1944年，一队德国士兵在俄国前线受尽惊恐与恶劣环境的折磨。大兵厄斯特·盖博经过漫长等待，终于盼到了假期。回到德国，他发现自己的家园被炸毁，他孤独地找寻着自己的双亲，途中邂逅了迷人的伊丽莎白·克鲁斯，一个政治犯的女儿。他们两人在充满仇恨的世俗中求生，努力使灵魂重新归正！
In 1944, a company of German soldiers on the Russian front are numbed by the horrors and hardships of war when Private Ernst Graeber's long awaited furlough comes through. Back home in Germany, he finds his home bombed. While hopelessly searching for his parents, he meets lovely Elizabeth Kruse, daughter of a political prisoner; together they try to wrest sanity and survival from a world full of hatred.

Hitler's Madman is based on an all-too-real wartime atrocity. John Carradine portrays Heydrich, the vicious SS officer put in charge of Nazi-occupied Czechoslovakia. Heydrich is killed by the Czech underground, prompting the Nazis to plan a horrible retaliation. The Gestapo selects the Czech village of Lidice for annihilation: They kill all the male villagers, throw the women and children into concentration camps, and torch Lidice into nonexistence. The victims of Nazi tyranny become martyrs to the underground cause, ending the film on a note of triumph. Based on a narrative poem by Edna St. Vincent Millay, Hitler's Madman was produced by the "poverty row" PRC studio, but was sold to MGM and given a class-A presentation at choice theatres throughout the U.S.

I saw this obscure German film in Toronto in 1956, my first exposure to Oskar Werner. A "sleeper" of a movie for me, but so long ago and it seems never to be seen again. The topic has been treated many times but never, I think, to such effect. The last days in the bunker are entirely through the wondering subjective eyes of Werner, as Captain Wuest, a rather unimportant guardsman. Hitler and his henchmen are always kept at a distance, the way Wuest views them from his station, and what stands out in my memory is the finale of a drunken champagne party as though in celebration of something, but in reality as their means to forget the impending doom looming ahead as the Russians can be heard closing in. The problem with films portraying famous or infamous people is that they are almost always unbelievable because we are unwilling to suspend our disbelief, aware that they are actors up there trying to imitate the unknowable. Here, at least for the English speaking audience, the problem does not arise, we understand only through subtitles, and we hear the characters speaking in their own language. And, thank God, it is in black and white. The impact of the film stays with me still, and of course, Werner was a major revelation.

二次大战前夕，英国军官桑迪克（Walter Pidgeon 饰）潜伏希特勒的山中庄园行刺未果被捕，由于拒不承认自己受英国政府指使，桑迪克受尽折磨后被德军推下山崖。大难不死的桑迪克乘船回到英国，同时德国方面派出假扮桑迪克的军官与众眼线在全城追索他，德国政府亦向英国施压。
桑迪克在险象环生的亡命途中结识开朗直接的姑娘杰瑞（Joan Bennett 饰），后者被他吸引，并竭尽所能为他提供了帮助。桑迪克与杰瑞度过了一段短暂的纯真时光，然而危机四伏的情势下他并不能给予对方更多的幸福。德国人很快找到了桑迪克的藏身之处，并掳走了杰瑞，这让桑迪克面临的形势恶劣到了极点。

描写德国军官积极参与反希特勒的活动, 并且解救美国上校的故事。

The mechanic Behnke wants to join the Nazi party to secure a good living. However, after his Jewish neighbors have been taken away, he changes his views.
from IMDB user comment:
Wolfgang Staudte fervently condemned the disinterested bourgeois who is not at all committed and hesitantly validates his standpoint. Rotation shows the dangers such an unbiased civilian is to compelled to confront.The film concentrates much on the past as key events are shown in a flashback.It showed how high unemployment in Germany resulted in Hitler's rise to power.Staudte has astutely shown a distressed Germany in which young Germans were trained by Nazis and everyone was taught to obey Hitler.Behnke recalls effectively all the difficult times he had to endure.He is happy to have a kid but can hardly imagine that his own child would betray him.Behnke was yearning for a serene Germany where his family would flourish.His generosity of spirit is revealed as he accepts his son without any feeling of hatred.After the war,Behnke family witnesses a sign of reconciliation as the father pardons his guilt-ridden son.

