Paul (Morgan) investigates his late father's increasingly disturbing past and becomes suspicious of the mysterious, melancholic, and possibly dangerous, Madeleine (Ardant).

约翰·博耶加、菲丽希缇·琼斯、杰克·莱诺([仲夏夜惊魂])、朱迪·特纳-史密斯将出演惊悚新片[边境](Borderland，暂译)。本片由([不请自来]导演查尔斯·瓜德、托马斯·瓜德执导，故事讲述爱尔兰准军人迈克尔(莱诺饰)在一次边境伏击行动中出错后，目睹孕妻被英国空军特别部队中士坦皮斯特(博耶加饰)枪杀。之后迈克尔加入了一个残忍的现役部队，他将不惜一切代价为妻子报仇。本片将于2021年初在英国开机。

Merlin受母亲的教导从家乡来到宫廷寻找宫廷御医头Gaius学艺。在那儿，魔法被国王严禁使用。Merlin会魔法的秘密还是被被Gaius发现，Gaius不但没有责备他，还收他为养子，并告劝他要将自身的天赋用于正道。Merlin还邂逅了深锁于城堡深处的古代巨龙，巨龙便告诉他自己身负着伟大的使命，而这项艰巨的任务就是保护王子Arthur，使Arthur成为未来的国王。为了能在Arthur身边保护他，Merlin成为了Arthur的贴身男仆。但事情并不像Merlin想象得那么顺利，邪恶的女巫Nimueh发现了Merlin身负的伟大使命，便施计企图陷害他……

在这部由作家杰兹·巴特沃斯执导的黑色喜剧中，曝光了真相和秘密，以及现代婚姻和忠诚的复杂性。在一个拥有80亿人口的社会里，我们找到“另一半”之后会发生什么？我们能否信守自己努力想要信守的承诺吗？毕竟，我们不都只是哺乳动物吗？

由出品四届艾美奖最佳影集【广告狂人】、两届艾美奖最佳影集【绝命毒师】、艾美奖四项提名作品【谋杀】和金球奖最佳影集提名及美国最高收视电视作品【行尸走肉】的金奖电视网AMC，与出品BAFTA英国电影和电视艺术学院奖最佳电视影集【乌托邦】、 【小镇疑云】的英国电视4台，跨越国界，双剑合璧，携手联合制作的八集电视影集《真实的人类》将于六月廿八日晚上九时在美国首映。这出全新科幻影集改编自备受评论界激赞的瑞典获奖科幻影集《Real Humans》，并由英国编剧Sam Vincent 和Jonathan Brackley (【反恐谍报战】) 执笔重新创作剧本。该剧设定在机器人Synth被繁忙都市人广泛使用的世界，呈现人类与机器人的界限愈发模糊后，扣人心弦的矛盾冲突、心理冲击与道德拷问。

当北爱尔兰警察局在28天后无法关闭案件时，大都会警察局的侦探监督Stella Gibson被要求审查此案。在她的新领导下，当地侦探必须追查并制止一名恐吓贝尔法斯特市的连环杀手。

2025 film directed by Jonathan Kent

Set entirely within the seedy Atlantic club, Silver Johnny - a young and talented performer on the road to fame and fortune - is held back by his jealous and protective manager Ezra, owner of the nightclub and father to a psychotic unloved son, Baby. As Silver Johnny progresses up the ladder to stardom, local gangster/entrepreneur Sam Ross begins to take an interest, and the only way to remove opposition (Ezra) appears to be sawing him in half, kidnapping Silver Johnny and leaving the club's fate in a state of limbo.

Ezra is discovered the next morning by his second-in-command, the highly ambitious Mickey, who announces that Ross intends to take over the Atlantic Club, setting the stage for a major power struggle; "He's been fucking cut in half. He's in two bins..."

Terrified by the potential threat of extermination by Ross and his gang, associates of the now deceased Ezra, (Potts, Sweets, Skinny and Baby) begin to lose their nerve, and try to convince themselves it's Mickey's idea of a joke; "It's Mickey's joke, it's Mickey's morning joke!" When this turns out to be false, the Atlantic Club gang prepare for what could be their final night. With just an ancient cutlass and an old Derringer as defence, the group starts to argue amongst themselves and even considers joining Ross, or simply leaving.

