乔治（乔纳森·莱斯·梅耶斯 Jonathan Rhys Meyers 饰）是衔着金汤匙出生的富家大少爷，在母亲伊莎贝尔（玛德琳·斯托 Madeleine Stowe 饰）的放纵和娇惯之下，乔治的性格变得非常的自大和独断专横，不容许有任何违背自己意志的事情发生。
伊莎贝尔决定再婚了，而结婚的对象是一个名叫摩根（布鲁斯·格林伍德 Bruce Greenwood 饰）的男人，这令乔治感到非常的愤怒，因为他爱上了摩根的女儿露西（格瑞辰·摩尔 Gretchen Mol 饰）。乔治想尽了一切方法破坏摩根和伊莎贝尔的婚事，最终，不堪忍受的摩根带着露西离开了当地。一晃眼多年过去，年事已高的乔治对自己曾经的所作所为开始感到后悔起来。

A disconnected teenage girl named Lea, who enters a relationship with a man twice her age. Lea sees him as the solution to all her problems, but his intentions are not what they seem.

剧情

Bettie Page是上世纪五十年代最有名的海报女郎，性感而疯狂，以一身SM装扮闻名，记得ZIPPO也出过一系列印有她图案的火机。这位广告封面女神风靡了整个美国1950年代，是美国最早的女性偶像之一。她的风情身姿、挑逗眼神遍布明信片、扑克牌和唱片封套，《花花公子》中插页的大胆照片更是激起每个男子的无限幻想。虽然出身虔诚天主教家庭，但这毫不影响她在民风保守的五零年代就大胆地拍摄性虐与同性恋写真集，其影响所及甚至惊动国会掀起全面调查风波。

幕后

说起导演玛丽·哈伦，人们也许还对几年前她编导的《美国精神病人》（American Psycho）记忆犹新，这部被美国电影协会定为NC-17级的影片以其惊悚恐怖的氛围、辛辣的黑色讽刺意味在当时掀起轩然大波。影片中残忍的血腥屠杀与杀手的冷血变态让许多人一度再也不敢深夜里出来闲逛。此次，玛丽·哈伦带来《大名鼎鼎的贝蒂·佩吉》不禁让人心生期待。

午夜的黑暗与白昼的光芒如一体两面般集于一身，贝蒂·佩吉是时尚界的一个传奇。她出身于美国田纳西州一个保守派家庭，正如每个邻家女孩一样的甜美，但是命运把她带到了照相机前聚光灯下，让她迷惑住所有人的眼睛。而参议院的调查则反效果的把贝蒂推上全美的情色偶像之位。成千上万的人疯狂地追随模仿她的一切，深色皮肤、黑色头发、前卷刘海，直到她神秘的消失。观众尽可以在玛丽·哈伦的引导下回溯过去，欣赏这个安静羞赧的南部女孩如何在镜头前与美国大众分享她的半裸身体。当然，影片不会仅止于此。贝蒂的生活点滴和模特生涯透射的是导演对1950年代的性问题、宗教及流行文化的独特诠释，是那个已然逝去但依稀仍存的过去的美国。想怀旧？那么来吧。

美国电视剧

故事开始在一个突降大雪的夜晚，十月怀胎的Nora（格瑞辰·摩尔 Gretchen Mol 饰）肚子作动，身为医生的丈夫David（德蒙特·莫罗尼 Dermot Mulroney 饰）决定送她去自己的诊所，同时打电话给护士Gil（艾米丽·沃森 Emily Watson 饰）让他赶紧去诊所准备。

showtime预订由乔·博恩瑟主演的《美国舞男》试播集。该剧翻拍自1980年保罗·施拉德导演的同名影片，故事讲述了一位高级舞男和一位政客的妻子产生了情愫，而他意外成为了一宗谋杀案的嫌疑人，只有政客的妻子能证明他的清白，但这就意味着两人的关系会曝光...

亚伦（约瑟夫·费因斯 Joseph Fiennes 饰）是一名平凡的大学生，利用课余时间，他在高级旅馆做服务生来赚取外快。一次偶然中，亚伦在工作的过程里邂逅了名为艾拉（格瑞辰·摩尔 Gretchen Mol 饰）的姑娘，艾拉的美丽和聪慧很快就吸引了艾伦的注意，两人之间产生了神奇的化学反应，很快，他们就走到了一起。
然而，这段感情注定将会是没有结果的，因为艾拉是有夫之妇，她的丈夫马克（雷·利奥塔 Ray Liotta 饰）是一位德高望重的政府公职人员。在爱意的趋势之下，亚伦头脑发热，向马克倾诉了自己对于艾拉的感情，这令马克妒火中烧。对于亚伦的横刀夺爱，马克当然不会善罢甘休，他想出了一个计谋，来除掉亚伦。

查理瑟伯是格雷大学的一位英语教授。今年他正争取获得终身职位，但最近目睹了好朋友、人类学教授杰伊申请终身职位受挫后，他也开始担心了。当英语系招募了一位性格的金发耶鲁英语教授后，查理变得更加担心了。

翻拍自1980年保罗·施拉德导演的同名影片，讲述了一位高级舞男和一位政客的妻子产生了情愫，而他意外成为了一宗谋杀案的嫌疑人，只有政客的妻子能证明他的清白，但这就意味着两人的关系会曝光...

