Leading activists and commentators explore the changes that have taken place since homosexuality was decriminalised in the UK in 1967 and the influence of gay culture on society.

Steve Pemberton and Reece Shearsmith return with a special festive story in their award-winning anthology series Inside No. 9. Joined by guest stars Shobna Gulati and Simon Callow, they serve up a disturbingly spooky tale. It’s Christmas Eve and Dr Parkway has booked an overnight stay in a reputedly haunted church. But why is he so keen to be left alone by the eccentric warden and his other guests? A twisted ghost story for Christmas.

The UK’s favourite crime scene cleaner is back for a second series, with a new set of larger than life guest stars, and even bigger crime scenes to scrub.

Since the original run, Shaffer has extensively revised his play, including changes to plot details; the following is common to all revisions.

At the opening of the tale, Salieri is an old man, having long outlived his fame, and is convinced he used poison to assassinate Mozart. Speaking directly to the audience, he promises to explain himself. The action then flashes back to the eighteenth century, at a time when Salieri has not met Mozart in person, but has heard of him and his music. He adores Mozart's compositions, and is thrilled at the chance to meet Mozart in person, during a salon at which some of Mozart's compositions will be played. When he finally does catch sight of Mozart, however, he is deeply disappointed to find that Mozart's personality does not match the grace or charm of his compositions. When Salieri first meets him, Mozart is crawling around on his hands and knees, engaging in profane talk with his future bride Constanze Weber .

Salieri cannot reconcile Mozart's boorish behaviour with the genius that God has inexplicably bestowed upon him. Indeed, Salieri, who has been a devout Catholic all his life, cannot believe that God would choose Mozart over him for such a gift. Salieri renounces God and vows to do everything in his power to destroy Mozart as a way of getting back at his Creator.

Throughout much of the rest of the play, Salieri masquerades as Mozart's ally to his face while doing his utmost to destroy his reputation and any success his compositions may have. On more than one occasion it is only the direct intervention of the Emperor himself that allows Mozart to continue (interventions which Salieri opposes, and then is all too happy to take credit for when Mozart assumes it was he who intervened). Salieri also humiliates Mozart's wife when she comes to Salieri for aid, and smears Mozart's character with the Emperor and the court. A major theme in Amadeus is Mozart's repeated attempts to win over the aristocratic "public" with increasingly brilliant compositions, which are always frustrated either by Salieri or by the aristocracy's own inability to appreciate Mozart's genius.

The play ends with Salieri attempting suicide in a last attempt to be remembered, leaving a false confession of having murdered Mozart with arsenic . He survives, however, and his confession is disbelieved by all, leaving him to wallow once again in mediocrity.

Since the original run, Shaffer has extensively revised his play, including changes to plot details; the following is common to all revisions.

At the opening of the tale, Salieri is an old man, having long outlived his fame, and is convinced he used poison to assassinate Mozart. Speaking directly to the audience, he promises to explain himself. The action then flashes back to the eighteenth century, at a time when Salieri has not met Mozart in person, but has heard of him and his music. He adores Mozart's compositions, and is thrilled at the chance to meet Mozart in person, during a salon at which some of Mozart's compositions will be played. When he finally does catch sight of Mozart, however, he is deeply disappointed to find that Mozart's personality does not match the grace or charm of his compositions. When Salieri first meets him, Mozart is crawling around on his hands and knees, engaging in profane talk with his future bride Constanze Weber .

Salieri cannot reconcile Mozart's boorish behaviour with the genius that God has inexplicably bestowed upon him. Indeed, Salieri, who has been a devout Catholic all his life, cannot believe that God would choose Mozart over him for such a gift. Salieri renounces God and vows to do everything in his power to destroy Mozart as a way of getting back at his Creator.

Throughout much of the rest of the play, Salieri masquerades as Mozart's ally to his face while doing his utmost to destroy his reputation and any success his compositions may have. On more than one occasion it is only the direct intervention of the Emperor himself that allows Mozart to continue (interventions which Salieri opposes, and then is all too happy to take credit for when Mozart assumes it was he who intervened). Salieri also humiliates Mozart's wife when she comes to Salieri for aid, and smears Mozart's character with the Emperor and the court. A major theme in Amadeus is Mozart's repeated attempts to win over the aristocratic "public" with increasingly brilliant compositions, which are always frustrated either by Salieri or by the aristocracy's own inability to appreciate Mozart's genius.

The play ends with Salieri attempting suicide in a last attempt to be remembered, leaving a false confession of having murdered Mozart with arsenic . He survives, however, and his confession is disbelieved by all, leaving him to wallow once again in mediocrity.

Simon Callow brings to life Shakespeare's unforgettable characters and the real man behind the legend in this triumphant and critically acclaimed play. Don't miss your chance to experience this magnificent performance from one of Britain's finest actors, as Being Shakespeare sets the West End alight for a strictly limited Season of 23 performances only.

