近日，一部在科索沃拍摄的影片《库库米》引起了人们的普通关注。这部电影反映了科索沃战争时期人们希望的破灭，具有深远的现实意义。故事发生在科索沃的大山里，主人公库库米和他的两个朋友从精神病院里逃出来感觉非常高兴。从1999年北大西洋公约组织进驻这个地区以来，人们一直没有体会到真正的自由和快乐。他们漫步在街道上，感受大墙之外的生机和活力。但现实是残酷的，这一切都只是幻觉，他们找不到真正属于自己的地方，在巨大的失望之后，他们只能再次回到精神病院。该片由科索沃和克罗地亚两家电影公司合拍，由科索沃文化部出资，全部预算仅27万7千美元。导演科奥斯佳计划将该片在国际电影节上推广。
科索沃导演伊萨·科奥斯佳执导的影片《Ｋｕｋｕｍｉ》获得了萨拉热窝国际电影节评委会大奖和１万欧元奖金。
由于种种原因，伊萨·科奥斯佳17年来未能拍摄一部影片，《Ｋｕｋｕｍｉ》是他重返影坛的第一部作品。这部影片讲述了1999年科索沃爆发战争后，三位精神病患者逃离精神病院的故事。 影片全部在科索沃当地拍摄，并于上周三在萨拉热窝电影节上举行了首映式。

主人公阿本就是“阿尔巴尼亚人”，来自欧洲最贫穷的国家阿尔巴尼亚，唯一心愿就是挣钱回乡迎娶自己心爱的女人。然而这个黄金之国并不欢迎陌生人，只有强者才能生存。“阿尔巴尼亚人”决心成为“强者”，但他发现蒙骗自己的良心并不能保证一张最终回家的车票。

After a year of online pillow-talk, Ben, a shy Kosovar teen, is beyond-excited to finally meet his first (but secret) love, Leo. Consumed with passion, Ben carefully weaves the plans and cover-story for his romantic tryst with Leo who is arriving from Germany in just one month. Everything must be perfect. Great news, Ben's mother surprises the family with a life changing opportunity, but Ben just can't accept it yet. He must meet Leo.

The children transform into adults before our eyes. Yet they remain in limbo, haunted by memories of the war in Kosovo. Combining raw realism and staged performance, Afterwar is a meditation on the long-term repercussions of war.

Maybe the wolves are here for a reason?
One among 4 million people forced to leave their homeland during the 10 years of the Balkan Wars, Swiss national Fisnik Maxville returns to Kosovo with a tremendously disturbing hard-hitting story about the bloody legacy of ethnic hatred. Orphaned in a foster family, Remo was 15-years-old when he took a humanitarian flight to get away to Switzerland. He can’t recall any memories about his disappeared parents. After peaceful boyhood years in Switzerland, the honest rebel accepts a call from cousin Una to help recognise the remains of possible relatives exhumed from a mass grave. The unwanted and unwelcome trip to the homeland will tear open his old scars, unforgotten fears and the all-too-painful shame.
Surrounded by vicious wolves and restless ghosts, Remo and Una trying to retrieve the missing pieces of their families. Tormented by destiny, the young victims get closer intimately, while also hiding crucial harsh truths from each other as their heart-breaking investigation of hidden identities digs into the disappearances of their closest ones, Orestina, Besim and Skender.
Kosovar actress Luàna Bajrami strikes with a powerful, fearless, personal and dedicated first leading performance, which is more monumental than anything she has done in France (supporting roles in “Portrait of a Lady on Fire”, “Final Cut”, “Happening”). In this intense, multi-layered, sombre, and wolfiest fiction debut, rewarded documentarist Fisnik Maxville (Winner of Junior Jury Award with the short film “Lost Exile” in Locarno) jumps to a scary past in emotional flashbacks to recall gorgeous pieces of Kosovar culture, traditions, customs, history, destroyed by hatred, blame, jealousy, and silenced guilt.
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科索沃 2000年，科索沃战争已经结束，深山中的小村庄正在战后重建。教师露茜因良心难以安宁，告诉了报社自己和其他3位女性在战争中被塞尔维亚士兵强奸了。匿名新闻登出来后，气坏了保守的穆斯林小村庄村民们……有数据表明1999年的科索沃战争导致了约两万名女性被塞族士兵强奸，但 是绝大多数受害者都不敢出声。
电影《三扇窗户和一次上吊》首映于2014年波黑萨拉热窝电影节主竞赛单元，获得了Cineuropa Prize外围奖。科索沃今年(2014年)有3部候选电影。科索沃第一次选送电影参与奥斯卡外语片奖。