一个盗贼行事直接、杀人不眨眼，某次他去给一个活儿擦屁股，结果迎来了一个更大的大活儿，“我们要偷窃一整个国家。”但需要这支几人团队去对抗“一个黑帮+一个亿万富翁+一支军队”。

Millers in Marriage follows Eve Miller, the former lead singer-songwriter of an indie rock band, who finds herself drawn to a music journalist amid a toxic marriage. Meanwhile, Eve’s sister Maggie, a bestselling author, is encountering challenges in her marriage of 30 years as her career surpasses her husband’s. At the same time, Renee, a recently divorced successful fashion executive, is navigating a budding relationship with Andy Miller, an artist who is juggling his feelings for Renee and his recently separated wife Tina, Renee’s former colleague.

When Adam Sorenson (Paul Rudd), an English Literature major at Mercy College, a fictitious Midwestern college, meets Evelyn Ann Thompson (Rachel Weisz), an attractive graduate art student, at the local museum where he works, his life takes an unexpected turn. Never having had success with women, he is flattered when Evelyn shows an interest in him and, at Evelyn's suggestion, begins a regular exercise regimen, eats healthier foods, dresses more stylishly, acts more confident and dominant, as well as purchases contact lenses. These initial changes regarding Adam's physical appearance are well received by Adam's friend, Phillip (Frederick Weller), and Phillip's girlfriend, Jenny (Gretchen Mol). Later however, Evelyn cajoles Adam into undergoing plastic surgery and succeeds in persuading him to cut himself off from Phillip and Jenny. It seems all Evelyn wants Adam to do is change everything about himself into what is more conventionally acceptable.



In the penultimate scene, Adam learns that he has been part of Evelyn's MFA thesis project, a topic often touched on in conversation throughout the film but never fully explained. Evelyn relates that she had been instructed to "change the world" by her graduate adviser, but that she has chosen to change "someone's world", her academic work ultimately consisting of "sculpting" Adam into a more attractive human being. She presents Adam before an audience of students and faculty as her creation. Accordingly, none of the feelings she has shown him throughout the film are genuine; at no stage in their "relationship" does she fall in love with him; her videotaping of their lovemaking is just a part of the project's documentation. In fact, she announces before a live audience at her gallery opening that she is not going to marry him and the engagement ring he offers her is simply one of the exhibits of her art installation, the "capper to my time at Mercy."



Publicly humiliated and devastated, Adam confronts Evelyn, demanding an explanation for her actions. She responds by saying that he should in fact be grateful to her, claiming that, objectively speaking, she has been a positive influence on his life, making him a more attractive and interesting person in the eyes of society.



In the final moments of the film, Adam stands alone, surrounded by the remnants of his life before and after Evelyn.

When Adam Sorenson (Paul Rudd), an English Literature major at Mercy College, a fictitious Midwestern college, meets Evelyn Ann Thompson (Rachel Weisz), an attractive graduate art student, at the local museum where he works, his life takes an unexpected turn. Never having had success with women, he is flattered when Evelyn shows an interest in him and, at Evelyn's suggestion, begins a regular exercise regimen, eats healthier foods, dresses more stylishly, acts more confident and dominant, as well as purchases contact lenses. These initial changes regarding Adam's physical appearance are well received by Adam's friend, Phillip (Frederick Weller), and Phillip's girlfriend, Jenny (Gretchen Mol). Later however, Evelyn cajoles Adam into undergoing plastic surgery and succeeds in persuading him to cut himself off from Phillip and Jenny. It seems all Evelyn wants Adam to do is change everything about himself into what is more conventionally acceptable.



In the penultimate scene, Adam learns that he has been part of Evelyn's MFA thesis project, a topic often touched on in conversation throughout the film but never fully explained. Evelyn relates that she had been instructed to "change the world" by her graduate adviser, but that she has chosen to change "someone's world", her academic work ultimately consisting of "sculpting" Adam into a more attractive human being. She presents Adam before an audience of students and faculty as her creation. Accordingly, none of the feelings she has shown him throughout the film are genuine; at no stage in their "relationship" does she fall in love with him; her videotaping of their lovemaking is just a part of the project's documentation. In fact, she announces before a live audience at her gallery opening that she is not going to marry him and the engagement ring he offers her is simply one of the exhibits of her art installation, the "capper to my time at Mercy."



Publicly humiliated and devastated, Adam confronts Evelyn, demanding an explanation for her actions. She responds by saying that he should in fact be grateful to her, claiming that, objectively speaking, she has been a positive influence on his life, making him a more attractive and interesting person in the eyes of society.



In the final moments of the film, Adam stands alone, surrounded by the remnants of his life before and after Evelyn.