日常の中に潜む性の際どさ。そのギリギリの一線を越えた時に生じるめくるめく官能を描いたロマンポルノ傑作！！書店の箱入り娘・澪子（風祭）と雅子（山口）は、町内でも評判の美人姉妹。ある日、彼女らの家へ、アルバイト学生の清（内藤）が住み込みでやって来た。夜間部に通う勤勉な苦学生の清であったが、澪子を一目見てからというものの、高まる欲望の火を消すことはできなくなっていた。家族の留守中、澪子に突然襲いかかった清は、哀願しながら彼女の処女をうばってしまう。それ以来、さまざまな方法で澪子の体を支配する清。そんな彼に妹の雅子をもモノにするチャンスがやってきた。意を決した清は…。日常の中で沈黙している「性」の爆発。それは観る者をめくるめく恍惚の世界へと誘っていく。

After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle)
源自：

本作で豊川が演じたのは、孤独なロボット工学者の桐生薫。自身が存在しているという実感を抱けないまま生きてきた彼は不安を打ち消すため、もう1人の“僕”として自分そっくりのアンドロイドの開発に没頭していた。そんなある日、ずっと会っていなかった腹違いの弟が桐生を訪ねてくる。

浅见光彦是推理小说家内田康夫笔下的名侦探，1982年在《後鳥羽伝説殺人事件》中首次登场。这个系列迄今已出版一百多部，并多次被影视化，在日本有相当高的知名度。富士电视台从1995年开始播出浅见光彦系列，2003年主演换成中村俊介。
浅见光彦的主业是记者，侦探游戏是业余爱好 。他主要给《旅行与历史》杂志供稿，因而经常去各地取材（或以取材为借口破案），这一系列的特色是47个都道府县各自的历史传说和风土人情。此外，每部都有一位由于各种原因卷入事件的女主角，她们无一例外对光彦抱有不同程度的好感，可惜迟钝的光彦根本觉察不出，所以33岁的他至今独身。
这个名侦探充满了天真的好奇心和温柔的同情心，尽管看上去不可靠，却总能查明真相、解决案件，受害者亲属和跟他合作的警察也会由衷地感谢他，也许这就是浅见光彦独特的魅力所在。
本集剧情介绍：浅见光彦的嫂嫂和子收到一封威胁信，信封里有一枚和子初中修学旅行时与好友的合影，还有一张纸，上面写着恐吓的话：“只要野鸡不叫，猎人是不会下手的”。光彦追踪邮戳的线索前往山口县的岩国。
调查得知照片上的另一位少女三桥静江现在是大贯议员的私人护士，于是光彦试图接近大贯议员。不料调查开始之后，光彦身边不断发生杀人事件。
此前光彦在火车站买便当时偶遇芭蕾舞教师里香，两人同时选中同一种便当，还被售货员误当做情侣。尽管相识有点尴尬，里香对光彦很有好感。里香的母亲竟然也成为一系列杀人案的受害者之一。光彦为了解开恐吓信之谜、探明里香母亲被害的真相而努力。事件背后隐藏着巨大权力制造的黑暗，光彦能够战胜黑暗势力、揭露案件真相吗？

In the middle of the Edo period, when the finances of the shogunate were in a desperate situation, the shogunate sent its shadow spies to each clan, who secretly planned the abolition of the clans and the seizure of their territories. The Inami clan has mastered the essence of making weapons, thus breaking the law. To protect the clan, its elders hire three "Shadow Hunters"... TV movie based on the popular manga by Takao Saito.

Ami, who lives a peaceful married life, meets Jun, a young painter, due to an incident at work one day. She takes on the role of a painting model lightheartedly, but the two gradually become strongly attracted to each other.