As the day wears on, people begin to gather outside the club waiting for the doors to open, oblivious to the situation. Sweating it out inside, the small group of four have to break the tragic news of Ezra's grisly death to Baby, who takes the news in a dreamlike, distant manner. Uneasy about Baby's mental stability, the Atlantic gang begins to become restless - especially about their catering. Arguments break out over frivolous matters (Uncle Tommy), and the group finally settles to consider just what its rivals are doing at that very moment.

In the climax to the fast-paced story, Sweets checks downstairs to see if the coast is clear for the gang to have a little space, rather than being cooped up in a single room, and finds Silver Johnny hanging from the ceiling. In sheer panic, Sweets calls for help, and is joined by the others. Baby reveals that by saving Silver Johnny he killed Mr Ross and discovered that Micky had betrayed them all for a share in the business. Skinny arrives and insults Baby, who responds by shooting him in the head with the Derringer. Mickey, Potts and Sweets attempt to cover the wound and to calm Skinny down, while Baby wanders around aimlessly. Silver Johnny is lowered to the floor and, tragically, Skinny dies. Unable to save Skinny's life, Mickey's authority and status break down, and he kneels beside his friend's body.

Act I

In August 1946 Joe Keller, a self-made businessman, is visited by neighbor, Frank. At the request of Kate, Joe's wife, Frank is trying to figure out the horoscope of the Kellers' missing son Larry, who disappeared three years earlier. While Kate still believes Larry is coming back, the Kellers' other son Chris believes otherwise. Furthermore, Chris wishes to propose to Ann Deever, who was Larry's girlfriend at the time he went missing and who has been corresponding with Chris for two years. Joe and Kate react to this news with shock but are interrupted by Bert, the neighbor boy next door. When Bert brings up the jail Kate reacts sharply. After Ann Deever enters, it is revealed that Ann's father, Steve Deever, is in prison for selling cracked cylinder heads to the Air Force, causing twenty-one planes to crash. Joe was his partner but was exonerated of the crime. Ann admits that neither she nor her brother keep in touch with their father anymore and wonders aloud whether this was responsible for Larry's death. After a heated argument Chris breaks in and later proposes to Ann, who says yes. Chris also reveals that, while leading a company, he lost all his men and is experiencing survivor's guilt. Meanwhile, Joe receives a phone call from George, Ann's brother, who is coming there to settle something.
Act II

While Chris avoids telling his mom about the engagement, their next door neighbor Sue emerges and reveals that everyone on the block still thinks Joe is guilty. Shortly thereafter George arrives and reveals that he has just been to visit his father. Steve Deever had been told by Joe to cover up the cracked cylinders and send them out; Joe is equally guilty of the crime. George insists Ann will not marry Chris, son of the man who destroyed their family. Joe and the rest of the family deny this, but Kate reveals that Joe hasn't been sick in fifteen years. Since Joe's story was that the flu laid him up on that fateful day, George attacks them once more. Frank comes in with the horoscope, which implies that Larry is alive, which is just what Kate wants to hear. Chris, however, is furious at his father despite Joe's explanations that he was merely building a business for his sons, which Chris never accepted.
Act III

Chris has gone missing. Kate, having finally believed the accusations, tells Joe that should Chris come back, Joe must turn himself in. Joe, who only made money because his family wanted to, is stunned at how they are turning on him. Ann emerges soon after and reveals to Kate that she has a letter from Larry. She hadn't wanted to share it, but she knows that Kate must face reality. In the letter, Larry confesses that he plans to kill himself because of his father's guilt. With this final blow, Joe says he'll turn himself in, goes inside to get his coat, then kills himself with a gunshot to the head. At the end, Chris reveals this, and Kate tells him to not blame himself.