1939年8月31日，格莱维茨事件爆发。当日，一支身穿波兰军装的德国党卫军冒充波军，袭击了德国边境的格莱维茨电台，并发表对德国的侮辱性讲话。随后，全德各电台都广播了“德国遭到了波兰突然袭击”的消息，希特勒以此为借口，签署入侵波兰的第一号作战命令，并于次日发动了对波兰的入侵。

即使两个德意志国家的合作存在并肩，为近40年来，文化交流是却到了最低的时期。唯一的是，西德国人应该学习的邻居，如何认真东部德国电影处理棘手的问题的大屠杀。星）是其中最感人的电影，我从未见过。悲惨的爱情故事发生在一个犹太人学校教师和一名德国士兵之间。幸福是没有界限的。电影结束与破灭理想的犹太女孩鲁斯（ sascha kruscharska ） 凝视窗外在那远行死亡列车。如何可悲的，即使一部电影也是一样，即使在这个冷战的时期，战争离开我们到底有多远....

An attempted robbery from a railway freight wagon takes place in a marshaling yard in East Germany. The Yard Supervisor, Brock recognises the thief as someone he has good reason to hate from the wartime. But identifying him would bring all sorts of ghosts out to haunt him, so he denies knowing the man. Meanwhile his daughter and her boyfriend get curious about the past and when they investigate, they expose a history that is explosive. Can anyone put the genie back in the bottle?

Based upon the true story of Olga Benário, the German-born wife of Brazilian communist leader Luís Carlos Prestes. During the dictatorship of Getúlio Vargas (1930-1945) she was arrested and sent to Nazi Germany, where she died in a concentration camp. When World War II began, Vargas decided to uphold the Allies.
故事梗概：
德国犹太女共产党员奥尔加因为在魏玛时期的德意志领导革命暴动比较出色，被组织上派到苏联学习深造，在那里，她接受了一个任务，假装夫妻护送巴西进步青年卡洛斯回巴西组织革命。路上两人彼此吸引，卡洛斯对奥尔佳一见钟情，奥尔佳虽对卡洛斯也新生好感，但革命的重担提醒她这并不是儿女情长的时候。随着时间的推移，隐忍着的感情终于爆发。二人假戏真做，共同的革命理想使他们产生了真挚的感情并很快结合在了一起，而奥尔佳也决定留在巴西，和丈夫卡洛斯一起并肩战斗，为解放人民做着艰苦地努力。
但是，巴西的革命形势非常残酷，共产党人不但遭到了反动当局的无情杀戮，还被同伴出卖。因重要资料的暴露，很快奥尔佳和丈夫就被捕了。在监狱里，革命战士们遭到惨无人寰的折磨。而这时，奥尔佳发现自己竟然怀了卡洛斯的孩子。她既兴奋又悲伤，担心孩子的将来。对于这样一名重要的共产分子，纳粹怎会放过。巴西当局为了讨好德国，冷血地把身怀六甲的奥尔佳遣返回犹太人正遭受灭顶之灾的德国，与丈夫从此失去联系。
在集中营里，奥尔加生下了一个女儿，卡洛斯的母亲想尽一切办法把婴儿救出了集中营，却未能救出奥尔佳。奥尔佳此时十分难过，女儿的安危让她牵肠挂肚。在狱中的奥尔佳一直坚持与狱友们一起抗争，不放过任何一个得到自由的机会最后。但苦于势单力薄，计划一直没有成功。几年后，奥尔佳收到了丈夫了来信，得知女儿健康地成长着，心中燃起了希望。但最终，她和千千万万二战时期不幸的犹太人一样，在毒气室死去。卡洛斯在1945年大赦中被释放，直到那时他才听到奥尔佳逝世的噩耗，几年后他和女儿收到了奥尔佳最后的那封信。
精彩视点：
这是一部全方位反映德国纳粹集中营女战俘的作品，场面具有震撼力，故事跌宕起伏，情节引人入胜，人物刻画栩栩如生。它以波兰奥思维辛集中营为背景，塑造了苏军女战俘奥尔佳等人在身陷囹圄的情况下，坚持同纳粹党卫队进行坚决斗争的故事。所有的故事都真实的。
为了拍好这部电影，导演考证了第二次世界大战中诸多战役、战例，用大量的战争史实为背景，以现代人的眼光，审视已经逝去的战争往事，浓墨重彩地刻画了纳粹党卫队上校军官瓦尔德·朱力、苏联女战俘奥尔佳等人物形象。
3月7日 22：04 CCTV-6播出

