纪九十年代末，研究生泰迪·卡兹对一场大屠杀展开研究，据说其发生于1948年的坦图拉村。后来这项工作遭受到抨击，并使他声誉俱毁，但长达140小时的音频证词幸免于难。

烏胡伊烏瓦瓦族世世代代居於巴西亞馬遜叢林，仍守着其傳統文化及生活方式。極右總統博索納羅上台，卻揚言開發更多原住民保護區。雨林周邊的貧農乘勢入侵，以開墾之名，砍伐樹木闢地謀生。衝突如箭在弦，一名矢志保衛叢林的族中青年遇害，令族人團結，以航拍機揭露入侵真相，自建媒體進行輿論反擊。阿歷士普里茲首作，鋪陳正反雙方觀點，凸顯原住民生存挑戰及生態危機，矛頭指向縱容侵佔叢林的始作俑者。辛丹斯電影節世界紀錄片評審團特別獎。