Four characters are looking for a man called Castro, but we don't know why. For some mysterious reason, Castro is running. He has left his life behind, and survives by hiding in a room in a small city. He is basically alone, but someone has appeared in his life, Celia. She is young, beautiful, and sometimes cruel.

一名中年男同志马丁夜夜笙歌放纵人生，喝酒、嗑药、群交样样都来，但他要的其实只是有人陪伴，在一个又一个High到荼靡的夜晚里，他越渴望爱，就越感到寂寞。阿根廷演员艾德加·多卡斯特罗演而优则导，首部作品《夜爱夜寂寞》自编自导自演首度展现精湛编导才华，以深刻震撼的超现实美学，流畅而迷人地带领观众进入主角的生活和内心，随着大胆露骨的性爱和主角麻醉自己的过程，凸显他内心的无尽孤寂。

Jorge Villafañez is a rotund, veteran private detective living alone in a high-rise apartment in Buenos Aires. Discreet and meticulous, he has a knack of making people open up in conversations. But when a new assignment puts him on the trail of Elvira, an experimental choreographer, the distance between the observer and the observed begins to collapse as Jorge descends into the rising waters of the Delta del Río de la Plata.
Adapted from Juan Sáenz Valiente’s eponymous comic book, Daniel Casabé and Edgardo Dieleke’s La Sudestada sets out like a riff on Vertigo (1958), but snakes like the Plata River to find its own path. Employing unusual edits, archival footage, surreal interludes, delightful genre shifts and passages of gestural abstraction, the film is a shape-shifting work that constantly reinvents itself and opens up into new directions.
Powered by a stellar lead performance by Juan Carrasco, La Sudestada endears us to Jorge even as it lets us glimpse his nastier side and horrific professional history. An unassuming reflection on age and urban loneliness, the film gradually accrues a spiritual dimension in the way it enables grace to manifest in a body fundamentally unprepared for it. The result is a thriller that tracks the movements of the soul.
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Sometimes the sinister is next to your ordinary life.

迪布和女朋友丽莎住进了刚买的新房里，不久便开始接到找前房东，一个叫玛利亚的女人的电话。丽莎开始对这个谜一般的女人着迷，同时迪布为邻居家扰人的大狗和孩子而争吵并烦恼。该片是关于这对同居情侣新生活的故事，同时夹杂着欢笑、泪水与音乐。

Mariano, 16, inexplicably and without warning, shoots himself twice and improbably survives. Then, life goes on. His brother pursues a romance with a girl working at a fast-food joint, his mother takes off on a trip with a stranger, and Mariano recruits a woman to join his medieval wind ensemble.

六个段落，四位女主角共同演出B级僵尸Cult片，以音乐人为主角的通俗剧、谍报动作、科幻恐怖、甚至默片等难以归类的片型，够通俗易懂，也够唯美浪漫，成为阿根廷影史上最长的电影。导演马里亚诺·利纳斯怀抱疯狂野心，耗费十七年，以十四小时颂扬对电影的热爱与对女性的讴歌。坚持的惊人 片长阐述电影永不结束，随著不同年代的拍摄器材与手法，也标志了四名女演员在现实与虚幻中流逝的时光。女人花们生长绽放，所有的故事都不要结局，在情绪最顶点骤停，吊人胃口到超出极限，却又让悬念回荡在你的大脑，而不得不以观影当下为基础，重新思考当代电影“说故事”的形式与本质。

斯特拉和她的母亲克洛塔必须从他们居住的胡宁（Junín）前往内科切亚的科斯塔博尼塔（Costa Bonita）镇，才能看到斯特拉的父亲留下的一些公寓。 这将对Stella造成麻烦，因为她的母亲是一个很难相处的人：她抱怨，她害怕一切，她说着伤害性的话，并且她一直在回忆过去。 宝拉·埃尔南德斯（PaulaHernández）的新电影讲述了这两个角色的公车之旅，这是一部几乎始终处于紧张状态的电影的简单前提，因为这两位主角由瓦莱里亚·路易斯（Valeria Lois）和丽塔·科蒂斯（Rita Cortese）出色地扮演。 对于可怜的斯特拉和电影本身，唯一的喘息之机是她与公交车司机之一普里莫（Sergio Prina）的谈话，在如此多的暴风雨中过着平静的时刻，后来变成了文字。