一个儿子从小到大都以为自己是家里的独生子，偶然间发现自己不过是好几个克隆版本其中之一。面对儿子的质问，父亲支支吾吾地承认说亲生儿子早年夭折，于是决定让医生克隆一个一模一样的儿子，但医生违背医学伦理，偷偷克隆了好几个。父亲决定要起诉医院。
然而父亲的说法不尽不实：亲生儿子不但没有过世，而且也才得知父亲竟然抛弃了他而克隆出另外的儿子。父子对峙的过程牵出一系列谜团：父亲当年为何要克隆儿子？母亲哪去了？克隆版本的存在对亲生儿子的成长和自我认同产生了怎样的冲击？而克隆人的身份和尊严又如何定义?
The play begins with a father, Salter, and his son Bernard (B2) discussing the fact that the son has found out that he has been cloned. The father claims not to have known this and claims that a hospital must have stolen his cells at some point and made illegal copies of him. He talks about suing the hospital for money. The son then mentions that there were others and the father admits that the son is a clone. He says that the original son and his mother died in a car crash and that he wanted his son back so he had him cloned. Then the original son confronts Salter and has a discussion about the clones, Salter again denies knowledge about the others. It turns out Salter lied about the mother dying in a car crash; she killed herself by throwing herself under a train; and that the original son did not die, but was instead 'sent away' by Salter, unable or unwilling to care for him due to his grief. The first clone then finds out the original is still alive. Bernard (B1) meets with Bernard (B2) and murders him, and then proceeds to commit suicide. Salter then meets with Michael Black, another clone. Michael Black lives a very normal life, has a wife and three children, and is happy. Salter ends up miserable and seemingly alone even though he knows that there are 19 more clones.

《暴风雨》是莎士比亚的最后一部作品。
　　米兰公爵普洛斯彼罗被弟弟篡权，和女儿米兰达一起被放逐海上，流落荒岛。普洛斯彼罗依靠书中学得的强大魔法，解救了岛上受苦的精灵，并借助精灵的力量呼风唤雨，引仇人前来，令他们悔悟认错。最后兄弟和解，普洛斯彼罗恢复爵位，米兰达与王子一同回到意大利。
　　童话故事就这样结束了吗？
　　当然不。这可是莎士比亚的最后一部作品。
　　关于莎士比亚，我们了解多少？
　　剧作家的内心，总是要比他呈现出来的角色更加复杂。如果要写一个剧本做一出戏，在想象中进入这个大文豪的思想宫殿，那么这辉煌才气背后的黑暗地窖，大概会是什么呢？酗酒，嗑药，滥交？不，这些都太普通了。《一个人的莎士比亚》的导演编剧及演员约瑟夫•格雷夫斯，这个对莎士比亚痴迷的戏剧人，想象了一个有趣又浪漫的症结。作为继乔叟后英国最伟大的文学家，莎士比亚一生都在致力于构建组装出最动听的文字，一种能在讲述中，在表演里绽放的语言。作为语言的上帝，他的一生，理应是得意的。可是在他小试牛刀获得一些成功以后，却被迫面对了无法承受的恐惧。那么，莎翁是在谁的帮助下，开启了创作的全盛时期？在他艺术生涯的最后一部作品中，他又将对这一切，做出怎样的了结，写下怎样的嘱托？
　　导演兼改编约瑟夫•格雷夫斯，将《莎翁绝唱：暴风雨》中，给出他的答案。
　　如果说《暴风雨》是莎士比亚留下的“诗的遗嘱”，那么主人公普洛斯彼罗一定是作家自我的表达。因为他们有一个显而易见而且十分可爱的共同点：话唠。