In November 1930 brown-shirted storm troopers of Hitler's SA break into the Communist Eden Palace club,killing several members. Jewish lawyer Hans Litten prosecutes them and,at the suggestion of his boss Rudolf Olden,agrees to sub-poena Hitler,who had supposedly renounced violence yet who clearly supported the SA, to discredit him as a popular figure. Against the advice of his assistant Margot Furst Hans prepares his case,even involving Stennes, a rival Nazi to Hitler. At the trial Hans,the practised lawyer,runs rings round Hitler,who is frequently unable to answer his questions. The Brown Shirts are convicted but it is a Pyrrhic victory for two years later Hitler will become chancellor,Hans will be arrested and he will die in Dachau concentration camp.

Carla (Carla Aulaulu), Mascha (Mascha Elm-Rabben), and Magdalena Munn (Magdalena Montezuma).[40] They perform as second-rate cabaret singers during the Nazi era, forced to disband when Carla takes a job with a Viennese theatre and Mascha has a nervous breakdown. Pilot haphazardly (and without much clarity) follows their individual activities; instead of depicting Carla's "show," for instance, we see her singing its main song while apparently working in a Viennese pastry shop. Magdalena attempts to find work for Mascha by posing as her aunt and appealing to a Nazi official; later Mascha rescues Magdalena from drowning herself. The two eventually find jobs as secretaries, after brief stints as "creative artists." Magdalena's voice-over then informs us that all three women meet again after the war at a Bruckner concert. They begin discussions about regrouping to go to the United States, this time as reformers rather than performers, to preach integration (apparently we are now in the late 1960s, the time of the film's production). Carla, nostalgic for their earlier Nazi stage career, is hard to persuade, but eventually they leave for the United States. Their rapid downfall as teachers there results from the publication of a Nazi-era photo of them; added to this is the controversy of Mascha's undepicted liaison with an American bomber pilot. We are told there is a trial (also undepicted), and the three go back to Germany where they perform for American troops. Carla has a miscarriage from the bomber pilot and suffers badly. The final image shows Magdalena supporting Carla as she walks around weakly in front of the same building we saw in the film's opening shot.

20岁的玛丽莎（艾琳娜·莱辛 Alina Levshin 饰）是一个愤世嫉俗、特立独行的德国女孩，平日里他与一群新纳粹伙伴聚在一起，仇恨一切异族、外国人、警察乃至所有看不顺眼的人。破败的家庭让她很难体会到温暖，而充斥着性、暴力、酒精的团体却让她有着强烈归属感。可是，在于来自阿富汗的少年拉索（Sayed Ahmad 饰）三番五次的接触中，玛丽莎充满愤怒的心悄悄发生了转变。与此同时，年仅14岁的丝雯嘉（婕拉·海斯 Jella Haase 饰）进入叛逆期，正试图从乖乖女变成一个挑战一切禁忌的个性少女，她加入了玛丽莎所在的团体，与这个酷劲十足的前辈共同经历着人生最重要的蜕变……
本片荣获2011年巴伐利亚电影节最佳导演奖和最佳青年演员奖（Jella Haase）；2012年德国电影节最佳女主角奖（Alina Levshin）和最佳剧本奖。

