Episode 1: High Castle
A university professor who had been working as a translator at the Nuremberg trials is stabbed to death. As Foyle investigates, he delves into the world of international oil politics and corrupt Nazi businessmen. Sam assists the murder inquiry by going undercover, despite her pregnancy.
Episode 2: Trespass
As Britain debates the creation of a Jewish state in Palestine, the son of a wealthy Jewish businessman is assaulted. The flames of anti-Semitism have recently been fanned in London by Charles Lucas, a right-wing writer, and Foyle suspects the attack was racially motivated.
Episode 3: Elise
After an attempt on Hilda Pierce's life, Foyle scrutinizes her work for SOE during the war. Could this be related to the deaths of nine SOE agents in France and rumors of a traitor called Plato?

Episode 1 - The Eternity Ring
MI5 suspects British atomic research has been infiltrated, and ask Foyle to investigate whether a Russian spy network could be at work in the heart of London.
Episode 2 - The Cage
Foyle’s investigation into the death of a nameless Russian leads to a mysterious military facility and the discovery that the victim was a spy with dangerous connections to British intelligence.
Episode 3 - Sunflower
Professor Peter Van Haren gives a lecture to a group of students on the self-portraits of the artist Rembrandt and causes a young man to suffer a frightening flashback which ends in tragedy.

Morse and Lewis find themselves in Vicenza, Italy looking into the death of May Lawrence who was killed while attending a psychotherapy clinic there. The clinic is run by Russell Clark, a convicted fraudster who is well known to Morse and the British authorities. Morse is particularly enjoying the trip, all the more so when he learns that one of the patients at the clinic is Nicole Burgess, a well-known opera singer. What Morse learns suggests fraud in the selling of counterfeit rare manuscripts but the culprits are anything but obvious. As well, the link to May Lawrence's death remains elusive.

1971 film by John Mackenzie

　　1940年，战争的阴云笼罩着欧亚大陆，前方战场硝烟弥漫，激战正酣；后方人们原本宁静的生活被激起了阵阵波澜与动荡，在英格兰南岸的一个小镇上，无辜的人们被杀害，反纳粹情绪导致的命案接连发生。在后方这片充满着恐惧和罪恶的战场上，原本打算参军到前线的弗伊尔改变了主意，对后方一系列的错综复杂的案件展开了深入的调查……

　　FU正式成为了首相，他面临的是女王去世，新王登基，新王依靠数位激进秘书智囊，雄心勃勃地希望能够推行“让我帮帮忙”计划，积极参与到社会福利政策实践中去，这与FU一成不变的政治心态正面冲突。而旧“女儿”的消失，又会有新的“女儿”出现，帮助FU，接近FU，利用并且被利用FU。S作为多年党鞭助理，升任党主席，面临新的职位，必然希望能够成为下一个FU，野心带来危险，也带来机遇，他的手头虽然不如FU那样拥有最高权力，但依然拥有一道秘密杀手锏。FU在四面楚歌之中，如何保全自己，壮大自己，控制全局。

Spoof UK television series

The first act opens with Hirst's offering a drink to Spooner: "As it is?" – that is, neat (UK) or straight (U.S.) – and Spooner's reply: "As it is, yes please, absolutely as it is" (15). During the first act, Spooner claims to be a fellow poet and to have known his more illustrious literary host and mutual acquaintances and relationships in the past. Toward the end of act one, Hirst's keepers (quasi-body guards) "vagabond cock" Foster and Briggs seek to fend off the self-insinuating Spooner, leading Hirst "out of the room (52) and away from him. The act ends with a "Blackout" – visually demonstrating Foster's taunt: "Listen. You know what it's like when you're in a room with the light on and then suddenly the light goes out? I'll show you. It's like this. ... He turns the light out" (53).
During Act Two, in his increasingly inebriated state, Hirst may mistake or feign recognition of Spooner as an Oxbridge classmate from the 1930s, an apparently false impression which Spooner nevertheless encourages (68–78), leading both of them into a series of increasingly questionable reminiscences, which Hirst finally and abruptly undercuts: "This is outrageous! Who are you? What are you doing in my house?" going on to accuse Spooner of being an impostor: "You are clearly a lout. The Charles Wetherby I knew was a gentleman. I see a figure reduced. I am sorry for you. Where is the moral ardour that sustained you once? Gone down the hatch." – allusively and both wistfully and comically combining the clichés "Gone with the wind" and "Down the hatch," after which, Briggs "enters, pours whisky and soda, gives it to" Hirst, who "looks at it" and then says, "Down the hatch. Right down the hatch. (He drinks.)" (78). Hirst proclaims, "Let us change the subject. Pause. For the last time." (91), but immediately asks, "What have I said?" That leads the characters to debate what Hirst's phrase for the last time precisely "means" (91–94), leaving all of them, according to Spooner, "in no man's land. Which never moves, which never changes, which never grows older, but which remains forever icy and silent." Following the illustrative "Silence", Hirst utters the play's final words and provides its final action: "I'll drink to that" (95): "He drinks," paralleling the opening words of the first act ("As it comes?"), and the play ends, ambiguously, with a "SLOW FADE" of lights (95).