On a bare country road Vladimir and his friend Estragon wait in hope of salvation from a man called Godot. Their hope of salvation lies in Godot's arrival. While waiting they play games, entertain one another with vaudevillian tricks, question whether Godot will arrive and how they will benefit when he does. They are interrupted by the arrival of Pozzo (a land owner) and Lucky (Pozzo's slave). Pozzo questions their reasoning for waiting. Lucky performs a staggering burst of a monologue. Pozzo and Lucky exit, night falls and a young boy arrives and tells Vladimir and Estragon that "Mr Godot won’t come here today but he'll surely arrive tomorrow.” In Act two Pozzo returns but he is blind and Lucky is mute. Vladimir and Estragon continue waiting. Still determining to go, the tramps do not move.

“I cannot express how much this show means to me,” writes artistic director, Peter Reid. “It is undoubtedly the greatest show of the 20th Century and has revolutionised the fabric of theatre.”

才华横溢但在感情方面趋于保守的卡罗德雷克来到世界闻名的牛津。她唯一目标是取得博士学位，但她在这里认识了一位迷人的年轻人，历经一连串的人生经历之后，她从无神论渐渐接受信仰，她终于明白“门只能从内部打开”。本片在英国牛津取景拍摄，从博德利图书馆、谢尔登剧院、牛津大学基布尔学院、布莱克威尔书店、金斯阿姆斯酒吧、圣玛丽大学教堂和艾迪生步道，牛津城市风情一览无遗。

谋杀案发生五个月后，克里斯多夫·罗宾（Christopher Robin）试图在处理创伤后应激障碍的同时恢复正常生活。在100英亩的森林深处，随着小熊维尼、小猪、猫头鹰和跳跳虎发现他们的家和他们的生命在他们的存在被揭露后受到威胁，毁灭性的愤怒与日俱增。

Tracing Dame Maggie Smith's life from Ilford to the dizzy heights of Broadway and Hollywood, where she has become one of the most-loved stars of stage and screen.

《不存在的男孩》改编自爱尔兰作家凯伦·佩里（Karen Perry）在《星期日泰晤士报》上最畅销的同名处女作。据介绍，这是一个令人不寒而栗的故事，讲述了一个三岁的孩子在摩洛哥索维拉发生地震后失踪的故事。当他的父亲赶回他们的小公寓去救他的孩子时，公寓已经变成了一片废墟，也没有他儿子的踪迹。三年后，在千里之外的都柏林，父亲在人群中发现了一个六岁的男孩，并确信他就是自己的儿子。

When Dillon’s father Harry races back to their tiny apartment to rescue his child, the apartment is in rubble and there is no sign of his son. Three years later, thousands of miles away in Dublin, Harry spots a six-year-old boy in a crowd and is convinced he is Dillon. Desperate to find his son, Harry’s obsession tears apart his marriage to Robin, exposing shameful secrets that lead to the truth of what happened to their son on the night he went missing.

据风靡全球的格斗游戏“街头霸王”游戏改编的真人版本，尚格 云顿主演，喜欢街霸的切莫错过！经逊将军掳走了六十三名解放工人为人质，威胁联军部队在七十二小时内交出二十亿赎金，联军基路上校与甘美将军查探比逊总部保垒地点企图救人，却因记者春丽把事情越弄越复杂。

剧集以纽约市和巴黎为背景，讲述了两家世界知名芭蕾舞团的舞者和艺术人员，他们开始了一场雄心勃勃的赌博，通过交换他们最有才华的明星来拯救他们的传奇机构。

The dancers and artistic staff of two world-renowned ballet companies embark on an ambitious gambit to save their storied institutions by swapping their most talented stars.

TNT夏季新剧The Company是根据同名畅销历史小说改编的。为您讲述冷战时期的间谍故事，美国CIA特工和苏联的KGB间谍之间斗智斗勇的故事。冷战开始于1956年的匈牙利事件，焦点事件是猪湾事件与古巴导弹危机，结束于1991年前苏联的解体。

The Company时间跨度40年，场景跨度也很大。从大雨滂沱的柏林街道，到阳光明媚的古巴海滩，从布达佩斯的秘密颠覆活动，到莫斯科与华盛顿的高级别会晤，两个当年的超级大国在全球这个大棋盘上步步为营，小心对垒。双方都试图打破平局，占得先机。然而，他们却都不是最后的赢家，相反，他们彼此都付出了惨重的代价。

《表演》是西蒙·柯蒂斯（Simon Curtis）为英国广播公司（BBC）制作的英国电视剧集。于1991年10月5日至1998年3月21日期间，BBC2台共播出26集，几乎全部是经典/当代戏剧，包括安东·契诃夫的《万尼亚舅舅》、亨利克·易卜生的《玩偶之家》和《赫达·盖布勒》、路易吉·皮兰德罗的《寻找作者的六个角色》、威廉·莎士比亚的《李尔王》和特伦斯·拉蒂根的《深蓝之海》。