LORE萝拉”是片中主人公Hannalore（莎斯琪亚·罗森道尔 Saskia Rosendahl 饰）的小名。故事发生在二战结束不久前的德国。萝拉是位生来养尊处优的女孩，她的父亲是一名高级党卫军军官，曾在白俄罗斯处决过大量的犹太人和无辜市民。萝拉和她的姐妹们对犹太人 的遭遇知之甚少，她甚至还是一名希特勒青年军（Hitler Youth） 的光荣成员，对纳粹信仰充满了崇敬之情。如今，希特勒已死，而德意志变成了一片废墟，在这样的环境之下萝拉开始了一段痛苦而深刻的长大成人的经历。
影片在2012年瑞典斯德哥尔摩电影节荣获最佳影片、女主角、摄影与最佳原声四项大奖。之前还曾获得Locarno观众奖以及瓦拉多利德Valladolid最佳新人导演奖。代表澳大利亚申报2013年奥斯卡外语片。

影片描述了二战结束后，四个素昧平生的欧洲青年在法兰西土地上因爱与恨而交织成一段传奇经历。
1945年，德意志士兵汉斯在战场上结识了美丽的法国流浪歌女吉塞勒，对她一见钟情，但因自己的身份，汉斯的感情表白遭到了吉塞勒本能的误解。解除武装后汉斯随法国战俘进到法国腹地，一路上感受到了法国人民的热情和关心，也看到了战后法兰西土地上人民的苦难生活和凄凉景象，和对纳粹的深切仇恨。身为德国士兵，在战争中未犯罪行的汉斯为此深感内疚。
处在战争阴影中的法国朋友将汉斯交给了宪警。在监狱里，汉斯第一次接触到了警察蒂特德。蒂特德是一个偏执型的人物，他指控汉斯在战争中至少杀害一名法国士兵才获得法军军装，并且战争结束后潜入法国从事间谍活动，对汉斯极端仇视和限制。
一直在酒吧唱歌的吉塞勒为生存盗窃食品关进了监狱；二人得以再次相逢。蒂特德发现他们彼此认识后，更加认定汉斯的罪行。法庭因警方指控的证据不足，否认认定汉斯在战争中犯有杀人罪行，只以伪扮法军士兵罪判8个月的监禁。吉塞勒被无罪释放，蒂特德对法庭的判决不服。
汉斯在狱中受到了其他关押犯的迫害，战争的过错似乎成了一个人的是非问题。事情激起了原法共游击队员亨利的同情，改变了他对德国人简单憎恶的态度，开始在生活中帮助汉斯。此时的亨利对吉塞勒也情有独钟，但出于朋友情谊，将自己的感情隐藏了起来。出狱后的吉塞勒来到巴黎仍以唱歌为生，接触中对汉斯有了初步的认识。
亨利出狱后找到吉塞勒，请求吉塞勒为汉斯作证。亨利为摆脱内心痛苦，决定远离吉塞勒二人。吉塞勒返回拉图比，在随军牧师的帮助下为汉斯提供了证据；斯被转到一个德军战俘营，被法国人用作排雷工具，在行动中被炸伤。
百无聊奈的汉斯接到海报——吉塞勒来到了迪耶普演出。欣喜的汉斯在德籍朋友施格莱尔的帮助下，溜出了拉图比。吉塞勒为汉斯这种义无返顾的真情所感动；热烈中的二人被观看演出的蒂特德发现；此时的蒂特德已经提升为专门追查战争罪犯的负责人，正准备重新审查汉斯的案子。汉斯在吉塞勒的帮助下得以逃脱，来到了巴黎；蒂特德拘捕了吉塞勒，因不堪其歌声旋即释放。施莱格尔取道回国，汉斯因不舍吉塞勒而继续留下，来到里昂。蒂特德也随之而至，再一次将汉斯拘获。汉斯为了发泄心中的愁闷与不平，用棍子捅向高压变电器，造成重伤。
汉斯被蒂特德关回了战俘营。吉塞勒找到亨利，请求朋友帮助；二人来到战俘营地准备营救汉斯。
星期三晚上，战俘营来了群妓女。伤病中的汉斯胁持了一名妓女，扮作女人同妓女们进到美军军营。由于事前无法联络，亨利乘乱进到战俘营时，被蒂特德发现而被捕；吉塞勒在外紧张地等待着。蒂特德对汉斯的逃脱非常恼火，按捺人手监视美军营的进出。美军士兵史佩斯发现了汉斯，由于需要懂法语的汉斯为自己作生意，便留下了他；汉斯为其交易大赚了几笔。
吉塞勒以为亨利和汉斯均被蒂特德扣押，找到蒂特德愿以身子作代价取悦蒂特德换回二人；但遭到了蒂特德的拒绝；吉塞勒明白汉斯已不在战俘营。吉塞勒找到去过军营的妓女莉莉，了解情况后，来到美军营外的酒馆打工卖唱，等待时机。
由于努力，汉斯获得了报酬，来到酒馆寻欢作乐。愤怒的吉塞勒对汉斯大加申斥，指责他忘记了正为他在狱中替罪的亨利，并发誓不再见到他。
内疚的汉斯与史佩斯、沃纳夜闯战俘营救出亨利；汉斯感到无颜再见吉塞勒，亨利鼓励他勇敢些。当汉斯回到酒馆寻找吉塞勒时，被美军抓获，因无任何证件，汉斯转到收留所后来到瑞法边境贝尔福一个农场干活。
亨利找到吉塞勒，告知汉斯在边境上等着她；但抑制不住自己的情感，将吉塞勒搂进怀里……处于双重情感中的吉塞勒为之悔恨，但作出选择，原谅了汉斯。在亨利的帮助下来到贝尔福排演；尾随而至的蒂特德和助手发现目标后紧追不舍。亨利在后紧紧拖住蒂特德；汉斯和吉塞勒逃到边界，下到悬崖后的二人热烈拥抱。悬崖上的亨利伥然神色。
影片主题曲（法语歌）是:《依莲》Je m'appelle Helene(Hélène Rollès)