The first act opens with Hirst's offering a drink to Spooner: "As it is?" – that is, neat (UK) or straight (U.S.) – and Spooner's reply: "As it is, yes please, absolutely as it is" (15). During the first act, Spooner claims to be a fellow poet and to have known his more illustrious literary host and mutual acquaintances and relationships in the past. Toward the end of act one, Hirst's keepers (quasi-body guards) "vagabond cock" Foster and Briggs seek to fend off the self-insinuating Spooner, leading Hirst "out of the room (52) and away from him. The act ends with a "Blackout" – visually demonstrating Foster's taunt: "Listen. You know what it's like when you're in a room with the light on and then suddenly the light goes out? I'll show you. It's like this. ... He turns the light out" (53).
During Act Two, in his increasingly inebriated state, Hirst may mistake or feign recognition of Spooner as an Oxbridge classmate from the 1930s, an apparently false impression which Spooner nevertheless encourages (68–78), leading both of them into a series of increasingly questionable reminiscences, which Hirst finally and abruptly undercuts: "This is outrageous! Who are you? What are you doing in my house?" going on to accuse Spooner of being an impostor: "You are clearly a lout. The Charles Wetherby I knew was a gentleman. I see a figure reduced. I am sorry for you. Where is the moral ardour that sustained you once? Gone down the hatch." – allusively and both wistfully and comically combining the clichés "Gone with the wind" and "Down the hatch," after which, Briggs "enters, pours whisky and soda, gives it to" Hirst, who "looks at it" and then says, "Down the hatch. Right down the hatch. (He drinks.)" (78). Hirst proclaims, "Let us change the subject. Pause. For the last time." (91), but immediately asks, "What have I said?" That leads the characters to debate what Hirst's phrase for the last time precisely "means" (91–94), leaving all of them, according to Spooner, "in no man's land. Which never moves, which never changes, which never grows older, but which remains forever icy and silent." Following the illustrative "Silence", Hirst utters the play's final words and provides its final action: "I'll drink to that" (95): "He drinks," paralleling the opening words of the first act ("As it comes?"), and the play ends, ambiguously, with a "SLOW FADE" of lights (95).

Young doctor Owen Springer returns to Manchester to care for his ailing father and proceeds to fall in love with an older woman, who just happens to be married to his boss.

Owen is a Junior Doctor who falls for Anna - a sophisticated and glamorous older woman. Little does he know that she is married to his boss, consultant Richard Crane.

贪婪、复仇、妄想统一世界、高科技恐怖活动，这就是007每天工作所遇到的内容。在铁金刚系列的第19集中，邦德必须排除由于世界石油供给不平衡而造成的国际势力之间的斗争所带来的危险。 继【黄金眼】与【明日帝国】之后，皮尔斯布洛南第三次饰演世界上最着名的间谍007詹姆斯邦德，他要驾着高速快艇从西班牙比尔堡的奈维河岸到伦敦的泰晤士河边，再穿越苏格兰的高地，冒着几乎不可能生还的危险保护石油大亨的唯一继承人——美丽的依蕾克屈（苏菲玛素饰），他的对手是雷纳德（罗伯卡莱饰），这个臭名昭着的国际恐怖分子甚至威胁说要在土耳其巨大的输油管道里引发核爆炸。为了垄断石油供给权，他已经杀害了石油大亨罗伯爵士，现在他也不会放过罗伯爵士的继承人。007在阿塞拜疆找到和自己化敌为友的前苏联特工，查出雷纳德的行踪，原来他要窃取哈萨克斯坦的核弹头，制造更惊人的恐怖活动。007又追踪到哈萨克斯坦的核军事基地，但就在他已擒获雷纳德时，却被误认为是间谍而功亏一篑，雷纳德顺利窃得核弹头后逃脱。但007也不是没有收获，在这里他又结识了另一位邦德女郎核弹专家克里斯钟斯博士（丹妮丝里察丝饰），于是两人联手去对付雷纳德，展开连番激战。 和所有的007电影一样，【黑日危机】描述了一次令人兴奋的冒险故事，铁金刚的传奇经历再度成为新闻的焦点，很明显，詹姆斯邦德……间谍007……他又回来了！

Breaking Glass is the story of punk singer Kate and her meteoric rise to stardom. Starting out in the rock pubs of London, Kate, assisted by her manager Danny, becomes a huge star overnight. Once at the top the pressure is immense as Kate's band are squeezed out and she is left to cope alone in the spotlight.

Mobile is a 3-part British television drama series with an interweaving plot based around a fictional mobile phone operator and the adverse-effect of mobile phone radiation to health. The series was screened by ITV in the United Kingdom, during March 2007. The cast includes Jamie Draven, Neil Fitzmaurice, Keith Allen, Sunetra Sarker, Samantha Bond, Brittany Ashworth and Julie Graham. It was written by John Fay.

A thriller with a bit of romance and touches of black humor along the way. Greg is discovered with the dead body of his wife's lover by Marcey, a public servant moonlighting as a waitress at a party thrown by Greg for he and his wife's wedding anniversary. Marcey sets about organizing the slightly neurotic Greg in his attempts to cover up the accident.