《暴风雨》是莎士比亚的最后一部作品。
　　米兰公爵普洛斯彼罗被弟弟篡权，和女儿米兰达一起被放逐海上，流落荒岛。普洛斯彼罗依靠书中学得的强大魔法，解救了岛上受苦的精灵，并借助精灵的力量呼风唤雨，引仇人前来，令他们悔悟认错。最后兄弟和解，普洛斯彼罗恢复爵位，米兰达与王子一同回到意大利。
　　童话故事就这样结束了吗？
　　当然不。这可是莎士比亚的最后一部作品。
　　关于莎士比亚，我们了解多少？
　　剧作家的内心，总是要比他呈现出来的角色更加复杂。如果要写一个剧本做一出戏，在想象中进入这个大文豪的思想宫殿，那么这辉煌才气背后的黑暗地窖，大概会是什么呢？酗酒，嗑药，滥交？不，这些都太普通了。《一个人的莎士比亚》的导演编剧及演员约瑟夫•格雷夫斯，这个对莎士比亚痴迷的戏剧人，想象了一个有趣又浪漫的症结。作为继乔叟后英国最伟大的文学家，莎士比亚一生都在致力于构建组装出最动听的文字，一种能在讲述中，在表演里绽放的语言。作为语言的上帝，他的一生，理应是得意的。可是在他小试牛刀获得一些成功以后，却被迫面对了无法承受的恐惧。那么，莎翁是在谁的帮助下，开启了创作的全盛时期？在他艺术生涯的最后一部作品中，他又将对这一切，做出怎样的了结，写下怎样的嘱托？
　　导演兼改编约瑟夫•格雷夫斯，将《莎翁绝唱：暴风雨》中，给出他的答案。
　　如果说《暴风雨》是莎士比亚留下的“诗的遗嘱”，那么主人公普洛斯彼罗一定是作家自我的表达。因为他们有一个显而易见而且十分可爱的共同点：话唠。

设定在爱尔兰西部的当代《 邦妮和克莱德》

一种前所未有的新型病毒在富人中流传开来，被病毒感染的人全部先癫狂后死亡，一时间，社会动荡不安，恐惧在所有富豪之间弥漫，富有程度越高，死的速度越快！当“富有”成为了一种病毒，富人、中产、穷人们都将作何反应？作为社会精英阶层的女主又会作何选择，是把自己的财产拱手相送保全性命，还是誓死守护富裕可观的私人财产？

Owen, the prodigal son, returns to rural Donegal from Dublin. With him are two British army officers. Their ambition is to create a map of the area, replacing the Gaelic names with English. It is an administrative act with radical consequences.

Gala's life collapsed when her husband accuses family in financial improprieties. To escape criminals Gala, Julia(mother), daughter hide out in a town in northern Spain. Trying to remain anonymous gossip spreads and family secrets unravel.

When Dillon’s father Harry races back to their tiny apartment to rescue his child, the apartment is in rubble and there is no sign of his son. Three years later, thousands of miles away in Dublin, Harry spots a six-year-old boy in a crowd and is convinced he is Dillon. Desperate to find his son, Harry’s obsession tears apart his marriage to Robin, exposing shameful secrets that lead to the truth of what happened to their son on the night he went missing.

佩德拉萨是西班牙的一个偏远小镇，被莫名其妙的恶魔事件所困扰，大多数居民都失去了理智，被关在精神病院里。陷入昏迷的Elena（Megan Montaner饰）躺在马德里医院的病床上，因悔恨而崩溃的Paco（Miguel Ángel Silvestre饰）试图照顾她。随着恐怖的加剧，主人公们必须面对一个神秘的新敌人（Paul Giamatti饰）——一个扭曲到连恶魔都害怕的人。

2023年1月，派拉蒙+开始在布里斯托的多地拍摄一部新的迷你剧，该剧改编自爱尔兰著名犯罪小说作家简·凯西的惊悚小说《The Killing Kind》。事业成功的律师英格丽德（艾玛·阿普尔顿饰）在约翰·韦伯斯特（科林·摩根饰）被前女友指控跟踪时为他辩护。兼具魅力和危险性的约翰·韦伯斯特，是一名帅气的成功人士，他是英格丽德的前客户，赢了官司之后，她和韦伯斯特开始了一段恋爱关系。但当她尝试结束这段关系时，他背叛了她，把一切搞得一团糟。剧情开始于英格丽德重新建立生活之际，此时悲剧发生了，韦伯斯特再次出现，提出了一项耸人听闻、足以永远地摧毁她的指控。在生活千疮百孔的时刻，英格丽德不知道还能相信谁。

凯茜遇到了杀害她哥哥的凶手迈克尔。她跟踪并骚扰他，尽管他改过自新，但仍决心复仇。当她在心理上折磨他时，她的痴迷升级，在寻求复仇的过程中模糊了幻想和现实。