德国，二战结束前的四天。一位率领着他的部队占领海边孤儿院的苏联军官。一支在海滩驻扎的纳粹德国国防军部队。一种反常的危险的爱。
所有人都对战争感到疲惫，只有十三岁的孤儿彼得，想要证明自己是一个英雄，千万百计煽动两支部队。直到他意识到，真正的敌人早就潜伏在其他地方，而他所谓 的敌人，其实是如父亲般的朋友。
这时划清的不是敌与友之间的界线，而只是善与恶之间的界线。

1944年11月 德国树林中守林人小屋阿尔弗莱德欺负弟弟路德维希，不想让父亲看到，父亲狠狠地打了他一顿。夜晚，阿尔弗雷德疼痛难眠，无意中看到一架飞机坠毁在森林中，两名飞行员驾着降落伞跳落入林中。第二天一早，自卫队带着父亲进入森林抓捕夜里落入森林的两名美国空军。阿尔弗雷德为了让父亲原谅自己，决定只身前往森林在自卫队没收降落伞前找到它，然而就在这时路德维希却拦住了他…

Fritz is a falsifier drawing a picture of Eva Braun, the girlfriend of Adolf Hitler. He meets Hermann and tells him about some Nazi- material he knows about. Herrmann, working for a great German magazine, pays for everything he can get, and so Fritz starts to write "Hitlers private daybook". The story covers a real event that happend in Germany in the middle of the eighties.

德国，1945年3月前夕。在什切青的小车站东来的妇女，和从学校疏散下来的儿子们，但老师交代，几个学生必须在战斗前，和母亲暂时分离。母亲们，看着这些一脸惊愕的十四和十五岁的儿童。但是指挥官要求他们得去战斗的前线去阻挡俄国人的攻击。
母亲们继续寻求并最终在前线找